Tag Archives: Film

The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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The Moon Thieves (The Moon Thi4v3s, Dao yue zhe, 盜月者) – Movie Review

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TL;DR – While the plot will not be a great surprise to anyone who has watched a heist film before, the cast makes it a fun ride.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid to see this film.

The interior of a watch.

The Moon Thieves Review –

Long-time readers will know that I love a good heist film, the set-up, the mission when it all goes to pot. However, I have seen how many Western filmmakers have explored the genre, and that is just a tiny section of the filmmaking community. Today, we will start fixing this by looking at a film out of Hong Kong about the surprising world of counterfeit watches.

So, to set the scene, Vincent Ma (Edan Lui) is known in the counterfeit business as someone who creates frankenwatches. These are watches made from original parts but cobbled together for many different watches. This is a lucrative, if dangerous business, even more so when he is called upon by the local crime lord Uncle (Keung To), who is the son of the original Uncle but kept the name. Uncle needs Vincent and Chief (Louis Cheung) to put a group together to replace and steal three precious Picasso watches that have been found in Tokyo. Vincent does not want to do this, but he has no choice. But then, this introduction to a broader criminal world might be just what he needs for his ultimate goal: to find the lost Moon Watch, the first watch worn on the Moon by Buzz Aldrin.

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Dune: Part Two – Movie Review

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TL;DR – Even with such a weight of expectation that I had for it, Dune: Part 2 still stuck the landing with a gusto I was not expecting.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Paul stands in front of an explosion.

Dune: Part Two Review –

I need to be clear when coming into this that this might have been the most excited I have been to see a film since maybe The Lord of the Rings. I adore this universe (okay, only the first three books, don’t @ me), and to see the First Film not only get the universe they were adapting but also have the budget to show it off. Well, there is a reason it was my favourite film of 2021. However, that is a lot of expectation, and in my experience, that can be a recipe for disaster.

So to set the scene, the plan of Baron Vladimir Harkonnen (Stellan Skarsgård) has succeeded. With the help of  Padishah Emperor Shaddam IV (Christopher Walken), Arrakis/Dune is his, the Atreides are dead, the millennia-long feud is over, and Feyd-Rautha Harkonnen (Austin Butler) is getting ready to take over from his incompetent brother Glossu Rabban Harkonnen (Dave Bautista). There is only one problem: not all the Atreides are dead, for Paul (Timothée Chalamet) and Lady Jessica (Rebecca Ferguson) made it through the desert to the Fremen people and are now in the hands of Stilgar (Javier Bardem) and Chani (Zendaya). It was safety brought with a blood price, which is increasing as the Harkonnen troops send patrols deeper into the desert. For Paul, his new place with the Fremen could be a way to find revenge for the destruction of his family, but is he ready for leadership to be thrust upon him? For once the Fremen are unleashed, can they be stopped?

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Kill Me If You Dare (Zabij Mnie, Kochanie) – Movie Review

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TL;DR – It is an incredibly silly film, but if that is the vibe you are after, then it nails it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A knife falls to the floor.

Kill Me If You Dare Review –

I think there is one thing that is almost universal across most cultures: what would you do if you won the lottery, or as we call it here, the lotto? Just asking that question probably provoked a number of thoughts as to what you would do with such a large amount of money. But what would you do if you were married and things were not as good as they could be?

So to set the scene, we open in this grand romantic gesture as Piotr (Mateusz Banasiuk) races to catch Natalia (Weronika Ksiązkiewicz) before she leaves on the train. But while he misses the train, he does not miss the love of his life, and he instantly proposes. Five years later, the love is not as strong as it once was, but maybe a shock lotto win might change that. Well, perhaps not if each other thinks the other wants to murder them and take the money for themselves.

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Force of Nature: The Dry 2 – Movie Review

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TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review –

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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Ashes (Kül) – Movie Review

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TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review –

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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Badland Hunters (Hwang-ya/황야) – Movie Review

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TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review –

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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