Tag Archives: Movie Review

Badland Hunters (Hwang-ya/황야) – Movie Review

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TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review –

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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Sixty Minutes (60 Minuten) – Movie Review

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TL;DR – While the narrative needed some strength, we got a quality action film with some stand-out brawls.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Octavio runs while time counts down.

Sixty Minutes Review –

It is Action Friday because after finishing off the final episode of Reacher’s second season, it is time to take a trip to Berlin to check out a German action film. While we have seen a lot of action films, I realised that I have never seen one out of Germany before. Well, today is the day I will fix that.

So to set the scene, Octavio Bergmann (Emilio Sakraya) is an MMA fighter who is stuck in a dilemma. He is facing the biggest and most prosperous fight in his life. But it is also his daughter Leonie’s (Morîk Maya Heydo) birthday, and the fighter Benko (Aristo Luis) is late, very late. He is stuck between a rock and a hard. But when his ex and mother of Leonie, Mina (Livia Matthes), gives him an ultimatum: see his daughter by 6 pm (one hour away) or be cut out of her life, well, that decision becomes clear for Octavio. Just maybe not for all the shady people who put bets on the fight. Oh, and it is rush hour in Berlin.

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Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Chicken Run: Dawn of the Nugget – Movie Review

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TL;DR – While it does not quite hit the heights of the first film, it is still a fun time.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The many faces of Mrs Tweedy.

Chicken Run: Dawn of the Nugget Review –

Well, if there has been something I have been waiting for an age for, it is a dive back into the world of Chicken Run. The original film was such a delight that it still sits in my Top 10 Animation Films of All Time list. However, after some understandable voice cast changes and some less understandable changes, some concerns did slip in. Thus, it is time to see if lighting can strike twice in the world of clay animation.

So to set the scene, it has been some time since Ginger (Thandiwe Newton), Rocky (Zachary Levi), Bunty (Imelda Staunton), Mac (Lynn Ferguson), Babs (Jane Horrocks), and Fowler (David Bradley) escaped from Mrs Tweedy’s (Miranda Richardson) farm and landed in the bird sanctuary. Since then, they have founded a new society, built houses, planted all sorts of crops, and started having chicks. Well, Ginger and Rocky’s daughter Molly (Bella Ramsey) is at that age where she wants to understand the world outside of their little island, with all the drive of her mother. But when a new road is built, and the danger of humans reappears, the chickens decide to hide rather than fight, which is when Molly decides to sneak out in the middle of the night.

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The Boys in the Boat – Movie Review

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TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review –

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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The Family Plan – Movie Review

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TL;DR – An interesting idea and solid family dynamics, that unfortunately gets dragged out past its strong point.

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid for the Apple TV+ service that viewed this film.

The back of the minivan with family stickers.

The Family Plan Review –

There are some actors that play themselves in every film they are in, which can be a good or a bad thing, depending on the movie. If there is a perfect example of this, it is Mark Wahlberg, who I can keep or take depending on the outing. Today’s film looks like it will be something right my alley, but I have been burnt before.    

So to set the scene, Dan Morgan (Mark Wahlberg) is a mild-mannered family man who is friends with the whole neighbourhood, does a good job selling cars, has a slightly dysfunctional family life, and does not like his photo taken. Which makes it most surprising when he is at the shops, an assassin attacks because it looks like someone has been burnt, and a whole world of pain is about to come to suburban Buffalo.

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Leave the World Behind – Movie Review

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TL;DR – What happens when the world slips away from you but only fragments at a time until you don’t even realise you ran off a ledge?

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

An Oil tanker crashes into the beach.

Leave the World Behind Review –

The disaster film is such an intriguing genre, especially when you are not sure what disaster you are in or even if there is one going on. For me, it is not the disasters themselves that bring the core of the work, but how people respond to the crisis. This week, we look at a film that focuses mainly on that, and I found it to be deeply compelling.  

So to set the scene, Amanda Sandford (Julia Roberts) and her husband Clay (Ethan Hawke) have had a long, stressful year, and one morning, as Amanda was up not sleeping, she decided to randomly book the family for a trip away in a hamlet by the beach. The aim is to leave the world behind for a time, and the house absolutely provides all of that. All is going well until an oil tanker crashes into the beach, and the TV and Wi-Fi stops working. Which is when late at night, there is a knock on the door when the purported owners of the house, G.H. Scott (Mahershala Ali) and his daughter Ruth (Myha’la), arrive and decide to stay.   

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The Boy and the Heron (Kimitachi wa Dō Ikiru ka, 君たちはどう生きるか) – Movie Review

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TL;DR – A heartbreaking and devastating exploration of grief set to a beautiful backdrop and wacky characters.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Mahito walks through grass.

The Boy and the Heron Review –

When you look at the great animation studios of history, one name does tend to stand out, so much so that we wrote a whole article about The Beauty of Ghibli. For a long time, we thought that there would be no more films because creator Hayao Miyazaki had retired. However, it seems like Miyazaki-san does not like to take it easy, and it means that we get another of his movies, and who am I to disagree?

So to set the scene, Mahito Maki (Soma Santoki/ Luca Padovan) is a young boy during WW2 who is haunted by the day he watched as the hospital with his mother inside burned to the ground. He has not really had a chance to process this when his father Shoichi (Takuya Kimura/ Christian Bale) marries his late wife’s younger sister Natsuko (Yoshino Kimura/ Gemma Chan) and moves into her estate in the countryside, where a Grey Heron (Masaki Suda/ Robert Pattinson) pays a particular notice to the new arrival.  

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Enola Holmes 2 – Movie Review

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TL;DR – While it is not much more than a fun romp through this universe, sometimes that is all you need.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film

Enola looks at a map.

Enola Holmes 2 Review –

When the first Enola Holmes rolled around, I wounded if they could bring something new to the Sherlock Holmes world, given its many adaptations recently. The answer was a resounding sort of. Some moments landed, even if it was a relatively straightforward story. However, the characters shone through, and it was clear that Millie Bobby Brown was giving it their all, making the thought of a sequel a good idea. Now we are here, well it was a fun time.    

So to set the scene, since Enola Holmes 1, Enola (Millie Bobby Brown) has started up her own detective agency. The only problem is that no one believes she can be helpful, and they just want to see her brother Sherlock (Henry Cavill). However, when she is about to throw in the towel, a young Bessie (Serranna Su-Ling Bliss) comes with a month-old newspaper clipping. Because her sister Sarah (Hannah Dodd) is missing, and no one cares because they work in a match factory. She is poor and not worth the time for many, but not Enola because a case is afoot.    

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