It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. Some works held up a mirror to society, those that explored Indigenous voices, and those that brought the action to a new level.
This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.
One of the benefits of film is that it is a visual medium, which means that it can do in a frame what it might take a book several pages of description to pull off. We see this the most in its ability to build worlds in front of our eyes.
These worlds could be great space operas exploring galaxies, a small period piece that looks back in time, or anything. But when every part of the film is used to tell a story, you know it is good.
One factor that I will always look out for in a film is the musical score. I can get caught in the world of music as it sits in my head in the days, weeks, months, and even the years that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do not know why, or rejoice in the triumph of that final victory.
Music charts the cinematic world as it guides us, lifts us up, and yet it can also crush our souls with a couple of notes on a piano. This is its power.
Also, a reminder that this award is for Musical Scores and Original Songs only, so no needle drops or non-original songs, so prepping you for Wicked not being on this list right from the start. However, it would be remiss of me not to at least mention the cultural relevance of Deadpool & Wolverine using a choral version of Madonna’s Like a Prayer.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
Well, we have looked at Action, then Emotion and swung wildly across the spectrum to Fun, and now we are completing that trifecta by looking at Tension. Tension is one of the most challenging facets of filmmaking because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses, then an essential part of the film falls apart.
In 2024, we continued to see some excellent use of tension to build mystery, to be the harbinger of the coming dread, or even to tick the clock of inevitability.
We looked at the films that hit us in the feels with emotions in our last awards. Now it is time to pivot hard to the other side of the spectrum and look at the films that were a riot of fun. So today, I take a moment to champion those works that brought joy, whether through upbeat action, one laugh after another, or that silliness that brings a smile to your face.
However, I note that this might be the most subjective of all the lists because what people think is funny can vary drastically.
As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger.
Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.
A good action sequence is genuinely impressive to watch, as it can be as expansive as explosions crashing across the screen or more intimate, like a duel between two people. This gives the best action scenes such a range, and in 2024, we were given some unique spectacles.
For me, the best action scenes excel in every element, whether that be live actions, special effects, digital effects, or animation, and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand, like stunt coordination or the 2nd unit.
2024 was the year that action dominated both the big and small screen, so much so it was hard to get this category down to a shortlist, given how many good examples we got. However, power through I must, and here we go with the rich and varied world of action.
TL;DR – While it has not reached the heights of its predecessors, it was still a joy to be back in this world.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Post-Credit Scene – There is a mid and end-credit scene.
Disclosure – I paid to watch this film.
Paddington in Peru Review –
Few films series have hit such high expectations as the Paddington series, especially after just two films. Paddington 1 will always hold a special place in my heart because of getting to watch it with friends at a drive in one day and the joy that came with it. I don’t think I need to tell you about Paddington 2, given its impact on the film landscape. I mean, it was an entire plot point in The Unbearable Weight of Massive Talent. But can they make it a hat trick? That is what we will find out today.
So, to set the scene, there have been a lot of changes to the Brown household. Henry (Hugh Bonneville) has a new boss, Madison (Hayley Atwell), who has told him he has to embrace risk. Judy (Madeleine Harris) has begun looking for a University, Jonathan (Samuel Joslin) has gone full-teenage and spends all his time in his room, and Mary (Emily Mortimer) is struggling with the coming empty next. But Paddington (Ben Whishaw) has just gotten his British citizenship and passport, which was just in time because The Reverend Mother (Olivia Colman) of The Home for Retired Bears in Peru writes to let everyone know that Aunt Lucy (Imelda Staunton) not well. The Brown family rush to Peru, but when they get there, they find out that Aunt Lucy is missing and only Paddington might know where she has gone.
TL;DR – A fascinating look at a pop icon that takes some wild swings that don’t always pan out.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Disclosure – I paid to watch this film
Warning – contains scenes that may cause distress.
Better Man Review –
Today, we look at one of the oddest films that I watched in 2024. On the one hand, this was a very boilerplate biopic that explored the life of pop icon Robbie Williams. However, they also make massive artistic choices throughout the film, most notably by depicting the focus of the biopic as an ape. This was a fascinating choice, but did it work? And that is the question we will explore today.
So, to set the scene, Robbie Williams (Robbie Williams/Jonno Davies/Adam Tucker) had spent most of his life growing up in the small town of Stoke-On-Trent. Living with his mother Janet (Kate Mulvany) and Nan Betty (Alison Steadman) after his father Peter (Steve Pemberton) left to try and be an entertainer. He hasn’t done well at school because he has these lyrics in his head and a drive to be famous. It’s a good thing that his first big break has just strolled into town as Nigel Martin-Smith (Damon Herriman) is looking for boys to be part of a new band, Take That, which is Robbie’s chance to get out of this town and make something of himself.
TL;DR Movie Reviews and Analysis 