Tag Archives: movies

The Accountant 2 (The Accountant²) – Movie Review

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TL;DR – A surprisingly fun romp that finds a way to make an odd 8-year-old sequel work in the context of now.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A precise breakfast of three eggs, bacon, and pancakes.

The Accountant 2 Review –

When I got the invitation to see The Accountant 2, I was honestly surprised. I had not heard much about a sequel, and I think that the first film might have aged a bit better than some of its contemporaries. I still only have vague recollections of the movie with an interesting premise, a strong performance, but it is also profoundly messy on every level. But, even if that first film didn’t quite live up to the potential it merited, there was enough there for me to wonder what would happen if they got a second bite at the apple, and this is what we are looking at today.

So, to set the scene, it has been eight years since The Accountant and Christian “Chris” Wolff (Ben Affleck) is still auditing banks and deals for organised crime, travelling around in a trailer home, and also giving tips to the Financial Crimes Enforcement Network (FinCEN). Well, the former head of the FinCEN, Raymond King (J. K. Simmons), is only semi-retired because now and again, he picks up a case that means something to him. But when a meeting with a mysterious woman (Daniella Pineda) goes wrong, he leaves a note for his successor Marybeth Medina (Cynthia Addai-Robinson) to contact The Accountant. Because only they might be able to solve this puzzle.

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Drop – Movie Review

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TL;DR – Drop is uncomfortable and unsettling but also deeply compelling. It’s one of those thrillers that has you on the edge of your seat, wondering if anyone will make it out alive.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening.

Warning – Contains scenes that may cause distress.

A phone message to check your security cameras.

Drop Review –

Even though film is an old visual medium, it is always trying to connect with and incorporate modern technology. While some films like Searching take that concept to the extreme, others sit back and pick the lazy option and just show a message pop up on a screen. It takes a lot to have modern technology fit naturally into your movie. But today, we look at an entry that just might pull that off.

So, to set the scene, Violet Gates (Meghann Fahy) is a single mother to Toby (Jacob Robinson), and that and her work supporting victims of spousal abuse and coercive control have meant that she has not gone on a date for a very long time. But today is different; her sister Jen (Violett Beane) is coming over to babysit, and tonight, she is going out on a date with what seems like a perfect gentleman who has been chatting to her for months and has not asked for a feet pic once. Her date, Henry Campbell (Brandon Sklenar), is taking her out to a fancy restaurant called Palate, with a view right over the Chicago cityscape. It could be a perfect date, right up until she starts getting obnoxious messages on her ‘Digi-Drops’ app. They are annoying, and she is about to turn the app off when it tells her to look at her home security cameras and do whatever they ask her to do, or her sister and son are dead.

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G20 – Movie Review

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TL;DR – Much like the action films of the 1990s, which were a clear inspiration, G20 may hit just about every cliché in its runtime, yet it still gets to be a fun blast.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid for the Amazon Prime service that viewed this film.

All the world leaders standing together for the group G20 photo.

G20 Review –

My background is in International Relations, and one of the many facets it explores is the strength and use of international organisations. These tend to be contextually quite dull from a Hollywood story perspective, but every now and again, my two worlds collide. Sometimes, these are pretty fascinating choices, like in The Hitman’s Bodyguard, and other times, they can be a confusing mess, like with Rumours. However, today, we are upgrading from the G7 to the G20, and calamity is afoot.  

So, to set the scene, something is very wrong in Washington DC. It is so bad that they must wake Madam President Danielle Sutton (Viola Davis) in the middle of the night. Because her daughter Serena (Marsai Martin) found a new way to get around the Secret Service and escaped the White House to go to a party. Now on her first international trip, President Sutton is on the backfoot domestically and internationally as she arrives in Cape Town, South Africa, to sell the G20 on her plan for a digital currency for farmers. The hotel was meant to be a fortress, but a fortress only protects from external threats. One surgical strike later, and the security becomes terrorists, and now twenty world leaders are hostages.     

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Flow (Straume) – Movie Review

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TL;DR – A stunning work of animation that conveys so much without saying a word. You are brought into this story in the opening moments, and it captivates you until the final frame.  

Rating: 5 out of 5.

Post-Credit Scene – There is an end-credit scene.

Disclosure – I paid to watch this film

Cat looks up to a big sculpture of a cat.

Flow Review –

There was one film that I wanted to catch last year, but no matter how much I tried, the film festival screenings never lined up for me. Well, since then, Flow has won the Oscars for Best Animated Film and we have finally gotten a full realise here in Australia. That meant that I had to dive in and give it a watch, and I am so glad that I did.

So, to set the scene, one day, Cat (Miut) was going about its usual day, stretching and sleeping in the old sculpture studio that it calls home and then lazily dropping down to the river to catch some dinner and get something to drink. But this day, a pack of dogs were hounding everyone by the river, and Cat had to make a run for it. But just when they thought they were safe, a cacophony of noise explodes from down the river as a deer horde races away from a flood. Cat manages to escape back to their house, but the next day, the water starts lapping against the house, and for the first time, they realise that home might no longer be safe.  

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The Bad Guys: Little Lies and Alibis – Movie Review

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TL;DR – A delightful return of these fun characters that knows precisely how long you can lean into the shenanigans without outstaying their welcome.      

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was given a free ticket to see this film.

The gang in a line up.

The Bad Guys: Little Lies and Alibis Review –

Back in 2022, there was this odd kid’s animated film that came out of nowhere and quietly captured my heart. The Bad Guys was such a fun blast of energy from start to finish, and who doesn’t like a good heist? I knew that the sequel was going to come out later in 2025, but talk about my surprise when I got a sneaky reunion a touch early before I watched Dog Man.

So, to set the scene, at the end of The Bad Guys, the titular bad guys discovered in themselves that even though they were going to prison, they were not, in fact, bad guys but good guys. Well, after serving their time, Mr Snake (Marc Maron), Mr Piranha (Anthony Ramos), Mr Shark (Craig Robinson), and Ms Tarantula (Awkwafina) are still required to visit a parole officer which they can’t miss. Which, of course, means that they are about to have a disaster of a day, which includes an unfortunate run-in with chicken nuggies.

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Dog Man – Movie Review

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TL;DR – This is a profoundly silly premise. However, they commit to it with such gusto that you can’t help but be brought along with it.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was given a free ticket to see this film.

Dog Man jumping in the air.

Dog Man Review –

There are animation studios out there that are defined by the visual style that they use in their films. You can look at a Studio Ghibli or Pixar film and know it comes from one of those studios. This was once the case for DreamWorks Animation. However, in recent years, I have been fascinated by the different experiments that they are taking with their animation styles. Puss in Boots: The Last Wish, The Wild Robot, and The Bad Guys have all shown this in action. Today, we get to see the next entry in this experiment with Dog Man.   

So, to set the scene, Ohkay City is under threat from Petey (Pete Davidson), the world’s most evil cat. Chief (Lil Rel Howery) sends out the only team that can take Petey down, Officer Knight (Peter Hastings) and his Golden Retriever Greg (Peter Hastings). They may be a menace, but they are the only hope the city has, that is, until tragedy strikes. A bomb set by Petey explodes badly, injuring Knight and Greg. There is no hope until a nurse has a bright idea: why don’t we attach the good dog head and the good human body, and Dog Man (Peter Hastings) was born?     

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The Day the Earth Blew Up: A Looney Tunes Movie – Movie Review

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TL;DR – A fun pomp back to that past nostalgia, which, while not quite having the strength to get all the way to the end, was still a blast when it leaned into the looney side of the toons.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I paid to watch this film.

Daffy Duck and Porky Pig

The Day the Earth Blew Up: A Looney Tunes Movie Review –

Unfortunately, if there has been an entity that has been the most affected by this current blight of shelving products for tax purposes, it has been the Looney Tunes. So, to see one of those fallen products escape containment and get a release was reason enough to make it down to the cinemas. My big question was: could it connect with a new audience? And I was fascinated to see the outcome.  

So, to set the scene, Daffy Duck (Eric Bauza) and Porky Pig (Eric Bauza) have grown up together under the guidance of Farmer Jim (Fred Tatasciore). But with him gone and suburbia encroaching on their former farm, they are stuck with a profound predicament: find $10,000 to fix a hole in their roof, or their house will be condemned. But what caused the hole? Why is that scientist (Fred Tatasciore) covered in goo? And does it have something to do with Petunia Pig (Candi Milo), who just walked into the coffee shop?

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Disney’s Snow White (2025) – Movie Review

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TL;DR – While it is not the disaster that everyone fears, you can still see the narrative decisions that held it back from being quite remarkable.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

Snow White.

Snow White Review –

Now, I have not been the biggest fan of the current batch of Disney films that turn their classic animated works into live-action works, or if you are The Lion King ‘live-action’. They tend to struggle because they have a hard time finding a new voice when they are anchored to the past. Well, today, we go all the way back to the first-ever animated feature to see if it follows a similar fate.

So, to set the scene, in a kingdom of complete happiness, singing, and lots of apple pie, one snowy day, a princess was born. She was a delight for the whole kingdom and the King’s (Hadley Fraser) and Queen’s (Lorena Andrea) pride and joy. But when the queen unfortunately dies, and the king remarries a sorcerous, the Evil Queen (Gal Gadot), things start to change. Even more so when the King is sent away to the southern kingdom and never returns. Now Snow White (Rachel Zegler) is a servant, and the kingdom has fallen into darkness. Until one day the Evil Queen visits her Magic Mirror (Patrick Page) and discovers that she might not be the fairest one of all.

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Locked – Movie Review

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TL;DR – It was a good scenario, but it never felt like they had a good handle on what they wanted to talk about.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

A phone call appears on a car tablet.

Locked Review –

Most films need a hook to get you into the cinemas and part with your hard-earned cash. For me, sometimes that hook is a premise so interesting that you must see how they play it out. Well, Anthony Hopkins traumatising a Skarsgård locked in his car is absolutely one I had to see.  

So, to set the scene, Eddie (Bill Skarsgård) is a crook who is trying to turn his life around for his daughter Sarah (Ashley Cartwright). But the universe is not making it easy for him, and as a deadline looms, he looks to more nefarious ways to make a quick buck. Well, if someone leaves their car unlocked, well they are asking someone to come in and rummage around, and so Eddie does. The only problem is that when he tries to get out, he finds that the car is locked, his mobile can’t get a signal, and suddenly the in-car phone is ringing.

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The Electric State – Movie Review

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TL;DR – What if you smashed The Creator into Ready Player One and then made something mostly soulless with the components?

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A wall, Hiding a desolate landscape full of robot corpses.

The Electric State Review –

These days, it is hard to find big-budget films based on an original story or at least an unadapted work. Let alone a movie with a budget that is reportedly one of the biggest in cinematic history. But if you are going to spend that much on something, the question is: have you made something of real substance? And I am not sure that happened here.    

So, to set the scene, 1990 was a simpler time. It was before the war. Where Michelle (Millie Bobby Brown) can watch her brother Christopher (Woody Norman) destroy math tests that take college professors days to complete. But there is a growing anti-robot sentiment growing across the nation. That is because robots decided they didn’t want to do all the menial labour we were making them do and rebelled. It was war, a war humanity was losing, which was when Ethan Skate (Stanley Tucci) arrived as a saviour. Now, everyone is hooked into his SENTRE tech, and all the remaining robots are sent to an exclusion zone. In 1994, Michelle, who lives as a ward of the state, arrives at her house when a Cosmo (Alan Tudyk) bot changes everything.

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