Tag Archives: movies

Planet of the Apes (1968) Review – Exploring the Past

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TL;DR – You can feel its iconic nature at every turn, even if not every part has aged well. 

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ series that viewed this film.

The spaceship crashes in the lake.

Planet of the Apes Review –

This week Kingdom of the Planet of the Apes landed in cinemas, and while I was watching it, I was reminded of the musical score from the original film. This unlocked a memory of being a kid and watching through all of the Apes films as a family. Well, there is no better time than the present, so I thought tonight would be an excellent time to dive back in and see just how it stacks up with my memories.

So, to set the scene, George Taylor (Charlton Heston) leads a crew on an experimental spaceship that is going near the speed of light. While it was 1972 on Earth, they were sure that it would be 2673 when they all emerged from hibernation. However, something goes very wrong, and the ship crashes into a lake on a barren, unknown planet sometime after 3978. As the survivors, Taylor, Landon (Robert Gunner), and Dodge (Jeff Burton), try to find their footing in this new world, they discover that there are humans, but they are mute and run around in herds. The more concerning factor is that humans are being hunted by apes … who can talk …!        

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Kingdom of the Planet of the Apes – Movie Review

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TL;DR – While you can feel some tension in the script at times, this is still a solid entry into the franchise with characters you care about and a world you want to explore.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Noa rides through the ruins of the old world.

Kingdom of the Planet of the Apes Review –

Without a doubt, I have loved the Planet of the Apes reboot films. Rise of the Planet of the Apes was a great foundation, and Dawn of the Planet of the Apes was this sad meditation on the legacy of trauma, all before ending the trilogy with this grand biblical epic of War of the Planet of the Apes that hit the big 5 out of 5 stars. So, there was a bit of hesitance to come back to this world after such a long time and a new creative team, but thankfully, I had nothing to worry about.

So to set the scene, we open with the final funeral of Caeser, a leader who brought his people out of danger and into a new promised land but was unable to enter himself. Led by Maurice (Karin Konoval), it is a solemn event, but it is the start of something, and you see that in the world several generations later. It is here where Noa (Owen Teague) and his friends Soona (Lydia Peckham) and Anaya (Travis Jeffery) climb up through the ruins of the old world to find eagle eggs. They are a village of eagle trainers, and Noa’s dad, Koro (Neil Sandilands), is the leader who sings to the new eggs. However, when Noa sees an Echo (human), little does he know the carnage that is following in their wake and how his world is about to change forever.

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Dawn of the Planet of the Apes (2014) Review – Exploring the Past

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TL;DR – It is a profoundly emotional work that builds on the first film in nearly every way.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar in war paint.

Dawn of the Planet of the Apes Review –

It has been ten years since this movie first came out, and I was taken aback by just how good visual effects had grown, even by the high standards that the Lord of the Rings brought us. But with Kingdom of the Planet of the Apes coming out this week, I wanted to take a moment to go back in time and see how well this second entry before War of the Planet of the Apes holds up.

So to set the scene, it has been ten years since the Simian Flu pandemic spread across the globe with a survival rate of only 1 in 500, as was seen at the end of Rise of the Planet of the Apes. As human society completely collapsed, the ape colony founded by Caesar (Andy Serkis) began to thrive in the growing woods outside of what was once San Francisco. It has been two years since they even saw a human, which made that first sound of a gun going off echo throughout the colony. One of the few human settlements left on the Earth has set up shop in the ruins of San Francisco. Caesar does not acquiesce to the drum beats of war but gives the humans an ultimatum: stay away from their area. Peace has a chance, just as long as no one on either side decides to fall on the animosity of the past.     

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Rise of the Planet of the Apes (2011) Review – Exploring the Past

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TL;DR –.It is a remarkable film that still holds up today and provided a strong foundation for everything that followed.  

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar looks down on San Fransisco.

Rise of the Planet of the Apes Review –

Back in the 2010s, remakes were all the rage, and most of them were not great. So, I am not sure that anyone was expecting a prequel remake reboot of the beloved cult Classic Planet of the Apes was going to be any good, let alone spawn one of the best trilogies of the modern cinematic era concluding with War of the Planet of the Apes. Well, with Kingdom of the Planet of the Apes coming out this week, I knew it was time to jump back in and refresh myself in this world.

So to set the scene, we open in on a rainforest where a troop of chimpanzees is led into a trap by poachers. In San Fransisco, Dr. William “Will” Rodman (James Franco) is desperately trying to find a cure for Alzheimer’s, using chimpanzees as part of the trial. But when the first trial goes terribly wrong, they discover a surprise: the trial chip was pregnant. It is this new baby called Caesar (Andy Serkis) that Will discovers the hope he has been looking for as his father, Charles (John Lithgow), slips further behind. But will the world see what Will sees, or will they see a threat?  

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Corner Office – Movie Review

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TL;DR – It has its moments, and it very much lands its vibe, but there is an intensity that loses its impact halfway through.

Rating: 3 out of 5.
The brutalist concrete building they work in.

Corner Office Review –

Today we are looking at a film that I can’t quite place into the world of genre’s it is not quite a comedy, or a drama, or even a mystery. It has elements of all of those, but not enough to categories it. The only thing I can say is that it is a film about facial hair, and how there is probably a reason those styles are not popular anymore.

So to set the scene, we open in a car park covered in a layer of snow as the wind howls around. Orson (Jon Hamm) is arriving for their first day at work at The Authority Inc. in a large brutalist building. He is trying to stand out in the office, which is full of quirky characters, including his tablemate Rakesh (Danny Pudi). One day, while trying to find where they hid the printer paper, he stumbled across a room Orson had never seen before: a beautiful corner office. The room calls to him, like a forbidden lover, a place worthy of who he thinks he is, even if that does not match reality. The only problem is that no one else acknowledges that the room even exists.  

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The Fall Guy – Movie Review

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TL;DR – It’s a wonderful romp, full of pomp and circumstance, and a desperate need for an extra edit.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a sequence in the credits and a mid-credit scene.

Disclosure – I was invited to a press screening of the film.

Filming a car chase.

The Fall Guy Review –

Today, I am looking at a film that is genuinely quite odd. It is an Action-Adventure, Romantic-Comedy, Mystery, Adaption of an Old TV Show, that is also making a meta-commentary on how Hollywood treats people who work on the stunt team. Yet with all of that, they made it work, and a blast of fun at that.

So to set the scene, Colt Seavers (Ryan Gosling) is a suave and super-confident stuntman who knows how to take a fall while on fire and thrown into a rock. When he is not being blown up, he is flirting with the very professional camera operator, Jody Moreno (Emily Blunt). However, when his incompetent actor Tom Ryder (Aaron Taylor-Johnson), who could not do his own stunts in his dreams, wanted a stunt done again because they saw ‘too much face’. But the stunt goes wrong, and Colt breaks his back. Eighteen months later, Tom’s Producer, Gail Meyer (Hannah Waddingham), calls Colt, who is now a valet. She needs him to come back to Sydney because Jody has her first director role, and they need his stunt prowess. But did anyone ask Jody?

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Rebel Moon – Part Two: The Scargiver – Movie Review

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TL;DR – It is a visually impressive film that is narratively shallow, even though everyone is trying their best.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Jimmy

Rebel Moon – Part Two: The Scargiver Review –

I had an odd sensation as I sat down to watch this sequel, in that even though I had only watched the first film back in December, for my life, I could not remember anything that happened. It had evaporated into the ether, bar was Anthony Hopkins a robot? This meant I desperately needed that what happened last time the introduction that started the proceedings. But it did not fill me with confidence as I sat down to watch the follow-up.

So to set the scene, at the end of Rebel Moon, the plucky rebels had found and won a massive victory against The Motherworld. Kora (Sofia Boutella) and her group was able to return home to Veldt after killing Atticus Noble (Ed Skrein). But you see, you can never count The Motherland and its technology out. Because Noble is still alive, and now he has a more than personal reason to burn Veldt to the ground and the village has only five days to prepare.

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Abigail – Movie Review

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TL;DR – A bloody joy when it is working and a bit of a slog when it is not.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

Abigail reveals herself.

Abigail Review –

Have you ever heard a film premise and immediately thought, “I need to see that”? Well, that is what happened to me when I first heard about Abigail. A group of thugs think they are kidnapping a little girl, but they actually take a monster. I mean, there are whole fairy tales based around concepts just like this and how they turn out. Add in the team behind Ready or Not, and you will have me sold.

So to set the scene, one evening, a group of professionals start casing out a house, waiting to capture the person within. Frank (Dan Stevens) is the boss, Joey (Melissa Barrera) is client control, Sammy (Kathryn Newton) is their hacker, Rickles (William Catlett) is the sniper, Peter (Kevin Durand) is their muscle, and Dean (Angus Cloud) is their car man. But the person they are kidnapping is a little girl, Abigail (Alisha Weir), who just got back from ballet practice. People are not okay with kidnapping a kid, but $7 million is $7 million. However, when they arrive at the creepy house run by Lambert (Giancarlo Esposito) and must hold the child for 24 hours, it would be a shame if there was also a monster stuck in there with them.

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Challengers – Movie Review

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TL;DR – Wild, sensual, and captivating. While not all of it works, when it is on fire, it is electric.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Tashi Duncan (Zendaya) watches the tennis match behind sunglasses.

Challengers Review –

Some films can captivate you just by hearing the name of a director and an idea. Luca Guadagnino’s previous works, like Call Me by Your Name and Bones and All, were not perfect, but they were immensely captivating, sucking you into their worlds. Well, I was interested in seeing where he would go from there when exploring the world of tennis.

So to set the scene, we open in the middle of the 2019 New Rochelle Champions Tournament as Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist) are facing it out in the finals. A dual for the ages. However, both sets of eyes are not focusing on each other but on someone in the audience, Tashi Duncan (Zendaya). There is a palpable tension the court that can only exist between people with a deep history, which is when we cut back thirteen years.     

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The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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