TV Review – Star Trek: Picard – Maps and Legends

TL;DR – Here we get to see the drive of the season and some moments that really show who this current Federation is

Score – 4.5 out of 5 stars

Star Trek: Picard – Maps and Legends

Review

After the excellence of the first episode, the next question is can you keep that momentum moving which is a whole new problem all in itself. But if the first episode Remembrance framed this new world, Maps and Legends gave it context as we deal with its fallout.

So to set the scene, we go back in time to the fateful day on Mars when the synthetics attacked. We had seen part of this in the Short Trek Children of Mars, but now we get to see what happened on the ground as the synthetic F8 (Alex Diehl) is hacked and turns on his crew and assists in the destruction of the planet. Meanwhile, Picard (Patrick Stewart) begins his search in earnest to find Dahj’s (Isa Briones) twin sister Soji (Isa Briones) who is currently serving on a derelict Borg cube called ‘The Artefact’. Here he tries to go through the right channels only to get that thrown back in his face. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.   

Continue reading

TV Review – Star Trek: Picard – Remembrance

TL;DR – This is a wonderful start and the best thing I can say is that I want more as soon as possible

Score – 4 out of 5 stars

Star Trek: Picard – Remembrance. Image Credit: CBS Studios.

Review

Oh boy, if there is one thing I have been excited about this year it has been getting a chance to get my eyeballs on Star Trek: Picard. Well now it is here and I couldn’t be happier. For so long there has been this almost fear that you can’t go past Nemesis in the timeline, well now we have and it’s about time.

So to set the scene, it have been 20 years since the death of Data (Brent Spiner) during the events of Star Trek: Nemesis and the pain still wears heavy on the heart of  Jean-Luc Picard (Patrick Stewart) who has now retired from Starfleet to run his family’s vineyard in France. He is burdened by his past, his losses and failures like with Romulus. Meanwhile in Boston, Dahj Asha (Isa Briones) is enjoying an evening when masked figures beamed into her apartment killing her boyfriend and interrogating her. But just when all is lost, something inside her is triggered and a killer is let lose. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.

Continue reading

TV Review – The Good Place: Whenever You’re Ready & Season 4

TL;DR – This was the perfect way to end such a special show

Score – 4.5 out of 5 stars

The Good Place: Whenever You’re Ready. Image Credit: NBC Studios.

Review

How do you end a show, does it go out in a whimper, in a mess, in a fleeting flame, or do you stand there as a wave of emotion pours over you. I have seen a lot of finales that have stumbled at the last hurdle, some so bad that they cast the rest of the series into question. However, today I get to take a look at one that gets it right as it says goodbye.

So to set the scene, throughout this season the philosophy gang Michael (Ted Danson), Eleanor (Kristen Bell), Chidi (William Jackson Harper), Tahani (Jameela Jamil), Jason (Manny Jacinto), and Janet (D’Arcy Carden) have been fighting to save the afterlife. First from a system that just put everyone in The Bad Place, and then from The Judge (Maya Rudolph) who decided to wipe everything away and start again from scratch. However, finally, after everything the gang has made it to The Good Place and it is here that they get to have their best times. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.  

Continue reading

TV Review – The Witcher: Season 1

TL;DR – Fun, brooding, entertaining

Score – 4 out of 5 stars

The Witcher. Image Credit: Netflix.

Review


As someone who generally enjoys fantasy, it is surprising that it took me this long to really get into The Witcher franchise. I had tried in the past with the video games, but by the time I was helping a miss-carried baby to get back into the grave it all got a bit too weird without the context, to add to this, the books seemed this large mountain of work that I didn’t know where to start with. Well with the new series starting I thought now was as good as time as any to dive into the world of the brooding Geralt of Rivia (Henry Cavill).  

So to set the scene, in a world of magic and monsters lives many feuding kingdoms and power structures in the land known as The Continent. We open in the kingdom of Cintra, ruled by its Queen Calanthe (Jodhi May). All is well until the day that the evil Nilfgaard set their sights on them burning their capital to the ground and killing all they find. Calanthe in her last act sends her granddaughter Cirilla “Ciri”(Freya Allan) away with one mission, to survive and find Geralt. Geralt himself is off in another kingdom stuck in a war between a powerful mage Stregobor (Lars Mikkelsen) and a bandit/princess Renfri (Emma Appleton). Meanwhile, a girl with a deformed back works caring for the pigs of her father. But Yennefer of Vengerberg’s (Anya Chalotra) life is forever changed when the powerful sorceress Tissaia de Vries (MyAnna Buring) arrives and buys her for a couple of coins. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

Continue reading

Movie Review – The Lighthouse

TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

Continue reading

Why I Love Tron: Legacy

TL;DR – An exploration of a film that effortless blends music, visuals, story, and passion into something that is greater in almost every way.

Tron: Legacy. Image Credit: Disney.

Review


There are some movies that just touch you in your heart, you can’t really explain why? They just fill you with joy and no matter how many times you have watched it, you are always ready to crack open that DVD/BluRay/digital copy/whatever and give it another watch. For me, one such film is Tron: Legacy, it is the hill I am ready to die on and I love it with all my heart.

So to set the scene, in the years since the first Tron, there has been joy and tragedy. Kevin Flynn (Jeff Bridges) has become CEO of ENCOM International and had a son Sam (Owen Best). However, tragedy struck and took his wife away. Flynn refocused his work and made a huge discovery, something that would change everything but days after finding it out he disappears leaving Sam an orphan. Years later Sam (Garrett Hedlund) has grown up but while he is the main shareholder of the company he basically leaves ENCOM alone, bar the yearly prank, which this year involves sneaking into the company releasing their new software for free and then base jumping off the top of the tower. This might be a big joke for Sam but is not for Kevin’s old friend and Sam’s mentor Alan Bradley (Bruce Boxleitner). He lets Sam know that he got a page from his father, the first communication since he disappeared. It came from the old arcade, so Sam goes to investigate and finds more than he bargains when he gets transported into the world of the computer and discovers all is not well on the Grid.        

Continue reading

TV Review – Sex Education: Season 2

TL;DR – This is a show that deals with sex and sexuality in a very frank and refreshing way which you will find endlessly engaging or very off-putting

Score – 4 out of 5 stars

Sex Education: Season 2. Image Credit: Netflix.

Review

There are some shows that are irreverent for no reason other than the fact that cheap humour gets looks, so pitching your show at the lowest common denominator is a good business model. The crassness has no reason to be there bar being a punchline for people to awkwardly laugh about. However, once in a while you get a show that goes through all the different sex jokes you can have, and indeed it starts with a montage about someone discovering masturbation, however, not once is it about playing it low but instead, it finds a voice for those who don’t quite know how to express each other.

So to set the scene, at the end of last season everything at Moordale Secondary School was in a state of flux with Adam (Connor Swindells) being sent away to military school, Maeve (Emma Mackey) has been expelled, and while Otis (Asa Butterfield) final finds someone to love him back with Ola (Patricia Allison) but it comes at the expense of his one true love Maeve. In the time since Otis has discovered how to achieve release, Maeve has started work in a local mall to get by, Eric (Ncuti Gatwa) has developed a crush on the new kid Rahim (Sami Outalbali), and Otis’ mum Jean (Gillian Anderson) is still seeing Ola’s father Jakob (Mikael Persbrandt) even though they had told their kids that they had broken up. Which is the perfect storm for a chlamydia outbreak to cause the school to fall into a state of chaos. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

Continue reading

Movie Review – Little Women (2020)

TL;DR – I highly recommend this astounding film    

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes & The Emotion
Winner: The Emotion

Little Women. Image Credit: Sony.

Review

It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more. 

So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.

Continue reading

Movie Review – NiNoKuni (Ni no Kuni/二ノ国)

TL;DR – A really good film up until the point it gets bogged down in its own worldbuilding   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a post-credit scene

NiNoKuni (Ni no Kuni/二ノ国). Image Credit: Netflix.

Review

It has been a long road trying to adapt video games to the big screen and so far there have not been many (if any) that have actually pulled it off. Some have got close and today we take a look at one that also is very close, even if it just does not quite get there.  

So to set the scene, in Japan, there are three good friends Kotona (Abby Trott), Haru (Alejandro Saab), and Yu (Max Mittelman). Kotona and Haru are a couple and Yu is the third wheel, but not really, though he is confined to a wheelchair after a childhood accident that killed his parents. Life is great, school is good, however, all is ripped apart when one-day Kotona realises that she is being stalked by a creep. Yu and Haru rush to help her but they are too late when they arrive a masked figure stabs Kotana with a weird blade. They rush to try and get her to a hospital when in the middle of the street they are ripped into another world and now Kotona is missing, their phones are compasses, and everything is different.

Continue reading