Category Archives: Got My Cry On

The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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Jurassic Park Review (1993) – Exploring the Past

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TL;DR – A masterpiece in cinema that still moves you thirty years later.    

Rating: 5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to watch this film.

the entry gate to Jurassic Park.

Jurassic Park Review –

Some films captivated you the first time you watched them, getting your claws into you and never letting go. As a kid, one of those films was Jurassic Park. It delighted and terrified in equal measure. But even though it is in my Top 10 Films of All Time, it is a film I never watched on the big screen because I was far too young when it was released. But on the 30th anniversary of its release, it was back in cinemas, and it was time to rectify that.

So to set the scene, on a remote island off the coast of Costa Rica, an animal transfer at a new type of zoo goes terribly wrong. Investors start to panic, so John Hammond (Richard Attenborough) and his lawyer Donald Gennaro (Martin Ferrero) bring in three experts: Dr Alan Grant (Sam Neill), Dr Ellie Sattler (Laura Dern), and Dr Ian Malcolm (Jeff Goldblum) to give the park their stamp of approval. But why would a zoo need palaeontologists? Cue the John Williams soundtrack.   

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Red, White & Brass – Movie Review

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TL;DR – A film that brings you joy from the moment they start in a house covered in Tongan flags till those final credits roll.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The band performs.

Red, White & Brass Review –

There are many emotions that cinema can bring forth, and if I am honest, my favourite is joy. You are just sitting there beaming with a smile stretching from one side of your face to the other. It is so easy for films to come off as disingenuous that it is hard to nail joy in its purest form. However, today, we look at a movie that not only nails it, it revels in it.

So to set the scene, it is Wellington, and the 2011 Rugby World Cup is descending on New Zealand. Flags are popping up all across the city as everyone gets into the celebratory mode. But Veni (Dimitrius Schuster-Koloamatangi) was not quite prepared to find his house covered, and I mean covered, in the red/white cross of Tonga’s flag. His best friend Maka (John-Paul Foliaki) has been trying to get enough money so all of his church can see the Tonga v France match live. However, when several of his schemes fall through, he discovers a way forward, but it just means getting everyone to become a proficient brass band, oh and only in a couple of weeks.

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Spider-Man: Across the Spider-Verse – Movie Review

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TL;DR – A pure delight from start to finish in an absolutely stunningly realised world.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film

Gwen and Miles sit upside down looking at the sky line of New York.

Spider-Man: Across the Spider-Verse Review –

If there is ever a tough act to follow, it is Spider-Man: Into the Spider-Verse. A film that shifted an entire film production style that many movies like The Mitchells vs. The Machines and Puss in Boots: The Last Wish have taken onboard since. Indeed, I loved the movie so much that it sits on My Personal Top 10 Animated Films of All Time. There is no way a sequel could like up to that legacy … but hear me out … what if it could.

So to set the scene, It has been one year since the event of the last film, and Gwen (Hailee Steinfeld) has been struggling with being all alone again after finding a kindred spirit with Miles (Shameik Moore). However, when a Vulture (Jorma Taccone) from a Renaissance-style universe trashes the Guggenheim Museum, she discovers that the Spider-verse is not closed off. But also her dad George Stacy (Shea Whigham), finds out she is Spider-Woman, and tries to arrest her. This could have ended badly without the rescue from Miguel O’Hara / Spider-Man 2099 (Oscar Isaac) and Jessica Drew / Spider-Woman (Issa Rae), for a Spider-Society is protecting the Multiverse from all threats, and Gwen is the newest member.

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Ted Lasso: So Long, Farewell and Season 3 – TV Review

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TL;DR – Builds upon everything that made the series great by focussing on the character development of every kind  

Rating: 5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Ted sits alone in the stands

Ted Lasso Review –

If there has been one consistent feature over the last few years of that evert the 2020s has been so far, it has been the joy that has come from Ted Lasso. I know this show is stylised, so it could almost be magical realism like The West Wing. But I don’t care. Every moment, every kick of a football, had me on the edge of my chair, and this final season of the show that maybe/probably/we’ll see was no exception. With today’s review, we will first look at the final episode aptly titled So Long, Farewell, and then we will look at the season as a whole.   

So to set the scene, at the end of Season 2, the Richmond Greyhounds fount back from relegation to make it back into the Premier League. This is a triumph for the coaching staff Ted Lasso (Jason Sudeikis), Coach Beard (Brendan Hunt), and Roy Kent (Brett Goldstein). As well as team owner Rebecca Welton (Hannah Waddingham). As the season went on, there were struggles as “The Wonder Kid” Nathan “Nate” Shelley (Nick Mohammed) and his West Ham United team destroyed the team leading to a massive slump. However, as we come into this final episode, things are looking up, but in Mom City, Ted reveals to Rebecca that it is his time to drop a bombshell, and we open this final episode with Rebecca having breakfast in her house and Ted coming out to join her. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead. 

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Crater – Movie Review

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TL;DR – A fun yet grounded film that knows when to pack an emotional punch.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

They look up at the blue gem of Earth in the sky.

Crater Review –

I always look forward to an interesting new take on the science fiction world. Still, as we look out into the wide world, it has been nice to see something a bit closer to home get some of the limelight recently with Ad Astra, Moonfall, The Wandering Earth II, and more. The Moon, or Luna, benefits from being right there but just out of our grasp. It beckons from a time in our past and might also be a building block of our future. There are many stories to tell, and today we look at a fascinating combination of a coming-of-age film and a road trip movie, all outside the atmosphere.  

So to set the scene, up above the pale blue dot that is the Earth lives the Moon, and in 2257, it was home to the Lunar Mining Colony. As a meteor storm comes and lockdown is declared, we find that several people are not in their quarters but are in the process of stealing a rover. Caleb Channing (Isaiah Russell-Bailey) and his friends Addison Weaver (Mckenna Grace), Dylan (Billy Barratt), Borney (Orson Hong) & Marcus (Thomas Boyce) crack into the rover’s circuitry to try and hot-wire it. Caleb just lost his father, Michael (Scott Mescudi), in the mines and is about to be sent to the new Colony of Omega, 70 years away. Before he leaves in three days and never sees his friends again, the group decides to go on a road trip to the once place Caleb’s parents liked on Luna, a crater.  

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How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers – Article

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TL;DR – This article explores how a show can have an episode focused on nothing, yet still be everything.  

Disclosure – I paid for the Apple TV+ service that viewed this show.  

Van Gogh's Sunflowers.

How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers –

One of the significant shifts in the Television landscape was the move from more episodic episodes to more serialised outings. It started taking steam in the 1990s with shows like Babylon 5 and Deep Space Nine. But this would explode in the streaming era, with nearly every show you watch having some serialised component. Whether the show works with the serialised content does not matter. With the insertion of boilerplate narrative arcs becoming more of the norm, looking at you Wednesday. In this world, can you have a stand-alone, nothing episode anymore?

There was a time when shows like Seinfeld built themselves around being the show about nothing, where there was no character growth. However, today if you have an episode, let alone a series, where nothing happens, you will get a chorus of comments claiming condensation over there being filler. I have seen a claim championed time after time, whether the show was filler. But can you still have an engaging episode of TV that does not move the plot along in the current landscape? Well, you must trust your audience to come along with you if you want to attempt something like this. Trust which is something that is earned, not given.

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Star Trek: Picard – The Last Generation and Season Three – TV Review

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TL;DR – They stuck the landing.   

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Post-Credit Scene – There is a mid-credit scene

The USS Enterprise-D

Star Trek: Picard Review –

The third and final season of Star Trek: Picard has come to an end, and more like any season so far, this felt almost like Star Trek: The Next Generation season 8. There was a little concern coming into the start of the season as to whether they could make it more than just a nostalgia fest. Now, don’t get me wrong, there is a lot of nostalgia on offer here. But there is also a lot of heart. In today’s review, we will first look at whether they stuck the landing with the final episode and then at the season and maybe the series as a whole.

So to set the scene, in Võx, we discovered the terrible secret that Jack Crusher (Ed Speleers) had been holding so tight that even he did not know, he is The Borg. Or at least he had inherited some of the DNA changes The Borg made to Jean-Luc Picard (Patrick Stewart). This made him reach out to the voice in his head … The Borg Queen (Alice Krige/Jane Edwina Seymour) herself. Which sets in motion The Borg’s final plan to trigger the Borg DNA inserted in all the young officers and remotely assimilate them using Jack’s ability, and it works. The fleet is taken over, most of those not assimilated are killed, and only Spacedock stands between The Borg and the extermination of Earth. Now from here, we will be looking at the episode, and season, as a whole, so there will be some [SPOILERS] ahead.     

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Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Women Talking – Movie Review

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TL;DR –  A stunningly devastating film, brimming with empathy and power in equal measures  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains scenes that may cause distress

A mother comforts her daughter.

Women Talking Review –

When I walked in to see Women Talking, I was unsure exactly what I would see. Oh, I expected it to be heavy in tone and subject matter. But I had no idea how they would address that subject, given the immense complexities baked into the scenario. A scenario that was inspired by actual events of the worst kind. However, as I walked out of the theatre, I knew I had witnessed something profound.   

So to set the scene, in an isolated Mennonite colony in rural USA, the women have been plagued by attacks where they wake up covered in bruises on their legs. The community leaders say it is demons or that the women are making it up until one of the attackers is captured trying to sneak into a teenager’s bedroom. The police round up many of the community’s men accused or fingered in the attacks, but instead of supporting their women, the men gather up everything they can sell to go into town and post bail for the attackers. They will return in two days, and the women must forgive the attackers or be excommunicated. They have three choices, do nothing, stay and fight, or leave, which have dramatic repercussions on their lives.

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