Category Archives: Got My Cry On

Killers of the Flower Moon – Movie Review

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TL;DR – A stunning work of art that captivated me for its entire runtime.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to see this film.

The sisters take a photo.

Killers of the Flower Moon Review –

There are some films where you know where you will land when the credits roll, but others still sit with you and reverberate through your brain over the coming days. Today, we look at just such a film that powered through my soul, with performances that were almost once in a generation.

So to set the scene, The Osage Nation had been forced from their homelands by the United States, but as luck or fate would have it, they found oil and became wealthy in this new land. Like any mineral found in human history, there was a rush to the county for those looking for work and making it rich. One such person was Ernest Burkhart (Leonardo DiCaprio), who moved to the area to work with his uncle, William King Hale (Robert De Niro). Here, his uncle subtlety suggests that he marries a local Osage lady because there is a chance that oil headrights could end up with them, which he does with Mollie Kyle (Lily Gladstone). But what if you could help those progressions of headrights towards you with some targeted deaths?

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The Rooster – Movie Review

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TL;DR – A powerful meditation on the intersection of masculinity and loneliness.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Warning – This film contains scenes that may cause distress.

Gum trees creak overhead.

The Rooster Review –

Loneliness and masculinity are two intersecting topics that are important to explore, but I rarely see it done well. I think it is challenging to have honest conversations about this topic when we still live in a world where mental health is seen as a taboo topic. Whatever the case, I am glad that the film we are exploring today is taking the time to jump into this topic.

So to set the scene, we open with Dan (Phoenix Raei), who is tormented by the same dream every night. He lives alone in a forested rural region of Victoria and is one of the town’s only police officers. His is a quiet life, only punctuated by the struggle to feed the rooster each morning who only wants to attack Dan. However, this peaceful life is ripped asunder when his friend Steve’s (Rhys Mitchell) body is found. This is a fulcrum moment, leaving Dan unable to cope with the world. But as he tries to drink his sorrows away, he discovers a Hermit (Hugo Weaving) living alone in the forest who might be a kindred spirit with a ping-pong table.  

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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Jurassic Park Review (1993) – Exploring the Past

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TL;DR – A masterpiece in cinema that still moves you thirty years later.    

Rating: 5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to watch this film.

the entry gate to Jurassic Park.

Jurassic Park Review –

Some films captivated you the first time you watched them, getting your claws into you and never letting go. As a kid, one of those films was Jurassic Park. It delighted and terrified in equal measure. But even though it is in my Top 10 Films of All Time, it is a film I never watched on the big screen because I was far too young when it was released. But on the 30th anniversary of its release, it was back in cinemas, and it was time to rectify that.

So to set the scene, on a remote island off the coast of Costa Rica, an animal transfer at a new type of zoo goes terribly wrong. Investors start to panic, so John Hammond (Richard Attenborough) and his lawyer Donald Gennaro (Martin Ferrero) bring in three experts: Dr Alan Grant (Sam Neill), Dr Ellie Sattler (Laura Dern), and Dr Ian Malcolm (Jeff Goldblum) to give the park their stamp of approval. But why would a zoo need palaeontologists? Cue the John Williams soundtrack.   

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Red, White & Brass – Movie Review

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TL;DR – A film that brings you joy from the moment they start in a house covered in Tongan flags till those final credits roll.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The band performs.

Red, White & Brass Review –

There are many emotions that cinema can bring forth, and if I am honest, my favourite is joy. You are just sitting there beaming with a smile stretching from one side of your face to the other. It is so easy for films to come off as disingenuous that it is hard to nail joy in its purest form. However, today, we look at a movie that not only nails it, it revels in it.

So to set the scene, it is Wellington, and the 2011 Rugby World Cup is descending on New Zealand. Flags are popping up all across the city as everyone gets into the celebratory mode. But Veni (Dimitrius Schuster-Koloamatangi) was not quite prepared to find his house covered, and I mean covered, in the red/white cross of Tonga’s flag. His best friend Maka (John-Paul Foliaki) has been trying to get enough money so all of his church can see the Tonga v France match live. However, when several of his schemes fall through, he discovers a way forward, but it just means getting everyone to become a proficient brass band, oh and only in a couple of weeks.

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Spider-Man: Across the Spider-Verse – Movie Review

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TL;DR – A pure delight from start to finish in an absolutely stunningly realised world.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film

Gwen and Miles sit upside down looking at the sky line of New York.

Spider-Man: Across the Spider-Verse Review –

If there is ever a tough act to follow, it is Spider-Man: Into the Spider-Verse. A film that shifted an entire film production style that many movies like The Mitchells vs. The Machines and Puss in Boots: The Last Wish have taken onboard since. Indeed, I loved the movie so much that it sits on My Personal Top 10 Animated Films of All Time. There is no way a sequel could like up to that legacy … but hear me out … what if it could.

So to set the scene, It has been one year since the event of the last film, and Gwen (Hailee Steinfeld) has been struggling with being all alone again after finding a kindred spirit with Miles (Shameik Moore). However, when a Vulture (Jorma Taccone) from a Renaissance-style universe trashes the Guggenheim Museum, she discovers that the Spider-verse is not closed off. But also her dad George Stacy (Shea Whigham), finds out she is Spider-Woman, and tries to arrest her. This could have ended badly without the rescue from Miguel O’Hara / Spider-Man 2099 (Oscar Isaac) and Jessica Drew / Spider-Woman (Issa Rae), for a Spider-Society is protecting the Multiverse from all threats, and Gwen is the newest member.

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Ted Lasso: So Long, Farewell and Season 3 – TV Review

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TL;DR – Builds upon everything that made the series great by focussing on the character development of every kind  

Rating: 5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Ted sits alone in the stands

Ted Lasso Review –

If there has been one consistent feature over the last few years of that evert the 2020s has been so far, it has been the joy that has come from Ted Lasso. I know this show is stylised, so it could almost be magical realism like The West Wing. But I don’t care. Every moment, every kick of a football, had me on the edge of my chair, and this final season of the show that maybe/probably/we’ll see was no exception. With today’s review, we will first look at the final episode aptly titled So Long, Farewell, and then we will look at the season as a whole.   

So to set the scene, at the end of Season 2, the Richmond Greyhounds fount back from relegation to make it back into the Premier League. This is a triumph for the coaching staff Ted Lasso (Jason Sudeikis), Coach Beard (Brendan Hunt), and Roy Kent (Brett Goldstein). As well as team owner Rebecca Welton (Hannah Waddingham). As the season went on, there were struggles as “The Wonder Kid” Nathan “Nate” Shelley (Nick Mohammed) and his West Ham United team destroyed the team leading to a massive slump. However, as we come into this final episode, things are looking up, but in Mom City, Ted reveals to Rebecca that it is his time to drop a bombshell, and we open this final episode with Rebecca having breakfast in her house and Ted coming out to join her. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead. 

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Crater – Movie Review

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TL;DR – A fun yet grounded film that knows when to pack an emotional punch.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

They look up at the blue gem of Earth in the sky.

Crater Review –

I always look forward to an interesting new take on the science fiction world. Still, as we look out into the wide world, it has been nice to see something a bit closer to home get some of the limelight recently with Ad Astra, Moonfall, The Wandering Earth II, and more. The Moon, or Luna, benefits from being right there but just out of our grasp. It beckons from a time in our past and might also be a building block of our future. There are many stories to tell, and today we look at a fascinating combination of a coming-of-age film and a road trip movie, all outside the atmosphere.  

So to set the scene, up above the pale blue dot that is the Earth lives the Moon, and in 2257, it was home to the Lunar Mining Colony. As a meteor storm comes and lockdown is declared, we find that several people are not in their quarters but are in the process of stealing a rover. Caleb Channing (Isaiah Russell-Bailey) and his friends Addison Weaver (Mckenna Grace), Dylan (Billy Barratt), Borney (Orson Hong) & Marcus (Thomas Boyce) crack into the rover’s circuitry to try and hot-wire it. Caleb just lost his father, Michael (Scott Mescudi), in the mines and is about to be sent to the new Colony of Omega, 70 years away. Before he leaves in three days and never sees his friends again, the group decides to go on a road trip to the once place Caleb’s parents liked on Luna, a crater.  

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How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers – Article

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TL;DR – This article explores how a show can have an episode focused on nothing, yet still be everything.  

Disclosure – I paid for the Apple TV+ service that viewed this show.  

Van Gogh's Sunflowers.

How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers –

One of the significant shifts in the Television landscape was the move from more episodic episodes to more serialised outings. It started taking steam in the 1990s with shows like Babylon 5 and Deep Space Nine. But this would explode in the streaming era, with nearly every show you watch having some serialised component. Whether the show works with the serialised content does not matter. With the insertion of boilerplate narrative arcs becoming more of the norm, looking at you Wednesday. In this world, can you have a stand-alone, nothing episode anymore?

There was a time when shows like Seinfeld built themselves around being the show about nothing, where there was no character growth. However, today if you have an episode, let alone a series, where nothing happens, you will get a chorus of comments claiming condensation over there being filler. I have seen a claim championed time after time, whether the show was filler. But can you still have an engaging episode of TV that does not move the plot along in the current landscape? Well, you must trust your audience to come along with you if you want to attempt something like this. Trust which is something that is earned, not given.

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