Category Archives: Got My Cry On

Crater – Movie Review

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TL;DR – A fun yet grounded film that knows when to pack an emotional punch.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

They look up at the blue gem of Earth in the sky.

Crater Review –

I always look forward to an interesting new take on the science fiction world. Still, as we look out into the wide world, it has been nice to see something a bit closer to home get some of the limelight recently with Ad Astra, Moonfall, The Wandering Earth II, and more. The Moon, or Luna, benefits from being right there but just out of our grasp. It beckons from a time in our past and might also be a building block of our future. There are many stories to tell, and today we look at a fascinating combination of a coming-of-age film and a road trip movie, all outside the atmosphere.  

So to set the scene, up above the pale blue dot that is the Earth lives the Moon, and in 2257, it was home to the Lunar Mining Colony. As a meteor storm comes and lockdown is declared, we find that several people are not in their quarters but are in the process of stealing a rover. Caleb Channing (Isaiah Russell-Bailey) and his friends Addison Weaver (Mckenna Grace), Dylan (Billy Barratt), Borney (Orson Hong) & Marcus (Thomas Boyce) crack into the rover’s circuitry to try and hot-wire it. Caleb just lost his father, Michael (Scott Mescudi), in the mines and is about to be sent to the new Colony of Omega, 70 years away. Before he leaves in three days and never sees his friends again, the group decides to go on a road trip to the once place Caleb’s parents liked on Luna, a crater.  

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How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers – Article

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TL;DR – This article explores how a show can have an episode focused on nothing, yet still be everything.  

Disclosure – I paid for the Apple TV+ service that viewed this show.  

Van Gogh's Sunflowers.

How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers –

One of the significant shifts in the Television landscape was the move from more episodic episodes to more serialised outings. It started taking steam in the 1990s with shows like Babylon 5 and Deep Space Nine. But this would explode in the streaming era, with nearly every show you watch having some serialised component. Whether the show works with the serialised content does not matter. With the insertion of boilerplate narrative arcs becoming more of the norm, looking at you Wednesday. In this world, can you have a stand-alone, nothing episode anymore?

There was a time when shows like Seinfeld built themselves around being the show about nothing, where there was no character growth. However, today if you have an episode, let alone a series, where nothing happens, you will get a chorus of comments claiming condensation over there being filler. I have seen a claim championed time after time, whether the show was filler. But can you still have an engaging episode of TV that does not move the plot along in the current landscape? Well, you must trust your audience to come along with you if you want to attempt something like this. Trust which is something that is earned, not given.

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Star Trek: Picard – The Last Generation and Season Three – TV Review

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TL;DR – They stuck the landing.   

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Post-Credit Scene – There is a mid-credit scene

The USS Enterprise-D

Star Trek: Picard Review –

The third and final season of Star Trek: Picard has come to an end, and more like any season so far, this felt almost like Star Trek: The Next Generation season 8. There was a little concern coming into the start of the season as to whether they could make it more than just a nostalgia fest. Now, don’t get me wrong, there is a lot of nostalgia on offer here. But there is also a lot of heart. In today’s review, we will first look at whether they stuck the landing with the final episode and then at the season and maybe the series as a whole.

So to set the scene, in Võx, we discovered the terrible secret that Jack Crusher (Ed Speleers) had been holding so tight that even he did not know, he is The Borg. Or at least he had inherited some of the DNA changes The Borg made to Jean-Luc Picard (Patrick Stewart). This made him reach out to the voice in his head … The Borg Queen (Alice Krige/Jane Edwina Seymour) herself. Which sets in motion The Borg’s final plan to trigger the Borg DNA inserted in all the young officers and remotely assimilate them using Jack’s ability, and it works. The fleet is taken over, most of those not assimilated are killed, and only Spacedock stands between The Borg and the extermination of Earth. Now from here, we will be looking at the episode, and season, as a whole, so there will be some [SPOILERS] ahead.     

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Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Women Talking – Movie Review

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TL;DR –  A stunningly devastating film, brimming with empathy and power in equal measures  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains scenes that may cause distress

A mother comforts her daughter.

Women Talking Review –

When I walked in to see Women Talking, I was unsure exactly what I would see. Oh, I expected it to be heavy in tone and subject matter. But I had no idea how they would address that subject, given the immense complexities baked into the scenario. A scenario that was inspired by actual events of the worst kind. However, as I walked out of the theatre, I knew I had witnessed something profound.   

So to set the scene, in an isolated Mennonite colony in rural USA, the women have been plagued by attacks where they wake up covered in bruises on their legs. The community leaders say it is demons or that the women are making it up until one of the attackers is captured trying to sneak into a teenager’s bedroom. The police round up many of the community’s men accused or fingered in the attacks, but instead of supporting their women, the men gather up everything they can sell to go into town and post bail for the attackers. They will return in two days, and the women must forgive the attackers or be excommunicated. They have three choices, do nothing, stay and fight, or leave, which have dramatic repercussions on their lives.

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Spoiler Alert – Movie Review

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TL;DR – Well, if ugly crying in the cinema surrounded by people ugly crying in a cinema is a recommendation for you, then here it is.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film.

A bubble being blown.

Spoiler Alert Review –

I am someone who does not mind a good cry in the cinemas. It can be cathartic and shows that the filmmakers have connected with you on an emotional level. However, there is a difference between having a good cry and being so emotionally devastated that you are ugly crying in a room full of strangers. And when I say ugly cry, I mean ugly. Well, today, we are looking at a film that did just that.

So to set the scene, Michael Ausiello (Jim Parsons) focuses his life on his work, like ranking all the Gilmore Girls from Best to Rory [which like fair]. But one night, after being dragged out to a club, he spots a man across the dance floor that smiles at him, so he waves back. Actually, Kit Cowan (Ben Aldridge) was smiling at his friend Nina (Nikki M. James) at the bar, but he took up the bait. It is the perfect meet-cute, bar the fact that, spoiler alert, we know from the start that this relationship is destined for tragedy.

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The Last of Us – Long Long Time – TV Review

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TL;DR – A quiet contemplation of what love is in the face of loss.

Rating: 4 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

Warning – Contains scenes that may cause distress.

Walking over a bridge.

The Last of Us Review –

In our exploration through the world of The Last of Us so far, we have had a pretty point-by-point adaptation from the source material. A fact that many, including me, have deeply respected. However, sooner or later, they were going to make a big swerve from the game’s story, and the question is, how would that work? Well, we will find out a little sooner than I expected with today’s episode.

So to set the scene, in When You’re Lost in the Darkness, Joel (Pedro Pascal) and Tess (Anna Torv) were charged with taking Ellie (Bella Ramsey) to the Fireflies in the old statehouse. Still, when they arrived in Infected, no one was left alive, and soon Tess had to sacrifice herself to let the others escape. On the road, Joel has few options, bar an old contact Bill (Nick Offerman), who lives in Lincoln, a town near Boston. But it has been a couple of years since he was last there, and Joel does not know if he is still welcome alone. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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The Wandering Earth II (The Wandering Earth 2/流浪地球2) – Movie Review

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TL;DR – While frustratingly slow to build, I must say that it captured me in the end.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

MOSS

The Wandering Earth II Review –

Back in 2019, this fascinating film slipped onto the scene and fascinated me. The Wandering Earth was one of the most unique scenarios I have ever seen put to film, and a movie with some of the most frustrating characters put to screen. It was this juxtaposition that both delighted and annoyed me. However, we now have a second bite at the pie, and it is time to see if they have learned from the issues of the last film.

So to set the scene, tragedy is brewing on Earth as it is clear that the Sun has prematurely entered its final phase and will soon expand to engulf the planet in the next 100 years. The United Earth Government was formed to find a solution with some form of Digital Life and The Moving Mountain Project being proposed. Time is of the essence as the globe slowly descends into chaos. In Libreville, Gabon, a test engine and space elevator is the first step towards The Moving Mountain Project, but this means it is at a critical phase, and if you could disrupt it at the source, then the whole thing could come crumbling down.

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After Yang – Movie Review

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TL;DR – There is a beautiful sadness to After Yang as you connect with the characters on the screen while also becoming introspective of your own life.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film.

Yang's memories.

After Yang Review –

At the start of the year, one of my colleagues recommended that I should check out After Yang, and well as is clearly apparent, I have been quite tardy on that request. But a promise is a promise, and also, a soft-science fiction film exploring the nature of sentience in a shifting world should be 100% my jam, so it is silly that I missed it up until now.  

So to set the scene, we open with a family in a green field trying to take a photo together. While things look fine on the surface, with father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith), and kids Mika (Malea Emma Tjandrawidjaja) and Yang (Justin H. Min) coming together to join in on a family dance-off contest. But Yang is an android built by the company Brothers and Sisters bought to help connect Mika with her Chinese culture. However, something has gone wrong with Yang’s central core, and he has shut down, and now Jake and Kyra have the difficult job of finding out what to do next.

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Guillermo del Toro’s Pinocchio – Movie Review

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TL;DR – A work of art that hits on every emotional level from start to finish.    

Rating: 5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Pinocchio but just a puppet.

Guillermo del Toro’s Pinocchio Review –

Some names instantly intrigue you when you hear they are attached to a project. Which is entirely what happened when I heard that Guillermo del Toro was going to make a Pinocchio film. This alone was enough to interest me. Then you discover that it will be an animated film, not just that, a stop-motion animation film, and the masters of puppets, The Jim Henson Company, will produce it. Well, that is a combination that could not be missed, and I am fundamentally glad I watched it.   

 So to set the scene, master craftsman Geppetto (David Bradley) lost his only child Calro (Gregory Mann), during the Great War when he was only ten years old. A stray bomb destroyed the church that they were working in, and it is a loss that he has never recovered from. Sometime later, Sebastian J. Cricket (Ewan McGregor), a travelling cricket, came to live in the tree planted at Carlo’s grave and watched as a drunk Geppetto laments over his lost son. But as that is happening, some old spirits from the forest who typically ignore humanity hear the pleas of the grieving father and when he cuts down the pine tree that was planted at the grave to turn it into a puppet. So The Wood Sprite (Tilda Swinton) looks over the creation and then brings that puppet Pinocchio (Gregory Mann) to life.   

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