Transformers One – Movie Review

TL;DR – By taking the series back to the basics, they found the core of what makes Transformers so compelling.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The surface of Cybertron.

Transformers One Review

If there has been one modern series that I have had such a mixed experience with, it is Transformers. For every Bumblebee, we get a Dark of the Moon and more. But thanks to those cartoons of my youth, including Beast Wars, I still have a deep fondness for the series and always turn up to see if this is the film where they nail it. Today, we are shifting things up with a new animated film that goes all the way back to the start, to a time when there were no Autobots and Decepticons.  

So, to set the scene, a long time ago, on a planet far, far, away, we are introduced to two miners deep in the depths of Cybertron. For millenniums, Energon ran freely on the planet. Still, after a disastrous battle with the killed all the Primes bar Sentinel Prime (Jon Hamm), and the Matrix of Leadership was lost, the wells dried up, and now nearly everyone has to delve into the dangerous mines to keep the city of Iocon running. While Orion Pax (Chris Hemsworth) is just a miner who does not even have a cog to let them transform, he dreams of finding the Matrix of Leadership and saving the city. This gets him in trouble quite a bit, and he often needs to get bailed out by his best friend, D-16 (Brian Tyree Henry). But when the pair get banished to the basement depths of the city, they stumble across an old beacon being unknowingly kept by B-127 (Keegan-Michael Key). They have a choice: do nothing or risk going onto the dangerous surface and changing their lives forever.     

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Speak No Evil (2024) – Movie Review

TL;DR – Unnerving, unsettling, uncomfortable, and unpleasant, but given that was the intention of the film, I then have to say that it achieved what it set out to do.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Louise tries to smother a scream.

Speak No Evil Review

Well … phew … wow … today we look at a challenging film to review because I don’t think I have ever been this stressed watching a movie before. I am sorry for anyone next to me at the screening from the constant clicking of my pen. However, this stress was not a by-product of the film but the full intent of the filmmakers, which is what we will explore today.  

So, to set the scene, Louise Dalton (Mackenzie Davis), Ben Dalton (Scoot McNairy), and their daughter Agnes (Alix West Lefler) are all on a slightly stressful trip to the Italian countryside. Ben ripped his family from their lives for a new opportunity in London, only to lose his job when his company closed. Agnes has struggled with attachment issues, and it is clear that the parent’s relationship is under immense strain. However, one day, they meet up with Paddy (James McAvoy), his partner Ciara (Aisling Franciosi), and child Ant (Dan Hough). The two families have a completely different vibe, but they bond in the face of Danish snobbery. At the end of the trip, Paddy invites the Daltons to visit them in the West Country, and they take them up on the offer. One long drive into the deep countryside, they come across a house full of possibilities, but it is also clear that something is not right.

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My Old Ass – Movie Review

TL;DR – This is a film that swims through the nostalgia of youth when significant changes are about to come, and you don’t know what the future might hold

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Elliott (39) talks to Elliott (18)

My Old Ass Review

Today, we look at a slightly sweet film that tries to ride the line between a bombastic juvenile comedy and a quieter coming-of-age work. It is a very fine line to walk because there is not a lot of safe ground between those two points. Indeed, I know people who have entirely disagreed on where this film landed. I think I am more in that first category, but that might be just because this film is laser-targeted on who I am.

So, to set the scene, Elliott Labrant (Maisy Stella) has just turned 18, and in just 22 days, she is going to leave the life she has lived on a lake in Canada harvesting cranberries on her family’s farm to move to the big city. But before she leaves, she wants to have one more trip with her friends Ro (Kerrice Brooks) and Ruthie (Maddie Ziegler) out to an island on the lake to camp, chat, and, oh, maybe dabble in some hallucinogenic mushroom. While her friends see many interesting things like rabbit orchestra, nothing quite prepares Elliott to look over and see her 39-year-old self (Aubrey Plaza) looking back at her. They talked about life and love, and her older self warned her not to fall in love with Chad. “Well, that was an odd trip”, thought Elliott, until she found Chad (Percy Hynes White) working on her dad’s farm as a summer farmhand. Oh, and someone put a new contact ‘My Old Ass’ in her phone.

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The Wild Robot – Movie Review

TL;DR – This is a stunningly beautiful film that hit me with a wave of emotions as if I were standing by the seaside watching them roll in.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit stinger.

Disclosure – I was invited to a press screening of this film.

Roz surrounded by butterflies.

The Wild Robot Review

It is school holiday time here in Australia, and that usually means a web of family films gets unleashed into the cinemas. Many are quite average fare, just looking to entertain the little ones for an hour or two in air conditioning. However, every now and again, you find something exceptional, and this is what we will be looking at today.

So, to set the scene, in the potentially distant future, a bunch of otters find a very peculiar item washed up on shore. It is a box with some contraptions. After some exploration, they accidentally set it off to discover it was a ROZZUM unit 7134 (Lupita Nyong’o) personal assistance robot. She is now activated and is not looking for a task. The only problem is that she does not speak wild critter, and they are all afraid of her. But when a bear attacks, she accidentally crashes into a goose nest, leaving only a single egg behind. Roz has to look past her programming with the help of Fink (Pedro Pascal), a local fox who would be happy to eat the issue away and Pinktail (Catherine O’Hara), an opossum who knows about motherhood. Because the little Brightbill (Kit Connor/Boone Storm) needs to eat, swim, and fly, all before winter sets in. Because if he doesn’t leave on migration, he will die.

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Not Today – Movie Review

TL;DR – A film that explores the subject of suicide, as two people are brought together on what could be the worst day of their lives.  

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress: if you are concerned, Lifeline Australia runs a confidential 24-hour hotline, which you can call inside Australia on 13 11 14.

Mamta quizzes Aliah.

Not Today Review

Today, we look at a film that explores a very sensitive topic: suicide. It is a subject that is rarely tackled well in the media and in society. Given that this is such a difficult space to work in, how would you tackle a film where this subject is not only referenced but is central to the story? Well, that is what we are going to be looking at today.   

So, to set the scene, Aliah Rupawala (Rucha Inamdar) is training under Mamta (Vibhawari Deshpande) to be a suicide prevention counsellor. This is a profoundly difficult job not only because you are trying to intervein with people on their darkest day about engaging with actions that can’t be walked back from. But also because of the emotional toll it can take on the receptionists themselves. It is Aliah’s first day, and she has had to deal with learning a new environment, making prank calls, trying to waste their time, and more. But just as it is about to come to an end, she gets a message from Ashwin Mathur (Harsh Chhaya) that may turn her life upside-down.

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Rebel Ridge – Movie Review

TL;DR – A fascinating exploration of how easy it is to twist and abuse power when no one is willing to stand up to it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Terry is thrown onto the road.

Rebel Ridge Review

My professional background is in International Relations, and at the core of much of that is the idea of power. How do you keep power? How do you use power? How can you counter those with power? This can often be found in the exploration of the Melian Dialogue, where “the strong do what they can, and the weak suffer what they must”. A touchstone for our setting today. However, what happens if someone comes in to mess with that power?    

So, to set the scene, Terry Richmond (Aaron Pierre) was riding his bike one day with his music blaring when, unbeknownst to him, the police were tailing him. One sideswipe later, and being pushed to the ground while injured, Terry is arrested, and the money he was bringing to bail out his cousin was ‘confiscated’ by the police. Civil forfeiture: All the police need to do is have a suspicion that the money is an illegal gain, and they can take it, and the Shelby Springs Police Department did just that. Now Terry is on a ticking clock because if his cousin gets sent to state prison, he will be killed.    

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Beetlejuice Beetlejuice – Movie Review

TL;DR – While it does not hit nearly as hard 40-years later, it was still a fun ride from start to finish, if you can get through all the mess.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I was invited to a screening of this film.

Beetlejuice appears from the mist.

Beetlejuice Beetlejuice Review

While you should never say Beetlejuice’s name three times, today we are in luck because we are looking at the sequel which is just Beetlejuice Beetlejuice. However, delving back into the past and trying to find a sequel after 40-odd years since the first outing is a potentially fraught endeavour. Can you capture what made the first Beetlejuice a hit all those years ago? Well, that is what we will look at today.

So, to set the scene, in the many years since Lydia Deetz (Winona Ryder) helped the Maitland ghost’s out she has become a mother, and a host of a very popular ghost show called Ghost House with Lydia Deetz. However, every now and again, out of the corner of her eye she sees a man with green hair and striped suit. Lydia was in the middle of taping one of her shows with her producer Rory (Justin Theroux) when she gets an urgent call from her stepmother Delia (Catherine O’Hara). Her father has been killed and the whole family is going back to Winter River for the funeral, including Lydia’s mostly estranged daughter Astrid (Jenna Ortega), who does not believe that her mother can commune with the dead. Mourning for the dead can be a difficult process, but when mysterious woman called Delores (Monica Bellucci) appears in the afterlife killing souls and sending Beetlejuice (Michael Keaton) into hiding. Well, a fortunate timed funeral could be just what he needs to connect with his almost wife from all those years ago.

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A Million Days – Movie Review

TL;DR – A conceptually interesting film that just never quite coalesced in the way that it wanted.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Three astronauts with crosses for eyes.

A Million Days Review

If there has been one major shift in technology in the 21st century so far, it is the rise of predictive AI. While the whole world is trying to rectify this new landscape, Science Fiction media has been playing in that space for decades. Today, we explore a film that is all about AI and what it means for the future of humanity.

So, to set the scene, in 2041, after decades of unchecked global warming, Earth is on the cusp of complete ecological collapse. The SEED project, powered by an AI called JAY, was created to try and make humanity a multi-planet civilization. Anderson (Simon Merrells) and Sam (Kemi-Bo Jacobs) help run the JAY project as the Lunar Colony is being established. However, when one of the new hires, Charlie (Hermione Corfield), accidentally runs a JAY simulation for a million days, they discover that something is wrong with humanity and its survival.   

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Beetlejuice (1988) Review – Exploring the Past

TL;DR – Delightfully odd in a way I am not sure you could capture today. 

Rating: 4 out of 5.

Disclosure – I paid for the Stan service that viewed this film.

Warning – Contains scenes that may cause distress.

The Handbook for the Recently Deceased.

Beetlejuice Review –

When I was invited to see Beetlejuice Beetlejuice, I was intrigued, given just how much social legacy the first film Beetlejuice had. But then, as I sat there thinking about the original movie, it dawned on me: I had watched it, right? But for the life of me, I could not remember if I had actually watched it? Or was it one of those films that you have just absorbed through the osmosis of the decades? Well, there is only one way to fix a dilemma like that, and that is to remove all doubt.

So, to set the scene, we open as Adam Maitland (Alec Baldwin) plays with his model town as he and his wife Barbara (Geena Davis) holiday at their holiday home. It is a beautiful time for all, right up until they swerve to miss a dog and are killed in the crash, not that they know they are dead for a while. They try to find purpose in the afterlife, but that is shattered when a new family, Charles (Jeffrey Jones), Delia (Catherine O’Hara), and Lydia Deetz (Winona Ryder), arrives. They want to change everything, but there might be hope when the daughter catches a glimpse of the couple looking from a window. But when they can’t get anyone to leave, they do something everyone was warned against: they say “Beetlejuice, Beetlejuice, Beetlejuice” (Michael Keaton).     

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Crazy, Stupid, Love (2011) Review – Exploring the Past

TL;DR –.  While it is showing its age in places, it revels in the chaos of the moment and the power of relationships.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no Post-Credit Scene

Disclosure – I paid for the Stan service that viewed this film.

Crazy, Stupid, Love Review –

I have been sick this week, and what I tend to do is fall back into that realm of comfort films to help me get through it all. For me, that is the Ever Afters and the 10 Things I Hate About Yous. But I was chatting with some friends about what their go-to comfort films are when one of them pointed out a blind spot: Crazy, Stupid, Love. I knew of the film, and I am sure that it got memed for a good reason. Well, what do you do when you discover a blind spot? Well, you shine a light on it, and that is what we are doing today.  

So, to set the scene, we open a very nice restaurant where couples share in the joys of love, well, almost all of them. Cal Weaver (Steve Carell) just asked his wife Emily (Julianne Moore) what she wanted, only to discover that the answer to that question was a divorce. This is just the start of what is a disastrous night for the Weaver family. But out in LA, Jacob (Ryan Gosling) might just be having a typical night as he makes a pass at Hannah (Emma Stone, but fails, but that is fine because Jacob takes a crack at nearly everyone in the bar. Later that night, Jacob sees Cal self-destructive in a bar after being dumped by his best friend. He finds pity for the man in ill-fitted clothes and decides to teach him how to talk to women.    

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