It has been said of me lately that I have been rather a bit dismissive of the old works of writers like Jane Austen. Well, in my attempt to catch up on some of the films I missed in 2020, I thought it would be the perfect time to remedy this, a little.
In England’s Regency-era, a local matchmaker has made her latest match in the rural countryside village of Highbury. Emma Woodhouse (Anya Taylor-Joy) has set up her governess Miss Taylor (Gemma Whelan) and local widower Mr Weston (Rupert Graves). She loves the game, and her latest intrigue is Harriet Smith (Mia Goth) who brings her into a confrontation with George Knightley (Johnny Flynn), a friend and yet sometimes rival.
TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – Where Their Finest excels is in creating the world of WW2 United Kingdom and what it was like to make a film during this time, but it is held back a bit is in its slightly clunky script.
Score – 3 out of 5 stars
It is at the depths of WW2, Hitler is on the move everywhere, the allies have been forced to retreat from France, London is under almost daily bombings during the Blitz, and the USA is refusing to get involved, it is the darkest of times. However, it is also a time of great change both within society and also within the film industry, with pressures to boost moral but also the need to engage with women in a way that they have never done before. Within this complicated setting, we have the Ministry of Information who is trying to make a film about the Dunkirk evacuation, the biggest military retreat in history yet also a great source of national pride as the whole country mobilised to save the troops from the approaching German Army. This is a great setting for a film, it deals with a lot of issues that feel very much of the time yet still relevant today, but can it maintain your interest for the whole film, well that’s what we are going to look at today.