Category Archives: Movie Reviews

The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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The Equalizer 3 – Movie Review

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TL;DR – A solid conclusion to the trilogy that does not chart a new course but knows the waters it wants to stay in and revels in it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

fireworks explode behind a religious statue.

The Equalizer 3 Review –

As I arrived a couple of hours early for the first The Creator session, I realised there was enough time to see another movie while I waited and scratch one of the current releases off my pile of shame. There were a couple of options until I saw The Equalizer 3. From memory, I liked The Equalizer 2, and I have often dreamed of living on the Italian coastline. But then I realised who the leading cast member was for this film and who it was for The Creator, and I knew that was a double bill that sold itself.

So to set the scene, a while after the events of 2, we find ourselves away from America and on the island of Sicily, Italy. An older man arrives with his grandson at a winery to discover all his henchmen are dead outside. Walking through the carnage down into the heart of it, we find one personal under guard. But that one person is Robert McCall (Denzel Washington), and a couple of guns will not stop him. Okay, a rifle to the back might. But when he is found by a kind a local carabiniere, Gio Bonucci (Eugenio Mastrandrea), after falling unconscious behind the wheel and saved from bleeding out by local doctor Enzo Arisio (Remo Girone). Robert takes a liking to the town and thinks this is where he could find some peace, and that was the wrong time for the mafia to try and muscle their way into the town.

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The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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We’re Back! – A Dinosaur’s Story (1994) – Exploring the Past

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TL;DR – A fascinating time capsule to the early 1990s, which might feel as far in the past as the dinosaurs featured. 

Rating: 3 out of 5.

Post-Credit Scene – There is no Post-Credit Scene.

Disclosure – I paid to watch this film.

Looking at a past Earth.

We’re Back! – A Dinosaur’s Story Review –

I always like plugging in gaps in my knowledge when it comes to cinema, especially when it hits one of those topics that I am deeply passionate about. Well, if you have dived into our site before, you will know that I love dinosaurs, and as someone who grew up in the 1990s, I thought I had watched all the tentpole dinosaur films from that era. Well, this week, I was reminded that this was not the case, and that was something that I had to fix pronto.

So to set the scene, Captain Neweyes (Walter Cronkite) and his assistant Vorb (Jay Leno) have a plan to bring dinosaurs from the past to the present and make them sentient. Thus Rex (John Goodman), Woog (René Le Vant), Dweeb (Charles Fleischer), and Elsa (Felicity Kendal) are ripped from their time and brought to the future. So many children wish to meet a dinosaur, and Neweyes has chosen to grant that wish, which is when he kicks the dinos out of his spaceship to parachute to New York City below.     

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Spy Kids: Armageddon – Movie Review

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TL;DR – While it does not quite hit the heights of the original, it was still a fun time.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Map Room over lava.

Spy Kids: Armageddon Review –

All the way back in 2001, there was this oddly delightful film full of delight and odd clay hand monster abominations. Spy Kids was this strange series that was always on the cutting edge. I think I remember a smell scratch and sniff one time, and 3D before 3D, 3D’d. But it is also one of those series you don’t feel need a reboot. With that in mind, can they bring this franchise into the 21st century, or will it feel like a relic of a time past?

So to set the scene, the Torrez-Tango’s are a perfectly normal family bar for some overly dramatic tech lockdowns. Tony Torrez-Tango (Connor Esterson) likes to play the scoundrel using his tricks and cheats, while Patty Torrez-Tango (Everly Carganilla) likes to play fair with integrity. But little do they know that their parents, Nora (Gina Rodriguez) and Terrence (Zachary Levi), are spies. But when some malicious code is hidden in the video game, Hyskor steals the secret Armageddon Code. Well, it just might be the kids that come to the rescue.    

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A Haunting in Venice – Movie Review

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TL;DR – The stronger of the three so far that explores faith, mystery, and, of course, murder.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

skellington

A Haunting in Venice Review –

I love a good murder mystery film, and when you want a good murder mystery, you can’t go past the Queen of Murder Mysteries, Agatha Christie. She has a way with words that have made it through the ages, and the latest interpretation of her work on the big screen has been helmed by Kenneth Branagh with their Murder on the Orient Express in 2017 and Death on the Nile in 2022. Today, we get the third instalment in the series, and what, spoiler alert, is my favourite of the three.

So to set the scene, it is now 1947, and it has been ten years and one world war since we last saw Hercule Poirot (Kenneth Branagh) on the Nile. After a lifetime of investigations, Poirot has taken to seclusion and retirement in a house in Venice with only his bodyguard Vitale Portfoglio (Riccardo Scamarcio) and the daily pastries boat making their way past his door. It is a life of quiet solitude that is punctured when an old friend/acquaintance/annoyance, Ariadne Oliver (Tina Fey), arrives at his door with a conundrum. There is a medium, Joyce Reynolds (Michelle Yeoh), going around claiming that she can talk with the dead, and no matter what Oliver can do, she can’t work out Joyce’s tricks. Joyce is doing a séance for local celebrity Rowena Drake (Kelly Reilly) to speak with her recently lost daughter Alicia (Rowan Robinson) as it is Hallowe’en. All Poirot has to do is work out her tricks, and surely there won’t be any other deaths …

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Blue Beetle – Movie Review

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TL;DR – It was an enjoyable time, and I wish it were not placed in such an awkward position in the franchise. 

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Palmera City

Blue Beetle Review –

Well, if there was ever a film that was affected because of cinematic universe issues out of its control, it is today’s film. No matter what merits the movie is coming in on, it will find difficulties because the DC Universe is one film out from a considerable reboot, and we have already seen that torpedo good films like Shazam. But if nothing else, you could tell the cast was throwing their all into this, and I am glad I watched it.

So to set the scene, Jaime Reyes (Xolo Maridueña) is returning to Palmera City after graduating from Gotham Law University. His family Alberto (Damián Alcázar), Rocio (Elpidia Carrillo), Molagro (Belissa Escobedo), Rudy (George Lopez), and Nana (Adriana Barraza) all meet him at the airport and take him out for tacos before dropping the bomb that they are losing their house. Jamie tries to find a good job but gets stuck cleaning the home of Victoria Kord (Susan Sarandon). Still, a chance encounter with her niece Jenny Kord (Bruna Marquezine) changes his life when that blue scarab statue Jenny gives him comes to life and gouges into his skin.

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Kandahar – Movie Review

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TL;DR – It is a solid action film that is, unfortunately, not really sure what it wants to say.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Fighters line up with guns.

Kandahar Review –

Some artists get known for periods in their career. Picasso had his Blue Period,  Monet had his Water Lilies, and James Cameron has his Avatar saga. But one new era that I have been particularly interested in is Gerard Butler’s one-word action films. So far, we have gotten Geostorm, Greenland, and Plane. Today, we look at the next entry with a spy mission that goes very wrong.   

So to set the scene, we open in Qom, Iran, where a team works on a telecommunications substation under heavy armed guard. But this is a secret CIA project led by Tom Harris (Gerard Butler) to monitor and disrupt Iran’s nuclear program. However, this gets leaked to a journalist, Luna Cujai (Nina Toussaint-White), from someone in the Pentagon. Tom is stuck in Herat, Afghanistan when the news is released. In Herat, the Taliban have taken over, and foreign spies from Pakistan, Iran, India, China, Pakistan, ISIS, and more roam the streets. There are no good options, but he needs to escape before he is publicly executed, and the only escape is MI6 black Ops pick up in Kandahar that will be on the ground for one minute in 30 hours.   

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Teenage Mutant Ninja Turtles: Mutant Mayhem – Movie Review

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TL;DR – A delightful romp of a film, stunning in its animation, and engaging in its story.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film.

The team looks at a video.

Teenage Mutant Ninja Turtles: Mutant Mayhem Review –

While you try to avoid it, you can’t help but walk into a film with preconceptions, especially when it adapts to a work with a long history. When you hear Seth Rogen & Evan Goldberg’s take on the Teenage Mutant Ninja Turtles, that immediately brings an idea of what the film might look like. I might have walked into here with preconceptions, but I walked out with a new respect for the animated work of the artists here.

So to set the scene, Baxter Stockman (Giancarlo Esposito) was working in a lab trying to create his own family using mutation. But before he could complete his work, TCRI tracked down his lab, and Cynthia Utrom (Maya Rudolph) ordered an attack. Stockman was killed in the commotion, but not before one of his creations could save their siblings, and one of the vials of ooze slips into the sewers and finds some baby Turtles. Fifteen years later, Michelangelo (Shamon Brown Jr.), Leonardo (Nicolas Cantu), Raphael (Brady Noon) and Donatello (Micah Abbey) live with their adoptive father, Splinter (Jackie Chan), running errands in secret. They long to be more part of the Human world, but when a new villain called Superfly (Ice Cube) starts stealing supplies, new opportunities and dangers are around the corner.    

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Star Trek: Lower Decks: I Have No Bones Yet I Must Flee – TV Review

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TL;DR – It’s promotion time, and things are changing on the USS Cerritos  

Rating: 4 out of 5.
Romulan wreckage.

Star Trek: Lower Decks Review –

There is only one thing better than a new episode of Star Trek: Lower Decks dropping. That is two episodes dropping at the same time. But if Twovix was the episode where our crew [mostly] got promoted. Then I Have No Bones Yet I Must Flee is looking at the fallout of that decision.

So to set the scene, in Romulan space and on a Tal Shiar ship, the crew are busy cleaning up the Reman juice leftover from an interrogation when a strange ship appears and blasts it away. Back on the USS Cerritos, the crew is busy backing up their bunks because they are now all Lieutenant Junior Grades. Well, Beckett Mariner (Tawny Newsome), Brad Boimler (Jack Quaid), and D’Vana Tendi (Noël Wells) all got promoted. Poor Sam Rutherford (Eugene Cordero) got left behind, but for how long? Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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