Category Archives: Movie Reviews

Air – Movie Review

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TL;DR – This is both a well-acted and constructed film while also being one of the weirdest premises that I have ever seen for a biopic

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Ben Affleck looks out a window

Air Review –

There are many feelings that you may want to elicit from your audience as they walk out of the cinema. It could be triumph, anger, joy, or even deep sadness. But today was a new one because I had never felt peculiar and odd when I walked out of the cinema before. A feeling of ‘well, that was fine … but what was that for?’. Well, this is the film that we look at today.

So to set the scene, it is 1984, and while the general Nike brand is doing well, their basketball division is in the slumps. No matter what they do, they can’t outperform Converse or Adidas, grabbing a measly 17% market share. It is so bad there is a strong suggestion they should shut this down entirely and focus on jogging where they make bank. Well, Sonny Vaccaro (Matt Damon) has the plan to fix that. It just happens to be targeting the unobtainable Michael Jordan (Damian Delano Young). But Michael’s mother, Deloris (Viola Davis), his agent David Falk (Chris Messina), the other two companies, and even Sonny’s boss Phil Knight (Ben Affleck), might have a different view on the matter.

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The Super Mario Bros. Movie – Movie Review

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TL;DR – While frustrating in more places than it should be, it shines when it lands on the fun.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid and end-credit scene

Disclosure – I was invited to a screening of this film

Bowser arrives.

The Super Mario Bros. Movie Review –

When this film was first announced, you could feel a general odd bemusement permeate through the internet, with relocations back to the last time they tried this in live action [a film that I have fond remembrances of, but that might be just the distance of time and youth as I have not seen it in decades]. That amusement was only highlighted when the lead cast was announced. A feeling that was only slightly abated when the first trailers landed. However, 2023 has been the year for good video game adaptations, so maybe this could work … maybe.

So to set the scene, Mario (Chris Pratt) and Luigi (Charlie Day) are two brothers that have just started their own plumbing company in Brooklyn and Queens. They are trying to make a name for themselves when a water main bursts, and only they can fix it. But as they go underground to find the source, they stumble across a giant green pipe lying open. What harm could that do? Was the thought right before both brothers were sucked into a new world, one full of mushrooms and the other dark and foreboding.

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John Wick: Chapter 4 (JW4) – Movie Review

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TL;DR – In many respects, this is the best John Wick film so far, or at least it would be if the action scenes were a touch more restrained in their length      

Rating: 4 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid to see this film

John walks into a cathedral.

John Wick: Chapter 4 Review –

If there has been one series that has captured my attention in the last decade, it is the Jon Wick films. John Wick: Chapter 1 was an explosive surprise that shifted what action films could do in the modern era. John Wick: Chapter 2 took the world and expanded it in every way. While John Wick: Chapter 3 pumped everything up to eleven. Could they keep ramping up each time? Well, let’s see.

So to set the scene, after Winston Scott (Ian McShane) betrays John Wick (Keanu Reeves), shoots him in the chest and throws him off the Continental’s roof, it looks like the end for John. Well, until he is found by the Bowery King (Laurence Fishburne), who is very happy helping John with his revenge mission. But revenge often comes with its own retribution, and The Table strikes back hard and without mercy. Because, as they say, revenge is a dish best served cold or via dog attack. It is one of them.    

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Star Trek: Picard – Dominion – TV Review

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TL;DR – It does what Star Trek does best and explores complex morality problems as the world implodes around them.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

A nebular.

Star Trek: Picard Review –

Can you make someone have a moral quandary in the middle of an action scene? That feels almost like an area that few would dare to tread, but where else will you learn about someone as well as you can when you have engaged them in a dance of battle? Whatever the case, this week brings emotions to the fore, or is that to the Lore?

So to set the scene, the USS Titan-A is all alone but with the knowledge that there is a conspiracy that has gone to the top of Starfleet as the Changelings are out for revenge. The crew is trying to find allies that are left out there when Seven (Jeri Ryan) gets in contact with her old crewmate Tuvok (Tim Russ), but the reach of the Changelings is extensive, and time is running out. Which means that maybe it is time to throw the hail Mary. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.      

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The Portable Door – Movie Review

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TL;DR – A delightful romp through a world where coincidence can be bought and manipulated.     

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to watch this film

The portable door.

The Portable Door Review –

Few things get me into the cinema as quickly as ‘made by The Jim Henson Company’. No matter what they are involved in, you know it will be fascinating to watch. But add in some lovely Magical Realism and a cast of zany characters, and you have a must-watch.

So to set the scene, Paul Carpenter (Patrick Gibson) is down on his luck and trying to find a job to pay the bills before he gets kicked out of his flat. All he has to do is get to the café. What could go wrong? Well, everything, apparently. Both shoelaces might break, the trousers might have a stain, and a dog might run off with your scarf. But what if, coincidentally, running after the dog, you find a small door for applicants, and what if you find yourself in the company JW Wells and Co that is expecting you even though you never applied for something? But what if, in that interview, you notice that the cracks in the wall remarkably resemble a map of London? You might find yourself employed by a company that believes that coincidence can be manipulated and controlled.   

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Furies (Thanh Sói) – Movie Review

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TL;DR – While sometimes difficult to watch, it soars during its action sequences.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this movie

Warning – Contains scenes that may cause distress.

bloody hands.

Furies Review –

I was unsure what to expect when I sat down to watch the first film from Netflix in Vietnam, or indeed our first ever film from Vietnam. I was told to expect some decent action and a stylistic presentation, both of which are present. However, I did not expect to encounter in the first five minutes one of the most confronting scenes I have seen in a film I have reviewed.

So to set the scene, when Bi (Nguyễn Công Danh) was young, she suffered an unspeakable trauma that left her alone in the world as everything she knew burnt to the ground. She grew up on the streets alone, leaving her vulnerable until one day, Jacqueline (Ngô Thanh Vân) drops a beet down on a group of men trying to attack her. She gives Bi a place to stay with Hồng (Rima Thanh) and Thanh (Tóc Tiên), who help with a makeover montage and train her to be ruthless. Jacqueline is teaching the women to take on the elements of society that pray on women, and the first people in their sights are ‘Mad Dog’ Hải (Thuận Nguyễn) and his gang of traffickers.

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Dungeons & Dragons: Honor Among Thieves – Movie Review

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TL;DR – An enjoyable film that captures the chaos of a DnD session right down to the nat-20 dice rolls.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

The party enters the arena.

Dungeons & Dragons: Honor Among Thieves Review –

Between a combination of Critical Role finding a moment in the streaming space and the wave of nostalgia birthed from Stranger Things, it has rarely been a better time for Dungeons & Dragons. Many people started their own DnD campaigns, and I am not immune to that, so what do you do? Well, you bring your party to the cinemas and experience a one-shot.

So to set the scene, we open in prison surrounded by an icy wasteland. Two prisoners were Edgin Darvis (Chris Pine), a bard and his best friend Holga Kilgore (Michelle Rodriguez), a barbarian trying to get a pardon by explaining their tragic backstory. Or … you know, you could do a little prison break. Because when Edgin was captured, he left his daughter Kira Darvis (Chloe Coleman) in the care of his party member Forge Fitzwilliam (Hugh Grant), rogue. Only Forge is now the Lord of Neverwinter and might have turned Kira against the group.

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Shazam! Fury of the Gods – Movie Review

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TL;DR – When it is working, it is a delightful blast of a film   

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I was invited to a press screening of this film

The whole family in super form.

Shazam! Fury of the Gods Review –

When the first Shazam! film came out. It was at this odd moment for the DCEU. There had been a hard pivot away from the dark and brooding movies like Batman v Superman towards something a little lighter. And I, for one, liked the change. While Shazam! and Aquaman were not perfect films, there were at least supremely entertaining. But I wondered if lightning could strike twice because, much like last time, Shazam has to do some repair work after a string of failures.

So to set the scene, since Billy (Asher Angel) was given the powers of Shazam (Zachary Levi) by the last council of the wizards, also called Shazam (Djimon Hounsou), he has tried to be a superhero. However, he is still just a kid; if ever there is an imposter syndrome, it is this. However, life does not give him the time and space to process this change because the two daughters of Atlas, Kalypso (Lucy Liu) and Hespera (Helen Mirren), have returned to Earth. They are there to rectify their position and see Billy and his family as a threat and an affront to everything they stand for.  

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65 – Movie Review

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TL;DR – There is a scaffolding of a good film here, but not the substance needed

Rating: 2.5 out of 5.

Post-Credit Scene – There is a sequence during the credits

Disclosure – I paid to see this film.

A dinosaur footprint in the mud.

65 Review –

Many things can capture my attention, and “Adam Driver Fights Dinosaurs” might be one of the quickest ways to do it. I knew practically nothing about 65 before walking in, but that tagline was enough, even when I heard it was not being screened for critics. Now that I have seen it, maybe I should have been a touch more hesitant.

So to set the scene, 65 million years ago, other species were exploring the galaxy. One such was Mills (Adam Driver) from the planet Somaris who takes a 2-year extended mission guarding some colonists so he could make enough money to save his daughter Nevine (Chloe Coleman), who is sick. However, along the route, the ship runs into an undocumented meteor swarm and crashes into an uncharted planet. But not just any old unknown world, because this is Earth and dinosaurs still rule the roost, and Mills and the only other survivor Koa (Ariana Greenblatt), have to fight for survival.   

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Till – Movie Review

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TL;DR – This is a heartbreaking film that soars thanks to a stunning performance but also struggles to stay out of its own way in parts.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Mamie watches the train leave.

Till Review –

I am not sure there is anyone who is going to see this film that does not know what happened to Emmett Till on that awful day in Mississippi. The question is, how do you come to a movie when your audience already knows every terrible beat coming? Till’s answer to this question is to make every moment land with the force of a hurricane.

So to set the scene, it was Chicago in 1955, and Mamie Till (Danielle Deadwyler) is taking her son Emmett Till (Jalyn Hall) shopping for a new wallet and shoes because he is about to spend some time by himself down in Mississippi with his cousins. Mamie is concerned because he has never spent that amount of time away from her, and the South is not a safe place to be. But Emmett is having a blast with his cousins until he accidentally ‘offends’ a white woman Carolyn Bryant (Haley Bennett), and soon some white men come into his uncle’s (John Douglas Thompson) house and drag him out of bed.

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