TL;DR – A film full of awful people being awful to each other
⭐⭐⭐
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
Marital Problems Review –
Some films have a very grand scope darting from place to place, or even planet to planet. Then there is those film that are more intimate, sometimes staying in the same location for the entire runtime. Both of these approaches can work for your narrative if you structure them well. Today we look at a film that follows the later, in a world that may not be what it first seems.
So to set the scene, we open in on Ian (Callum Gault) as he lies in bed nursing one hell of a hangover when a bang on the front door wakes him from his stupor. At the front door, is McManus (Neil Goldsmith) a handyman who is here to fix the place up for the landlord Devon (Jonathan Hearns). Why is the home being fixed up, well, Ian has not been playing the rent, and he is about to get kicked out. It is at this moment of despair when an agent of chaos appears in the form of Clarke (Nick Capper).
TL;DR – The Wanderings of Ivan is a cold look at a real problem shown through the eyes of an excellent performance by Aram Arakelyan
⭐⭐⭐
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
Warning – Several scenes contain flashing lights.
The Wanderings of Ivan Review –
Homelessness is one of those issues that is a larger issue in modern societies, but we tend to push it aside and not think about it. But what happens to a person when they are cut off from having enough to eat when there are not avenues they can use to get out of where they are? Today we look at a film that is exploring this critical issue.
So to set the scene, Ivan (Aram Arakelyan) lives rough on the streets of Paris. To survive, he begs on the street and steals leftovers, but even that is not really enough. He tries to find work or a safe place to sleep but more often than not ends up sleeping rough each night with only a couple of Euros to his name. After a while, he finds a secluded wooded area on the outskirts of the city where he is not the only one without a home.
TL;DR – Based on some strong character work, Irresistible is a riot of laughs from start to finish, but it still has something important it wants to say.
⭐⭐⭐⭐
Rating: 4 out of 5.
Post-Credit Scene – There is a mid and end-credit scene
Irresistible Review –
It is rare for a film to catch me completely off guard these days. In the era of trailers giving most of the game away and the pretty standard plot structure that most films follow, you tend to know what you are getting yourself into before you sit down in the theatre. Well, today, I look at a movie that surprised me from the start and never let up.
So to set the scene, we open on the night before the 2016 Presidential elections where Democratic party representative Gary Zimmer (Steve Carell) and his Republican counterpart Faith Brewster (Rose Byrne) are giving their final pitches to the nation in the ‘spin room’. Well, we all know how that election turned out, and much like the literal depiction of a cannonball to the gut Gary is in a state of despair. However, a couple of years later as mid-terms approach he is trying to find a way to reconnect with heartland voters when he stumbles across a viral video of Colonel Jack Hastings (Chris Cooper) in Deerlaken, Minnesota. Jack is standing up to the local Mayor Braun (Brent Sexton) over his stance on immigration. Gary has found his gateway to the heartland and flies to Minnesota and agrees to run Jack’s campaign for Mayor.
TL;DR – A farcical look at the reality of when an inept leader dies and leaves a vacuum to be filled.
⭐⭐⭐⭐
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene
The Death of Stalin Review –
Way back in the before times, I had planned to see The Death of Stalin in cinemas, with a planned double session. However, after being emotionally obliterated by Gurrumul, that got put on hold and very came to fruition. I have kept meaning to watch it since then, but now given I have some time thanks to the current state of the world, I thought it would be the perfect time to dive in.
In 1953, Joseph Stalin (Adrian McLoughlin) was ruling the country with an iron fist, killing all those who oppose or even annoy him. There is a raucous almost frat house feel around dinner as Nikita Khrushchev (Steve Buscemi) and Lavrenti Beria (Simon Russell Beale). While this jocularity goes on, Stalin requests the recording of a concerto performance he just heard on Radio Moscow, one small problem. No one recorded it. Chaos erupts as Yuri Andreyev (Paddy Considine) tries to record the performance, while buses round people up across the city. It would be the worst time for something to happen to Stalin, but as the title of the film suggests that is what happens because pianist Maria Yudina (Olga Kurylenko) slipped a note of sedition into the recording. As Stalin read it, he suffers a cerebral haemorrhage and becomes paralysed, and no one comes to his aid till morning.
TL;DR – A film with an interesting cast and set up, filled with gorgeous scenery, that unfortunately grinds to a halt in the third act and never recovers.
⭐⭐⭐
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
Dirt Music Review –
When you are Tim Winton one of Australia’s most prolific and awarded writers, it stands to reason that your work is going to be adapted quite often, and we have numerous film and tv series to back that up. Two years ago, we reviewed the latest adaption from Tim Winton’s work with Breath, and today we get to look at another of his novels with Dirt Music.
So to set the scene, we open in on the small fishing town of White Point on the West Australian coast. We see a woman called Georgie (Kelly Macdonald) with a drink in her hand standing on the balcony of a plush house up behind the dunes. She hears a dog barking, so goes down to the beach to explore, which is where she finds a dog tied to an empty boat trailer. After accidentally letting the dog go free she decides to go for a swim in the middle of the night, as one does apparently, and while diving in the waves, she comes across the boat’s owner Lu Fox (Garrett Hedlund) coming back with a boat full of poached lobsters. The same lobsters Georgie’s partner Jim (David Wenham) catches for a living.
TL;DR – This is a film that raised a lot of interesting ideas, but never gives the time to provide them with all the justice they need to work within the story.
⭐⭐⭐
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
LX 2048 Review –
As we move into the future, the digital and real worlds are blending more and more together. Add the fact that it looks like VR finally stuck the landing this time and the future is bright or maybe not. As that line gets fuzzier, what does that mean for human connection? This impasse is the question that the film we are looking at today is asking.
So to set the scene, in the distant future, the world of the digital and the ‘in real’ have blended thanks to a world where the daytime has become toxic thanks to the Sun’s radiation. Indeed even the briefest exposure to the Sun can create instant and painful sunburn. We meet Adam Bird (James D’Arcy), who is getting the news you don’t want to hear, his heart is failing, and there is nothing anyone can do about it. Adam is one of the few people who go out in the day to a physical place to work and also kind of like to live in the real world. His desire to be in the real (among other issues) is why he is now separated from his family in his moment of need, because he does not want to die, or worse become a clone.
TL;DR – There are moments when this film comes together. Unfortunately, those moments are few and far between.
⭐⭐⭐
Rating: 2.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Romance on the Menu Review –
Do long lost relatives ever give you a call to adventure in their wills, no you neither? Well, it does seem to be a ubiquitous plot point in films. Today we explore a movie that as fate would have it has that very set up, that takes our protagonist from the hustle and bustle of New York to the calm of Australia.
So to set the scene, Caroline (Cindy Busby) works as a professional chef running a kitchen of a fine dining restaurant. The one day she took off they had a food critic come and blast the food, so she spends all her time trying to make up for that. Caroline does not have any time for love because she is too busy. However, out of the blue, Caroline receives a letter from Australia, her late aunt had left Caroline her old café in Lemon Myrtle Cove. When Caroline arrives to look over the café to get it ready to sell, she makes a fool of herself in front of Simon Cook (Tim Ross) who is both her landlord and also the cook of The Seagull Café, and yes our love interest. Well, Caroline’s plan of finishing the sale as quickly as possible is put in jeopardy when no one will renovate the café to let her sell it, so she has to take drastic measures to keep to her timeline.
As the march of the copyright extension powers forward more and more, few stories are both in the public domain and have enough thematic strength to be engaging after all this time. However, I should note that not even Sherlock Holmes is not entirely removed from this mess. One of the few stories that match both of these criteria is the works of Sir Arthur Conan Doyle. We have reached the point that not only have we had the many different interpretations of the original stories but also original works within the universe. Today we look at an adaption of the later as we delve into a mystery at the heart of a family … well families.
We open with Enola (Millie Bobby Brown) running through the English countryside giving us a back story of her life with her mother Eudoria Holmes (Helena Bonham Carter). A life that was full of mystery and joy. However, on the day of Enola’s 16th birthday, she woke up to find her mother missing. The only thing that was left was a single gift for Enola, a box of notes about flowers … or a box full of clues. Hoping to get some assistance she enlists the help of her two brothers Sherlock (Henry Cavill) and Mycroft (Sam Claflin) … and that goes about as well as you can expect.
TL;DR – A completely charming film from start to finish
⭐⭐⭐⭐
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene
Review –
Films about the music industry are tricky to pull off because they demand you have genuine emotion in a world of fake glitz and glamour. Indeed the best films in this genre either focus on a newcomer trying to break in or pulling back the curtain to reveal the reality of the industry. Today we look at a film that has elements of that outside story, but it takes a risk by centring it on the heart of the industry with all its glitz, glamour, and biases.
So to set the scene, Mags/Maggie/Margret (Dakota Johnson) works as a personal assistant to the great Grace Davis (Tracee Ellis Ross). Grace was a musical icon in her day, but these days she spends her time touring and releasing ‘best of’ albums. Maggie has been her PA for three years, but she wants to take her carrier to the next level and has secretly been remixing Grace’s new live album in her free time. This comes to a head when Grace’s manager Jack Robertson (Ice Cube) finally convinces Grace to get someone to produce the album and Maggie has to decide if she is going to stay quiet or speak up and take her chance.
When I was growing up in the 90s, there was not enough time in the morning to watch Cheez TV, so you would stick the tape into the VCR and just waited all day to see what was taped when you got home. One of those shows that I still think back fondly on was Digimon Digital Monsters. It was this tale of these young kids getting trapped in a digital world, but they were not alone because they made friends with the local Digimon. It had two solid seasons where we followed their stories, but after that, they did the animated equivalent of Skins and shifted the whole world up and along the way I just got lost. Well, today I get to go back in time and revisit an old past with the conclusion to that story started so long ago. Just before we dive in (because I know this is important to some people), I watched the dubbed movie for this review, not the subbed. Purely because this is the version I grew up on, so this was the version I was going to say goodbye to.
So to set the scene, years have passed since the series and other movies and the DigiDestined have grown up and are going about their lives. However, across the world, an Aurora has been dazzling the night sky from New York to Tokyo. There is nothing to fear … the government says … right up until a portal to the digital world opens and Parrotmon (Yoshihito Sasaki) bursts forth. Luckily Tai (Joshua Seth), Matt (Nicolas Roye), T.K. (Johnny Yong Bosch) and Kari (Tara Sands) along with their Digimon can send it back to the digital world. However, in its wake, DigiDestined around the world have begun falling into a coma, and no one knows who will be next. Now in this review, I do want to spend some time exploring some of the themes, but that will head us into spoiler town real quick. So I will start with some general impressions before delving in more in-depth.
TL;DR Movie Reviews and Analysis 