TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – This is a paint by numbers film with no direction or heart, a real disappointment, and the better title is probably Pirates of The Caribbean: Coincidence on the High Seas
Score – 2 out of 5 stars
P.S. – There is a post-credit scene
So here we are looking at the fifth film in the Pirates of the Caribbean series, and I’m sitting here wondering where it all went wrong. The first Pirates of the Caribbean was one of those breaths of fresh air that pop up every now and again, a brilliant standalone film, reinvigorating a genre of film that had disappeared, and it had one of the greatest character entrances in film history. Its two follow-up films which completed a trilogy of sorts were not as good as the first but fine films in their own right. However, the last film felt more like a continuation out of necessity rather than a new story that they felt needed to be told, and this continues in Dead Men Tell No Tales. So at this point, it should be no surprise that I didn’t like the fifth Pirates of The Caribbean film so we’re going to break down what worked and what didn’t and one of those lists is going to be bigger than the other.
TL;DR – So far it’s not the train wreck that people were making it out to be and it does get better throughout the season, but there needed to be more work done with the Danny Rand character before filming.
Score – 3 out of 5 stars
Ok all thirteen episodes have been watched, four pages of notes taken, so let’s delve into the world of Iron Fist/Danny Rand (Finn Jones) the last addition to the Netflix/Marvel mini-universe before we get to see the big defenders cross-over later this year. Now I don’t think any in-house (i.e. not Fantastic Four) Marvel product has ever had this much negative press before launch, and it was a rocky couple of weeks, to say the least. So let’s break down what does work (because some of it does), but also where the series went wrong, and there is a lot of that too. Now because we are looking at the season as a whole, there may be some spoilers here, so you have been warned.
TL;DR – A beautiful story of loss, exploitation, grief, and trying to find out what home means, in the absence of any real information of where it could be.
Score – 4.5 out of 5 stars
It might be one of those universal experiences, you’re walking through a shopping centre, theme park, city street, etc. with your parents and then you look up and realise you don’t know where they are. That feeling of being lost as a real and palpable fear and thankfully for most of us it short lived. However, this is not the case for Saroo, indeed for Saroo it was not a momentary fear, for him it was a life changing event. Lion tells the story of Saroo Brierley (Sunny Pawar & Dev Patel) who one day after working in rural India with his brother Guddu (Abhishek Bharate), joins him on a train ride to a nearby settlement so Guddu can find some night work for them to help their mother Kamla (Priyanka Bose) who works as a labourer to make ends meet. Then Saroo ends up getting stuck on a train which is not going to the next station, but instead travelling 1500km to Calcutta, a place where no one speaks the same language, and as you are five years old as far as you know your mum’s name is ‘mum’. This is a heartbreaking tale of loss, exploitation, and the struggle to find what home means. Now due to the nature of the film, its structure and the very nature that it is based off a true story it becomes quite hard to talk about aspects of the film without discussing the second half of the film. So for this reason from here on into the end, a SPOILER warning is now in place.