Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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Monarch: Legacy of Monsters – Beyond Logic & Season 1 – TV Review

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TL;DR – It may have left the best for last as it ratchets up the tension and the monsters.

Rating: 4 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

Godzilla surfaces.

Monarch: Legacy of Monsters Review –

Well, we have reached the end of our first season of Monarch: Legacy of Monsters, and what a fascinating season it was. We got governmental intrigue, timey-wimey physics, and also some giant roar monsters. In our final update for the season, we are first going to take a look at whether they stuck the landing in this final episode and then also how well the season worked as a whole.

So, to set the scene, At the end of Axis Mundi, everything went wrong. The monsters attacked the old nuclear plant in Kazakhstan, setting off the explosions, and throwing Cate (Anna Sawai), May (Kiersey Clemons), and Shaw (Kurt Russell) into the portal and badly wounding Kentaro (Ren Watabe) and Tim (Joe Tippett). Cate thought she was going to die. The last thing she expected to find was herself alive in the underworld or that the person who would come to her rescue was none other than her grandmother Keiko (Mari Yamamoto), who had not aged a day. We will be looking at the episode and season as a whole from here, so there will be some [SPOILERS] ahead. 

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Role Play – Movie Review

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TL;DR – There are some moments when the film shines. However, there is a lot of space in between those moments filled with missed opportunities.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.  

Role Play Review –

In the Spy and Spy-adjacent world, one of the core narratives that we see is when a spy’s family does not know what they do for a day job. The most famous is probably True Lies, but we see a lot of them moving from the more comical to the more serious, depending on the vibe that they want. That is if you can choose a vibe.  

So to set the scene, on the surface, the Brackett family is your perfectly normal middle-American suburban unit. The father, Dave (David Oyelowo), is an architect. They have two wonderful kids, Caroline (Lucia Aliu) & Wyatt (Regan Bryan-Gudgeon), and oh, by the way, when Emma (Kaley Cuoco) says she is going out of town to work cooperate management, she actually is a very successful assassin. Emma wants to have some time at home, but her handler, Raj (Rudi Dharmalingam), wants her back out in the field. After Emma forgets their anniversary, they decide to have a fun night out where they pretend to be two strangers meeting in a bar. One long ride stuck in the tunnel and the poor advances of Bob (Bill Nighy), and it looks like the night might be a bit of a mess. It would be the wrong time for someone’s cover to get blown.   

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Reacher: The Man Goes Through – TV Review

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TL;DR – When Reacher is at his lowest is when Reacher is his most dangerous.

Rating: 3.5 out of 5.

Disclosure – I paid for the Amazon Prime subscription that viewed this series.

Reacher gets reamed out.

Reacher Review –

There is a point in a series-long arc when you can tell, ‘Oh, we have entered the end game’. Well, for this season, that time is now as forces that have been building all season start crashing into each other, and with Reacher, that is not a minor collision.

So to set the scene, with the death of their only true ally at the end of New York’s Finest, well, things have gotten personal. It is clear that the deal is about to go down, and Shane Langston (Robert Patrick) is leaving no strings attached. There are limited options left for Reacher (Alan Ritchson), but if there are dirty cops everywhere, maybe we need to start introducing some of those dirty cops to the contours of his fist. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Percy Jackson and the Olympians: A God Buys Us Cheeseburgers – TV Review

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TL;DR – This is the episode where the quest, the gods, and the half-blood’s stories all coalesce together in a way that makes it the strongest episode so far.

Rating: 4.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Post-Credit Scene – There is a mid-credit scene.

Gateway Arch smoking.

Percy Jackson and the Olympians Review –

There is one thing that can make or break your show, movie, video game, or even radio play, and that is the casting. It is so important to find people who can embody the characters and bring them to life. Add in the added pressure of playing new interpretations of old characters, and you have a recipe for disaster. But as we see today, this might be Percy Jackson’s biggest strength.

So to set the scene, since feuding with the Chimera at the top of the Gateway Arch and maybe causing a bit of destruction to a national monument in I Plunge to My Death, our gang of Percy (Walker Scobell), Annabeth (Leah Jeffries), and Grover (Aryan Simhadri) are forced to start hitchhiking as the cops are starting to get suspicious about them. But their day goes from bad to worse when Annabeth spots The Fates (Joyce Robbins, La Nien Harrison & Cindy Piper), and a gentleman (Adam Copeland) in a motorcycle rides up to them. We will be looking at the episode as a whole from here, so there will be some [SPOILERS] ahead.    

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Echo: Season 1 – TV Review

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TL;DR – There are clearly some rough edges where the production issues the show had shone through. But I do think it found its feet, and it could be the start of an interesting new direction for the MCU.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

End-Credit Scene – There is a mid-credit scene in the final episode.

A magical portal.

Echo Review –

It is an odd time for the MCU; projects falling to launch and land in cinemas, and failed opportunities like Secret Invasion making no impact in the cultural landscape are everywhere. But there has been hope here and there, and Marvel making a gamble is better than Marvel playing it safe. In that case, let us see if they can bring something new to the table.   

So, to set the scene, Maya (Darnell Besaw) has never had a normal childhood, as her mother (Katarina Ziervogel) was killed. At the same time, she was young, and her father (Zahn McClarnon) took her to New York and eventually brought her into his world, the same world that killed him. A world run by Mr Fisk (Vincent D’Onofrio). He was a powerful man, a man with connections, a man that Echo (Alaqua Cox) would eventually have to betray, but not before he turned her into a murderer. You can turn against Fisk, but the man has a long reach, even when he was the man who had your father murdered. [the first half of the first episode basically catches you up to the end of Hawkeye with some added context]. Now from here, we will be looking at the series as a whole, so there will be [SPOILERS] ahead.

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Awards – My Top 20 Films of 2023

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So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly Commended – Asteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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Awards – My Top 10 TV Shows of 2023

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Our previous end-of-year best lists mainly focused on films because there is too much TV to get even close to a definitive list. However, this year there were too many good shows out there not to engage with them.

So this year, we will look at all the shows we reviewed last year, SEE HERE, and pick our Top 10 of the 40 shows we reviewed. For a show to count, it needed to end its run or season in 2023.  

Highly Commended – The Diplomat, Foundation, Letterkenny, Poker Face, Rick and Morty, Star Trek: Lower Decks & Star Wars: Ahsoka

So, without further ado, these are our Top 10 TV Shows of 2023. Be warned that there may be slight spoilers for the shows in question.

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The Holdovers – Movie Review

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TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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