Tag Archives: American Cinema

Operation Fortune: Ruse de guerre – Movie Review

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TL;DR – It never reaches the heights it is aiming for, but it is deeply entertaining in parts.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

A car chase.

Operation Fortune: Ruse de guerre Review –

I love spy films. I like it when they play them seriously and when they are more whimsical. When it comes to Guy Ritchie, you could get either or both. Add a cast you know can deliver and even a comeback or two, and you have a premise I want to see.

So to set the scene, it is a lovely Sunday morning when Nathan (Cary Elwes) is summoned to the intelligence headquarters in London by Knighton (Eddie Marsan). For you see, something just got robbed from a facility in Odessa. What no one knows, but the wrong people are interested in it, so that makes it a top target. Knowing traditional intelligence apparatuses would be too slow, they bring in the team that you need for cases like this, led by Orson Fortune (Jason Statham), who is now rudely having his Moroccan holiday interrupted, and worse, they will need the famous movie star Danny Francesco (Josh Hartnett) to pull it off.

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Outpost – Movie Review

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TL;DR – There is an interesting story here, but the strong-handed visuals overwhelm the narrative and don’t give it any space to land.

Rating: 2.5 out of 5.
The Outpost.

Outpost Review –

There are many ways that you can intrigue me to watch your film. It could be the premise, the director, the actor, or a scenario that just asks you to watch it. Today’s film had the latter when I was asked if I wanted to see the horror directing debut of Brooklyn Nine-Nine actor Joe Lo Truglio? The answer to that question is yes, yes I do. Partly because of that premise, I also like watching debut works to see what new ideas they can bring to the medium.   

So to set the scene, we open with Kate (Beth Dover) being attacked by an assailant. She keeps getting flashbacks to the event, seeing violence at every turn. Struggling, she turns to her friend Nickie (Ta’Rea Campbell) to get her brother Earl (Ato Essandoh) to let her stay in one of the fire outposts. Away from society, where she can recover, because the police have not found Mike (Tim Neff) yet. The walk to the top is rickety, but you can see for hundreds of miles. It is secluded, but maybe not secluded enough.  

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Jurassic Park Review (1993) – Exploring the Past

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TL;DR – A masterpiece in cinema that still moves you thirty years later.    

Rating: 5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to watch this film.

the entry gate to Jurassic Park.

Jurassic Park Review –

Some films captivated you the first time you watched them, getting your claws into you and never letting go. As a kid, one of those films was Jurassic Park. It delighted and terrified in equal measure. But even though it is in my Top 10 Films of All Time, it is a film I never watched on the big screen because I was far too young when it was released. But on the 30th anniversary of its release, it was back in cinemas, and it was time to rectify that.

So to set the scene, on a remote island off the coast of Costa Rica, an animal transfer at a new type of zoo goes terribly wrong. Investors start to panic, so John Hammond (Richard Attenborough) and his lawyer Donald Gennaro (Martin Ferrero) bring in three experts: Dr Alan Grant (Sam Neill), Dr Ellie Sattler (Laura Dern), and Dr Ian Malcolm (Jeff Goldblum) to give the park their stamp of approval. But why would a zoo need palaeontologists? Cue the John Williams soundtrack.   

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Jesus Revolution – Movie Review

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TL;DR – An interesting exploration of the founding of a movement, but for all its strengths, it did feel like a shallow experience.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I did not pay to see this film.

Chuck Smith gets surprise hugged by a hippie.

Jesus Revolution Review –

Those not living in America might not know that an entire independent-ish scene of Christian-themed films is being produced. While I often get requests for reviews, I tend not to go down that road because there is a whole cultural conflict component that you must wade through, and also, they just tend not to be any good. Much like animation for young children, quality is unnecessary when you can guarantee people will watch it through church networks. But today’s film caught my eye because it has some studio polish behind it, and it also was able to recruit Kelsey Grammer, which was enough to intrigue me.

So to set the scene, it is the 1970s in southern California, and the world is full of the generational divide, war, sex, drugs, and a touch of Rock and Roll. Greg Laurie (Joel Courtney) is in a Junior Reserve Officers’ Training Corps questioning the military mantra that is being fed to him when he sees a girl named Cathe (Anna Grace Barlow), who leads him into the world of counterculture through the medium of a Janis Joplin concert. Meanwhile, in Calvary Chapel, pastor Chuck Smith (Kelsey Grammer) looks out at his dwindling congregation and laments that he struggles to reach the youth who he no longer understands. Well, one day, his daughter Janette (Ally Ioannides) fixes that problem when she gives a lift to Lonnie Frisbee (Jonathan Roumie), a hippie and a gateway to a world Chuck is not ready for.   

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The Monkey King – Movie Review

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TL;DR – While not all of this story works, it is like lighting striking when it does.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The Monkey King poses in front of a setting sun.

The Monkey King Review –

Of the great works of human canon, few contenders have had the impact of the Journey to the West. It has had adaptions across every form of media and multiple interpretations worldwide. My first experience with it was watching Monkey Magic on SBS in the afternoon as a kid, so I enjoy seeing when they can reinterpret the story in new ways.


So to set the scene, the world was in balance for generations under the watchful eye of Budda (BD Wong) and the immortals under the leadership of the Jade Emperor (Hoon Lee). That is, until one day, a monkey is born from a rock that can shine light from his eyes. This is a world full of rules and order, but The Monkey King (Jimmy O. Yang) does not follow the rules. He is an entity of chaos, of recklessness, such as stealing the Grand Column from the Dragon King (Bowen Yang) and ignoring the advice of the elder Monkey (James Sie). He wants to be an immortal, so how do you do that? Well, you defeat 100 demons. Cue the montage scene. But on demon 100, things don’t go to plan.

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Strays – Movie Review

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TL;DR – While some moments made me laugh, and the film grossed me out in the places they expected it to, I found the ending left a bad taste in my mouth.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film depicts scenes of abuse.

Reggie jumping through grass.

Strays Review –

Comedies are always the most challenging films to review because while all movies are subjective, humour is the most personal form of art you can get. Point and case, our film today, where half the audience sat in disgust, and the others were laughing with all their hearts. With that in mind, let us dive into Strays.

So to set the scene, Reggie (Will Ferrell) is a little mutt that lives with Doug (Will Forte). Reggie loves Doug, and Doug hates Reggie. When Doug is given an eviction notice, he starts playing a game with Reggie where he plays Fetch and Fuck. He drives Reggie far away from his house, throws a ball, and then utters the expletive when Reggie eventually finds his way home. After this happens repeatedly, Doug finds a different tactic and drives Reggie to a city a long way away. Reggie is lost and finds some friends in Bug (Jamie Foxx), Maggie (Isla Fisher), and Hunter (Randall Park), who help him realise that he has been abandoned. He is a stray. But now it is Reggie’s time to get some revenge.

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Heart of Stone – Movie Review

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TL;DR – A shallow experience that never finds its feet.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Stone walks across sand dunes.

Heart of Stone Review –

We have seen many different films attempt to capture the allure that James Bond has over the spy genre. In fact, in the last year, streaming services alone have tried Citadel, Ghosted, and The Gray Man, to name but a few. But all of them have fallen flat. However, there always is a chance that the next attempt will be the one to land, and this is what we are looking at today.

So to set the scene, it is the Italian Alps and Rachel Stone (Gal Gadot) and her MI6 team are targeting Europe’s biggest arms dealer. Stone is just a tech assist, but this mission forces her into the field when she needs to hack a phone to let Parker (Gal Gadot) and Yang (Jing Lusi) deeper into the complex. However, when things go to pot, we discover that Stone is no lowly tech analyst and is not just playing for MI6. She works for Charter, a clandestine spy organisation that works above national borders. But who watches the watchers?   

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The Last Voyage of the Demeter (Dracula: Voyage of the Demeter) – Movie Review

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TL;DR – An interesting idea and a tense watch, but it never seems to find its feet and feels drawn out.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Dracula appearing in the night.

The Last Voyage of the Demeter Review –

Well, it looks like vampires are back in vogue, specifically the first pop-culture vampiric icon, Dracula. Already this year, we have gotten Renfield, a more satirical take on the walking unholy monster that lives off the blood of others. But today, we dive back into a more traditional horror telling of the character building from an exert of the original Bram Stoker novel.

So to set the scene, it is July 6th, 1897, and in the port of Varna in Bulgaria, the merchant ship Demeter has docked to pick up cargo and welcome new hands. Captain Elliot (Liam Cunningham) is impressed by Clemens’ (Corey Hawkins) quick actions in saving his grandson Toby (Woody Norman) from a falling crate, so he lets him come on as the ship’s doctor. But some of these new crates are stamped with a dragon, which freaks out one of the new crew members, who runs off the ship before they can embark. All is fine until one of the crates falls over as they pass through the Aegean Sea, and they fine a girl barely alive. It is then that the killings start.

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Ready or Not (2019) – Exploring the Past

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TL;DR – An electric tense film with more than one moment that made me audibly gasp

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

The family lines up to start hunting.

Ready or Not Review –

Every year there are films you want to see that just slip you by, and today’s film is one of those. I had always meant to see Ready or Not in cinemas, but the session times never lined up. It also missed my end-of-year wrap-up because it didn’t have a solid streaming option yet. This week, I was reminded again of how interesting this film is, and now is better than never.    
 
So to set the scene, Grace (Samara Weaving) is back in her husband-to-be Alex’s (Mark O’Brien) old house, well more mansion. It is a tradition in the le Domas household that all weddings happen on the manor grounds, and while Alex has been estranged from his family for a while, tradition is tradition. Alex’s mother, Becky (Andie MacDowell), hopes this could start a reconciliation between Alex and his family. Grace hopes this could be the family she never had growing up. The le Domas family has a lot of traditions and a weird aunt Helene (Nicky Guadagni), but mostly traditions. One is that on the day someone marries into the family, they must draw a card at midnight and play a game. The le Domas made their money in board games, so this is not completely weird. But what is odd is that when Grace pulls the ‘Hide and Seak’ card, weapons start being removed from the walls.

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Asteroid City – Movie Review

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TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Mechanics.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.  

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