Evil Dead Rise – Movie Review

TL;DR – A good case study of what happens if you go to max-intensity right from the start and stay there.

Rating: 2 out of 5.

Post-Credit Scene – There is something at the end of the credits but not something you need to stay back for.

Warning – This movie contains scenes that may cause distress.

Disclosure – I was invited to a press screening of this film.

A sinister smile.

Evil Dead Rise Review

At the start of this year, I set myself the challenge to explore cinema that is more outside of my comfort zone, and one area that I don’t have a lot of experience in was Horror. I have dabbled here and there, but I know that I have barely scratched the surface of the diverse genre. When I heard there was a new imagining of the classic series Evil Dead, it felt like an excellent place to jump in.

So to set the scene, Beth (Lily Sullivan) is a guitar technician constantly on the road until she makes another mistake. When this happens, she always goes to visit her sister Ellie (Alyssa Sutherland), who lives with her children Danny (Morgan Davies), Bridget (Gabrielle Echols), and Kassie (Nell Fisher) in a bank that was converted into units. After realising that Beth has been out of her family’s lives for too long, the kids go off to get some pizza so the grownups can chat. But when an earthquake hits, a chasm reveals the old bank vault under the car park. Danny takes it upon himself to explore and disturbs something he should have let lie.

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Air – Movie Review

TL;DR – This is both a well-acted and constructed film while also being one of the weirdest premises that I have ever seen for a biopic

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Ben Affleck looks out a window

Air Review

There are many feelings that you may want to elicit from your audience as they walk out of the cinema. It could be triumph, anger, joy, or even deep sadness. But today was a new one because I had never felt peculiar and odd when I walked out of the cinema before. A feeling of ‘well, that was fine … but what was that for?’. Well, this is the film that we look at today.

So to set the scene, it is 1984, and while the general Nike brand is doing well, their basketball division is in the slumps. No matter what they do, they can’t outperform Converse or Adidas, grabbing a measly 17% market share. It is so bad there is a strong suggestion they should shut this down entirely and focus on jogging where they make bank. Well, Sonny Vaccaro (Matt Damon) has the plan to fix that. It just happens to be targeting the unobtainable Michael Jordan (Damian Delano Young). But Michael’s mother, Deloris (Viola Davis), his agent David Falk (Chris Messina), the other two companies, and even Sonny’s boss Phil Knight (Ben Affleck), might have a different view on the matter.

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The Super Mario Bros. Movie – Movie Review

TL;DR – While frustrating in more places than it should be, it shines when it lands on the fun.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid and end-credit scene

Disclosure – I was invited to a screening of this film

Bowser arrives.

The Super Mario Bros. Movie Review

When this film was first announced, you could feel a general odd bemusement permeate through the internet, with relocations back to the last time they tried this in live action [a film that I have fond remembrances of, but that might be just the distance of time and youth as I have not seen it in decades]. That amusement was only highlighted when the lead cast was announced. A feeling that was only slightly abated when the first trailers landed. However, 2023 has been the year for good video game adaptations, so maybe this could work … maybe.

So to set the scene, Mario (Chris Pratt) and Luigi (Charlie Day) are two brothers that have just started their own plumbing company in Brooklyn and Queens. They are trying to make a name for themselves when a water main bursts, and only they can fix it. But as they go underground to find the source, they stumble across a giant green pipe lying open. What harm could that do? Was the thought right before both brothers were sucked into a new world, one full of mushrooms and the other dark and foreboding.

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Dungeons & Dragons: Honor Among Thieves – Movie Review

TL;DR – An enjoyable film that captures the chaos of a DnD session right down to the nat-20 dice rolls.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

The party enters the arena.

Dungeons & Dragons: Honor Among Thieves Review

Between a combination of Critical Role finding a moment in the streaming space and the wave of nostalgia birthed from Stranger Things, it has rarely been a better time for Dungeons & Dragons. Many people started their own DnD campaigns, and I am not immune to that, so what do you do? Well, you bring your party to the cinemas and experience a one-shot.

So to set the scene, we open in prison surrounded by an icy wasteland. Two prisoners were Edgin Darvis (Chris Pine), a bard and his best friend Holga Kilgore (Michelle Rodriguez), a barbarian trying to get a pardon by explaining their tragic backstory. Or … you know, you could do a little prison break. Because when Edgin was captured, he left his daughter Kira Darvis (Chloe Coleman) in the care of his party member Forge Fitzwilliam (Hugh Grant), rogue. Only Forge is now the Lord of Neverwinter and might have turned Kira against the group.

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Shazam! Fury of the Gods – Movie Review

TL;DR – When it is working, it is a delightful blast of a film   

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I was invited to a press screening of this film

The whole family in super form.

Shazam! Fury of the Gods Review

When the first Shazam! film came out. It was at this odd moment for the DCEU. There had been a hard pivot away from the dark and brooding movies like Batman v Superman towards something a little lighter. And I, for one, liked the change. While Shazam! and Aquaman were not perfect films, there were at least supremely entertaining. But I wondered if lightning could strike twice because, much like last time, Shazam has to do some repair work after a string of failures.

So to set the scene, since Billy (Asher Angel) was given the powers of Shazam (Zachary Levi) by the last council of the wizards, also called Shazam (Djimon Hounsou), he has tried to be a superhero. However, he is still just a kid; if ever there is an imposter syndrome, it is this. However, life does not give him the time and space to process this change because the two daughters of Atlas, Kalypso (Lucy Liu) and Hespera (Helen Mirren), have returned to Earth. They are there to rectify their position and see Billy and his family as a threat and an affront to everything they stand for.  

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65 – Movie Review

TL;DR – There is a scaffolding of a good film here, but not the substance needed

Rating: 2.5 out of 5.

Post-Credit Scene – There is a sequence during the credits

Disclosure – I paid to see this film.

A dinosaur footprint in the mud.

65 Review

Many things can capture my attention, and “Adam Driver Fights Dinosaurs” might be one of the quickest ways to do it. I knew practically nothing about 65 before walking in, but that tagline was enough, even when I heard it was not being screened for critics. Now that I have seen it, maybe I should have been a touch more hesitant.

So to set the scene, 65 million years ago, other species were exploring the galaxy. One such was Mills (Adam Driver) from the planet Somaris who takes a 2-year extended mission guarding some colonists so he could make enough money to save his daughter Nevine (Chloe Coleman), who is sick. However, along the route, the ship runs into an undocumented meteor swarm and crashes into an uncharted planet. But not just any old unknown world, because this is Earth and dinosaurs still rule the roost, and Mills and the only other survivor Koa (Ariana Greenblatt), have to fight for survival.   

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Till – Movie Review

TL;DR – This is a heartbreaking film that soars thanks to a stunning performance but also struggles to stay out of its own way in parts.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Mamie watches the train leave.

Till Review

I am not sure there is anyone who is going to see this film that does not know what happened to Emmett Till on that awful day in Mississippi. The question is, how do you come to a movie when your audience already knows every terrible beat coming? Till’s answer to this question is to make every moment land with the force of a hurricane.

So to set the scene, it was Chicago in 1955, and Mamie Till (Danielle Deadwyler) is taking her son Emmett Till (Jalyn Hall) shopping for a new wallet and shoes because he is about to spend some time by himself down in Mississippi with his cousins. Mamie is concerned because he has never spent that amount of time away from her, and the South is not a safe place to be. But Emmett is having a blast with his cousins until he accidentally ‘offends’ a white woman Carolyn Bryant (Haley Bennett), and soon some white men come into his uncle’s (John Douglas Thompson) house and drag him out of bed.

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Tár – Movie Review

TL;DR – A phenomenal performance in a severely dull film   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Records on the floor.

Tár Review

This will be a difficult film to review because it is a movie of two very distinct parts, performance and narrative. Thus it becomes a work of incredible highs and deep lows, and trying to pass that feels like climbing a mountain. But climb we will as we dive into this fascinatingly frustrating film.

So to set the scene, Lydia Tár (Cate Blanchett) is at the height of her career. She is the first female chief conductor of the Berlin Philharmonic, being asked to do masterclasses at the Juilliard School, she has a book coming out Tár on Tár, and she has a beautiful homelife with her wife Sharon Goodnow (Nina Hoss) and daughter Petra (Mila Bogojevic). But there is a growing sense that Tár is walking on shifting sands as actions of the past start bubbling to the surface.     

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Creed III – Movie Review

TL;DR Creed III is electric, every punch matters, every emotion hits, and I was captivated from start to finish.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Creed III Review

If there was ever a film to remind you not to judge a book by its cover, it is the first Creed film. Creed I was a film that, on the surface, felt like it would not amount to much. A spin-off of a film series that itself had already gone well past its prime. But boy, was I wrong. That first Creed was an emotional punch to the stomach while also being a technical masterclass in how to film boxing for cinema. Then they followed it up with Creed II, which came out swinging just as much as the first. Now, Creed III is one of my most anticipated films this year as we see if they can pull off a hat trick.    

So to set the scene, since winning his rematch with Viktor Drago (Florian Munteanu), Adonis “Donnie” Creed (Michael B. Jordan) has been going from strength to strength on and off the ring, especially in his family life with Bianca Taylor (Tessa Thompson) and their daughter Amara (Mila Davis-Kent). But when he finally retires, his past comes back to haunt him. When Donnie (Thaddeus James Mixson Jr) was young, he had a friend Dame (Spence Moore II). But, unlike Donnie, Dame never got a lifeline and has spent a long time in jail. Now he is out, Dame (Jonathan Majors) is looking to show the world that he deserves to be in the ring, that it was not handed to him, and now former friends find each other on opposite sides.

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We Have a Ghost – Movie Review

TL;DR – A frustrating film sometimes, but when it finds its feet, you feel its strength and spooks.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The house at night before all hell breaks loose.

We Have a Ghost Review

I always like to see when a filmmaker takes a spin on what they are known for. Christopher Landon has a long career in horror space with Paranormal Activity and Happy Death Day, but could he make a more family-orientated supernatural film land as well? Well, this is the question we ask as we dive into a world of ghosts, or well at least a world of a ghost.  

 So to set the scene, one night, while the Moon was full, all was quiet until screams erupted from a house bathed in eerily green light. All at once a family rushes to their car and drives away, and the house closes itself up. Kevin (Jahi Di’Allo Winston) and his family move into the rundown house one year later. There is a lot of tension between Kevin and his father, Frank (Anthony Mackie), over the move, as it is one of many the family has gone through. But as Kevin walks through the house at night, it suddenly gets cold, a chair starts moving by itself, and then a spectral presence explodes out of the walls. But instead of being scared, Kevin laughs, beginning a very different relationship with the ghost Ernest (David Harbour) as they team up to help each other.     

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