Tag Archives: American Cinema

Ticket to Paradise – Movie Review

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TL;DR – It shows why casting is so important because if you cast a divorced couple, picking good friends that swing for the fences helps sell everything.      

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film.

Love in the seaweed fields

Ticket to Paradise Review –

Many components go into making a film. Might you need to dress up one location to look like another? You might need to manage a large crowd in the background. Maybe make a set look like it is outside while filming it on a soundstage. Yet you could have the locations, script, and crew, but if you get the chemistry with the cast wrong, it could all fall apart. Today we look at a film that nails all of those factors you need when your main protagonists high-key hate each other.    

So to set the scene, there was one time when David (George Clooney) and Georgia (Julia Roberts) were deeply in love, but that was a long time ago, and unfortunately not in a galaxy far, far away when they had to come into contact with each other at their daughter Lily’s (Kaitlyn Dever) graduation. Wanting to get away from the stress of the upcoming job in a law firm in Chicago, Lily and her friend Wren (Billie Lourd) head out to Bali to chill for a couple of weeks. But when they get left behind by the boat in the middle of the ocean and get rescued by the charming Gede (Maxime Bouttier), Lily thinks there may be more for her here in the country. Hearing of the pending nuptials, David and Georgia dash out to the country and put aside their differences for their daughter’s sake, but it is hard to let bygones be bygones.  

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Moonage Daydream – Movie Review

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TL;DR – This documentary is a psychedelic kaleidoscope, but you should come into it preparing for a marathon rather than a sprint    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains strobing lights in places.

Glitter falls from the celling into Bowie.

Moonage Daydream Review –

While I have been enjoying this current resurgence of musical biopics, I have connected the most instead when films have dived into the more traditional documentary form to explore someone’s life, like Gurrumul. Today we look at a documentary that might also be an experimental artwork in its own right.  

So to set the scene, well, actually, I am not sure that works in this particular situation because this is a film that does not follow a traditional or even non-traditional form of narrative structure. What we get here is a snapshot of different parts of David Bowie’s life, works, and art, as well as what inspired him and how he inspired so many.

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Three Thousand Years of Longing (3000 Years of Longing) – Movie Review

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TL;DR – While it might meander to the end, it shines when it delves into stories and vignettes of the past.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Three Thousand Years of Longing the book.

Three Thousand Years of Longing Review –

Few films have ever captured my soul quite like Mad Max Fury Road, a movie that changed and shaped my engagement with cinema. It made such an impact that when I heard that the team behind the film, including director George Miller, were back for another ride. Well, I had to check that out on the opening day.

So to set the scene, once upon a time when humans flew through the skies on metal wings while pulling stories out of the air on their glass pads. A Narratologist called Alithea Binnie (Tilda Swinton) is making her annual trip from her gloomy home in England to a more exotic land in Istanbul to attend a conference of peers. But when she arrives, she starts to see things that are not quite right. Ignoring them as artifacts of her over-active imagination, she spends some time in Istanbul’s Grand Bazar, and she picks the one junk pile, in one of the rooms, in one of the thousands of shops and finds a glass jar whose life told a story. But she got more than what she wished for when in her hotel room, she decided to clean the jar up and inside was a powerful Djinn (Idris Elba) who gave her three wishes.   

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Beast – Movie Review

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TL;DR – It starts strong and has genuinely terrifying moments, but it does not have the legs to make it to the end.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

A truck drives through the South African bush.

Beast Review –

A long tradition of films can be summed up as ‘an unknowable antagonist hunts down our plucky protagonists’. If we slip into horror, this can be a slasher hunted down kids at a summer camp, dinosaurs running amok in Jurassic Park, or you could flip it, and the unstoppable force is the protagonist as in John Wick. However, one of the more popular scenarios in this realm is animals, and while sharks may have been king for a while, today’s film looks to unseat them with the big cats that roam the savannah.

So to set the scene, it is late a night as a group of poachers stalk through the bush to a trap they have set up. Letting loose a barrage of gunfire, they kill all the lions there, bar one that gets away. The next day, Nate Samuels (Idris Elba) and his daughters Meredith (Iyana Halley) and Norah (Leah Sava Jeffries) arrive at Mopani Game Reserve in South Africa to spend time with Martin Battles (Sharlto Copley), an old friend of Nate and his late wife. Nate is a ranger at Mopani, and in the morning, he gives the group a tour around the preserve, even in the areas the public doesn’t usually see. But when they see a man running out onto the road covered in blood and go to help, they soon realise that there is something out there in the grass coming for them.

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Secret Headquarters – Movie Review

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TL;DR – It surpasses its generic premise with some absolute joy until it hits a point where it can’t decide on the tone it wants to go for.    

Rating: 3 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid for the Paramount+ service that viewed this film

Owen Wilson looks into a glowing orb.

Secret Headquarters Review –

If there is one genre that is king at the time of writing, it is the superhero movie. But in a world dominated by one genre, you rarely see films that are not coming from the big two titans of Marvel and DC. Today, we look at a movie that breaks that duopoly, as long as you don’t look too closely at the Iron Man-ish details.   

So to set the scene, one night in the backwoods of America, Jack (Owen Wilson) and his wife Lilly (Jesse Williams) were enjoying a fire by their campsite when there was an explosion in the sky. Soon a jet fighter and something else fall out of the sky. Given how remote they are, Jack races to help when he finds a stranded Captain Irons (Jesse Williams) and a crashed UFO. An orb comes out of the ship, scans the two, and picks only Jack to be its guardian before self-destructing. 10-years-later Jack and Lilly are divorced because Jack spends too much time “at work,” almost always ignoring his son Charlie (Walker Scobell). On Charlie’s birthday, Jack flakes out again but unknowingly leaves Charlie alone in his house. When Charlie invites his friends Berger (Keith L. Williams), Maya (Momona Tamada), and Lizzie (Abby James Witherspoon) over, they accidentally stumble on his secret lair because Jack is not just a delinquent father working at an IT company but The Guard, a superhero saving the world from calamities.   

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Nope – Movie Review

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TL;DR – This is a film that swings wildly, where you have moments of pure terror, but I am not sure it all comes together in the third act.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

a feild of waking inflatable men

Nope Review –

Today, I look at a film that is quite difficult to review. Challenging in that from a production perspective, I have rarely seen a movie that works as well as this. But from a narrative perspective, there were moments that negatively impacted me that I am still trying to process the day after. It is also a film that is hard to talk about without immediately heading into spoilers that might impact your time with the film. Well, it might be difficult, but I’m still going to take a solid crack at it. As such, it is time to dive into our review of Nope.

So to set the scene, we open on a TV set in the 1990s, a sitcom with rows for audience seating, but only there is no one there even though the applause signs still flash. But we see a chimpanzee sitting with blood on its hands while a lifeless body lies in the background. Flash forward to the current time, and we are introduced to Otis Jr. “OJ” Haywood (Daniel Kaluuya), who works with his father Otis Haywood Sr. (Keith David) at Haywood Hollywood Horses. A ranch that trains horses for TV and movie productions. While OJ is doing all the work and wondering where his sister Emerald “Em” Haywood (Keke Palmer) is, he hears something odd coming from the sky. Then what looks like hail starts hitting the ground on a clear day, but it is not hail but metal shrapnel like keys and coins, one of which strikes Otis Sr. in the head. While the siblings struggle to keep the ranch going in the wake of this tragedy, the story of the objects falling out of a plane just does not hold up, and they start to wonder what else might be out there in the sky.

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Austin Powers: International Man of Mystery (1997) – Exploring the Past

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TL;DR – While it works as a time capsule of the 90s, so much of this film was left back 30 years ago  

Rating: 2.5 out of 5.

Post-Credit Scene – There are mid-credit scenes

Disclosure – I paid for the Binge service that viewed this film

A henchmen and the Steam roller.

Austin Powers Review –

When you have had a bad week, one reflex you do is go back to old films from your youth. The only issue is that the movies of your youth might often not have the narrative legs you once thought they did, or you are just looking at them with new eyes. This week, the film in this situation is the James Bond spoofing Austin Powers.

So to set the scene, in 1967, somewhere outside of Las Vegas, Dr Evil (Mike Myers) is holding court with his minions, frustrated that none of them has been able to kill the famous British agent Austin Danger Powers (Mike Myers). Meanwhile, in London, after a significant musical number during the credits, Mrs Kensington (Mimi Rogers) lets Austin know that Dr Evil has set a trap for him at the Electric Psychedelic Pussycat Swingers Club. Not wanting to be left out, Austin goes to the club, but Dr Evil is about to escape and has himself cryogenically frozen. In 1997, NORAD is looking at their scopes, and suddenly an object appears, and they discover that Dr Evil has returned, and it is time for the world to need Austin Powers again.   

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Prey – Movie Review

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TL;DR – a perfect blend of action and tension that makes you sit on the edge of your seat and makes your skin crawl every time you hear the predator’s sound.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is something at the end of the mid-credits.

Disclosure – I paid for the Disney+ service that viewed this film.

Naru looks into the sunset.

Prey Review –

There are some directors that when you watch their debut film, you know they will soar because this first film is already a master to watch. One of those directors was Dan Trachtenberg, who, with 10 Cloverfield Lane, terrified me when using one location and just three actors. But it has been a long transit between drinks, and I am happy to be able to watch his follow-up, which is a new take on the Predator franchise.  

So to set the scene, in 1719, on The Northern Great Plains in the land which is now called America, lived Naru (Amber Midthunder), a member of the Comanche Nation and a skilled axe thrower. One day when she was hunting a white-tailed deer, the animal became spooked by a loud noise from above. Seeing an alien spaceship in the clouds and interpreting it as a thunderbird, Naru knows it is time for her kühtaamia, where she hunts something hunting her. When a mountain lion takes one of the tribe, Naru, her brother Taabe (Dakota Beavers), and a group of young men search through the forest to find him, unaware that behind a cloaking shield, a Predator (Dane DiLiegro) lies in wait.   

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Lightyear – Movie Review

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TL;DR – While a solid entry, it did feel like the narrative push to the end didn’t land    

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid, an end credit scene, and a post-end credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Buzz looks into the reflection on his helmet.

Lightyear Review –

I have made no secret over the years just how much I love the Toy Story movies. Toy Story 3 comes in at number 3 in my all-time favourite animated films, and I even thought Toy Story 4 worked in the context of being an epilogue for the series. But the question is, Can they turn Toy Story from a series of excellent films into a bonified franchise? Well, with today’s film, we are about to find out.

So to set the scene, in 1995, Andy got a Buzz Lightyear toy for his birthday, but this is the film’s story that inspired the toy. This means in uncharted space 4.2 million lightyears from Earth, The Star Command SC-01 exploration vessel with a crew of 1200 is looking for uncharted planets to … well, to chart. Captain Buzz Lightyear (Chris Evans) diverts the vessel’s course after finding a new world, and when they land, the rangers start to explore the planet. When they get attacked by vines and bugs, they must evacuate before the ship is destroyed. But Buzz needs to save the rookie (Bill Hader) from death as Alisha Hawthorne (Uzo Aduba) reboots the ship, and while they almost escape, they crash the ship and have to make an emergency landing. When testing a new propulsion device to escape the planet and go home, Buzz jumps four years into the future, feeling guilty for stranding everyone, he keeps making jumps until one day he comes back, and the colony is occupied by Zyclops robots led by Zurg (James Brolin).

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Bullet Train – Movie Review

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TL;DR – Several interesting ideas are going on here, but they never coalesce into something worthy.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Brad Pitt punching a life sized mascot.

Bullet Train Review –

When you are making an action film, there are many different styles that you could employ. There is the grizzled machismo of movies like Rambo, the high-octane yet safe for families action of the Fast and the Furious films, or the grimy rawness of films like The Northman. But one of the more recent action styles has been this smooth, free-flowing, and fast-talking style of cinema that was thrown into the spotlight with Deadpool. While that style has been divisive, I have generally enjoyed it, and today we see another example of it in the form of Bullet Train.       

So to set the scene, it has been a long road of recovery for ‘Lady Bug’ (Brad Pitt) since he got shot doing a job in Johannesburg. But he is finally ready to take on a new mission, and his handler (Sandra Bullock) has picked an easy one for him. He must go on to a bullet train stationed in Tokyo, Japan, retrieve a briefcase with a train sticker on the handle, and remove it before the train reaches Kyoto. The only issue is that ‘Lady Bug’ is not the only operative working a job on that train as “Lemon” (Brian Tyree Henry), “Tangerine” (Aaron Taylor-Johnson), “The Wolf” (Benito A. Martínez Ocasio), “The Prince” (Joey King), “The Father” (Andrew Koji), and “The Hornet” (Zazie Beetz) all have their own plans in how this will go.     

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