Tag Archives: American Cinema

The Running Man (2025) – Movie Review

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TL;DR – While it does not have the legs to get all the way to the end. It is powered by the sheer force of will that is Glen Powell’s charisma, and well, he has it in spades.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A performance of The Running Man.

The Running Man Review Introduction –

When I first heard that they were remaking The Running Man, I didn’t hold much stock in how it was going to turn out. The original film is iconic for a reason, and in the 40-odd years since it first came out, who could have done a take on the scenario as well? Indeed, we got a film just like that last year with Jackpot!. However, then you find out that it is being written and directed by Edgar Wright and starring Glen Powell, who is possibly the last traditional movie star out there. Well, then 2025 remake, you have my attention.
  
So, to set the scene, in the not-too-distant future, the situation in America has descended into complete dystopia, where The Network runs the show both literally and metaphorically. Ben Richards (Glen Powell) is out desperately trying to find work so he can buy medicine for his daughter. The Network blacklisted him because he was caught talking to a union. After all, he was concerned about his workers being exposed to radiation. But as things become desperate, Ben signs up for the one thing he promised never to do: be a runner on The Running Man. There, people run for their lives, and if they last 30 days, they get ₦1,000,000,000. The only problem is that no one has ever made the 30 days, as hunters, police, and even the general public are out for blood.

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Good Fortune – Movie Review

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TL;DR – While this film means well, you can also feel like the scenario presented is not a lived experience for the creatives behind the screen, as the focus is in the wrong place.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Gabriel looks over LA.

Good Fortune Review Introduction –

Today, we are looking at a film that is a bit of an odd duck all around. It is a film marking Aziz Ansari’s return from a self-imposed exile of only doing stand-up. A reinvention of sorts. It feels like an old-timey morality tale while also desperately trying to be relevant in the now. Also, it wants to be a comedy, but also wants to shine a light. Honestly, it is doing a lot of things; the question is, can it pull all these juxtapositions off?  

So, to set the scene, Gabriel (Keanu Reeves) is a guardian angel, sort of, well, only just. You see, he is not able to make any grand changes, because he is just the angel of texting while driving, giving a helping hand to look up before they crash into something. It is here that Gabriel finds Arj (Aziz Ansari), a man living in his car, working in the gig economy, and trying to find a way out, when all the cards are stacked against him. Well, what if Arj got a taste of what it would be like being rich, so he could learn that his current life has more purpose? Okay. But what Arj doesn’t want to change back?

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Predator: Badlands – Movie Review

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TL;DR – an absolute blast of a film from start to finish. Taking 1980s action sensibilities and bringing them into a modern sci-fi film. Bright, fun, but also thoroughly grounded in the universe they are working in.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-title card scene.

Disclosure – I paid to watch this film.

Dek standing with a sword.

Predator: Badlands Review Introduction –

When you hear that a new entry in a famously American R-rated franchise has been handed the dreaded American PG-13 rating, you cringe a little. You get flashbacks to Die Hard 4 and others who were forced, kicking and screaming, into the lower rating to make it more marketable. However, today we look at a film that bucks that trend by being a fun, family-friendly film that remains grounded in its universe.

So, to set the scene, we open on the Predator homeland of Yautja Prime, where Dek (Dimitrius Schuster-Koloamatangi) is sparring off with his brother Kwei (Mike Homik). While Dek is a runt in Yautja society, his brother sees his strength and worth. Dek should have the chance to go on a hunt and prove himself in Yautja society. Unfortunately, their father Njohrr (Dimitrius Schuster-Koloamatangi) feels differently. Dek manages to escape and lands on Genna, a planet where every part of the biosystem is out to kill you. However, it is the home of the Kalisk, a creature so powerful that no Yautja has succeeded in killing it, and it even scares Dek’s father. But before you can get to the Kalisk, you need to survive Genna, and maybe the synth Thia (Elle Fanning) might be your only hope to pull that off.     

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Black Phone 2 – Movie Review

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TL;DR – While conceptually there are some good ideas and the film does come together in the end, it’s a slog to get through because it tries to tackle too many themes, none of which land successfully.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

A pay phone sitting by a lake covered in snow.

Black Phone 2 Review Introduction –

I have recently been away on a three-week holiday and missed when this landed in cinemas; however, while I remembered liking the first Black Phone, I was surprised to see the wildly discordant opinions of people who had watched the sequel. Some of my friends were positioning it as the film of the year, and others were decrying it as a mistake. Well, now that I am back in Oz, I thought it best to give it a look to see where I landed.
 
So, to set the scene, it has been four years since the events of The Black Phone, when The Grabber (Ethan Hawke) kidnapped Finney Blake (Mason Thames). However, with help from his sister Gwen (Madeleine McGraw) and the ghosts of those who had been killed, Finney managed not only to escape but also to kill The Grabber. Finney has been struggling to find himself in a world where everyone knows of his trauma. However, when Gwen starts dreaming again, connecting in her sleep with their long-dead mother Hope (Anna Lore), the siblings, along with Ernesto (Miguel Mora), make their way up to Alpine Lake Camp, a Christian youth camp, to find out why the connection is being made. But when they get trapped there in a blizzard, they discover that death might not be the end for those who have haunted them in the past.

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Regretting You – Movie Review

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TL;DR – A delightfully funny film filled with earnest emotion.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Standing at the town limits.

Setting the Scene

In my line of work, you tend to get a good sense of a film before you have even walked into a cinema, that is because so much of it gets released in the marketing process. However, today we have one of those gems that I knew nothing about before walking in, other than what you could glean from the theatrical poster. So, I could be completely surprised by the fun yet emotional romp I was about to watch.  
 
So, to set the scene, back in the day when they were teenagers, Morgan (Allison Williams), her sister Jenny (Willa Fitzgerald), and their boyfriends Chris (Scott Eastwood) and Jonah (Dave Franco) were inseparable. But when Morgan gets accidentally pregnant, she and Chris build a life together. Seventeen years later, Jonah has popped back into Jenny’s life after being away for over a decade, and they now have a new baby, Elijah (Ryan Conner Simmons/ William Burnham Simmons). Also, Morgan and Chris’ baby Clara (Mckenna Grace) is now all grown up and giving lifts occasionally to the cutest boy in the school, Miller (Mason Thames). Everyone is content with their lives, knows what their future will be, which is the right thematic moments for a tragedy to rip that all apart.

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Neighborhood Watch – Movie Review

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TL;DR – Anchored by two solid character performances, it does make for an interesting if slow watch.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes and language that may cause distress.

Jack Quaid standing in the middle of an alley.

Setting the Scene

Today, we are looking at a very odd film. It is a very slow burn; you can never be entirely sure as to what is going on, and it is filled with fascinating performances. It is the kind of film that will captivate some, while leaving others cold, and that is an interesting intersection to explore.

So, to set the scene, Simon (Jack Quaid) has spent a long time in and out of hospitals, which has made much of his life, including getting a job, difficult. It is hard to make connections when someone is yelling in your head and only you can hear them. When Simon sees a woman get kidnapped, he tries to report it to the police. But no one believes him because of his medical past, but there is one hope, his neighbour Ed Deerman (Jeffrey Dean Morgan), who used to be the head of security of the local college. They are not the most convincing pair, but they may be this woman’s best hope, if she exists at all.   

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One Battle After Another – Movie Review

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TL;DR – This is a chaotic, uncomfortable, taut, and downright weird film, but it is also completely captivating from the opening frame to the closing credits.  

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A road meandering up and down over some hills.

Setting the Scene

2025 has been an odd year for noted Indie directors trying to tackle the political situation in America at the moment, because most of them have floundered in the attempt. They have been trying to capture the moment, but their stories get lost in comedic attempts or a poor understanding of the very topics they want to analyse. However, today we are looking at a film that just might have cracked the code with one secret weapon that gets lost in cinema at times, intentionality.   

So, to set the scene, we open as a number of self-labelled revolutionaries, including Pat Calhoun (Leonardo DiCaprio) and Perfidia Beverly Hills (Teyana Taylor), who are staking out an immigration detention facility near the border in California. In the middle of the night, they strike, liberating the camp and beginning their revolution against corporate and oppressive elements of America. The French 75 group places bombs in courthouses, robs banks, and causes general calamity. However, you don’t make that much noise without attracting foes, and little do they know that Colonel Steven J. Lockjaw (Sean Penn) is hunting them all down, or maybe just Perfidia.   

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Fight or Flight – Movie Review

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TL;DR – This is what happens when you build a film entirely around your leading star’s personality, and it works.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A phone with a bounty image of Josh Hartnett.

Setting the Scene

If there is anything that 2025 cinema is going to be known for, it has been the bountiful number of action films we have gotten. Some look back to the past to find inspiration, some work in the medium as it stands, and some are still looking forward and charting their own path. Today’s entity is trying to do a bit of all three, and while I don’t think it landed all the aspects, it does get points for the pun in the title.  

So, to set the scene, Aaron Hunter (Julian Kostov) is not having a good day because one of the teams he is overseeing just got wiped out in Bangkok by a ghost. Not a literal ghost, but given how The Ghost has eluded capture so far, it might as well have been one. His boss, Katherine Brunt (Katee Sackhoff), knows that capturing The Ghost will be a fantastic stepping stone in her career; the only problem is that, with the Bangkok team dead, and The Ghost heading to the airport, she doesn’t have time to get a team onto the plane to capture the target. She is left with only one choice, Lucas Reyes (Josh Hartnett), a man burned by the intelligence agencies, but might be willing to take the gig, only to get off the no-fly list. He agrees, reluctantly, however, as he boards the plane, what he does not know is that he might not be the only person on the plane hunting The Ghost.

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Him – Movie Review

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TL;DR – A fascinating film full of a brooding presence that builds throughout, leading to an ending that feels less satisfying the more I ponder on it.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains sequences that include flashing lights.

Jets blasts over a goal post.

Setting the Scene

If there was ever a time to get me interested in a sports horror film, it is this week, as we are currently sitting in between the AFL and the NRL grand finales, and my teams are in both. It gives you a little buzz around the sporting world and prepares you to dive into some of the more questionable sides of the industry.

So, to set the scene, Cam’s (Tyriq Withers) whole life has revolved around football, conspicuously not the NFL, but I digress. All his life has been focused on making it to the top, and just when he is about to make his debut, someone cracks him in the back of the head. The doctor is sure that if he gets another crack on the head, it could stop him playing for good. But when Cam’s manager, Tom (Tim Heidecker), calls with an offer to train with his idol, Isaiah (Marlon Wayans), the current quarterback of the San Antonio Saviors, it is an opportunity he can’t turn down, even when all the red flags start popping up.   

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The Bad Guys 2 – Movie Review

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TL;DR – A film full of energetic characters, stunning animation, and a wonderful, uplifting vibe that permeated every part of the story.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Bad Guys driving a car out of a building.

The Bad Guys 2 Review Introduction –

Back in 2022, Dreamworks Animation was in a bit of a creative quandary. It had just finished up its Kung Fu Panda and How to Train Your Dragon series, but then it kind of just floundered for a while. But then The Bad Guys happened. It was an explosion of energy in a way the studio hadn’t found in the past years. But it was also stepping into a brand-new animation style that blended 2D and 3D styles into something that perfectly understood the medium they were adapting. We dipped back into this world with The Bad Guys: Little Lies and Alibis earlier in the year, but I am glad to say that it is time to dive into the sequel I have been waiting for.


So, to set the scene, ever since the events of The Bad Guys where the team of Mr Wolf (Sam Rockwell), Mr Snake (Marc Maron), Mr Piranha (Anthony Ramos), Mr Shark (Craig Robinson), and Ms Tarantula (Awkwafina) turned good to stop the master villain Professor Marmalade (Richard Ayoade). They have been serving their time and trying to reemerge in society. But they can’t find a job, because everyone thinks that they are just undercover waiting to rob everyone. This is made more complicated when the Phantom Bandit starts robbing the city of all its MacGuffinite in the style of The Bad Guys. What’s worse: being blamed for a crime you didn’t commit, or knowing someone’s out there copying your old moves? Well, The Bad Guys need to get to the bottom of this before Governor Diane Foxington (Zazie Beetz) and police commissioner Misty Luggins (Alex Borstein) must act.

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