Movie Review – The Silence

TL;DR – This is a film that has unfortunately come out after several other films have done the same premise but better in every respect and because of that this can’t help but feel lacklustre in comparison     

Score – 2 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Silence. Image Credit: Netflix.

Review

Sometimes the film business can be tough, where forces outside of your control can completely derail your project through no fault of your own. Today we look at just such a film that in many ways just had the back luck of not being the first one out of the gate. However, more than just that we look at a film that suffers from inconsistencies throughout which really shows when you compare it to those that have come before.

So to set the scene, we open in an uncharted cave system under the Appalachian Mountains where a group of explorers are trying to chart it. When suddenly after breaking through as a rock formation they disturb what was lurking underneath and they are instantly killed by a swarm of creatures that fly out into the night sky. Meanwhile, Ally (Kiernan Shipka) is on her way home after she was mocked because she is deaf and is also frustrated because her parents Hugh (Stanley Tucci) and Kelly (Miranda Otto) are coddling her in response the accident that took her hearing. During the night she is woken up by her parents as something is happening, a terrorist attack, chemical weapons, no it is the Veps and they are killing everything and everyone in their paths.

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Movie Review – Unicorn Store

TL;DR – A delightful film about the tension between dreams and reality and how they don’t always add up   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Unicorn Store. Image Credit: Netflix.

Review

One of the things that is becoming rarer and rarer these days is going into a film without any idea what to expect. Well, today I got to experience one of those rare moments as I turned on Netflix and stepped into a world of glitter and paint and every colour in the rainbow with no idea what I was getting myself into.

So to set the scene, we open with a montage of Kit (Brie Larson) growing up, discovering her life, discovering her joy for art, only to have it come crashing down when she fails out of Art College and has to go back to live with her mother Gladys (Joan Cusack) and her dad Gene (Bradley Whitford). This of course sets of a period of depression as Kit fails to find purpose in her life, while her parents try to help, like introducing her to Kevin (Karan Soni), but it is not very successful. In frustration, she joins a temp agency where she placed in an advertising firm, a place where creativity goes to die. When one day she gets a letter to come visit The Store and she finds The Salesman (Samuel L. Jackson) waiting because he has the one thing she has always wanted a Unicorn.

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Movie Review – Shazam!

TL;DR – By finding a focus, Shazam! shows that DC can really make great films when they focus on something, in this case, the role of family.

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene

Shazam! Image Credit: Warner Brothers.

Review

By now, I am sure you have heard about the issues with the DC Extended Universe, in the race to get that big multi-film spanning Cinema Empire they jumped the gun too early and rushed forward before finding out if people wanted what they were giving. During its First Run, there was only one film that was both a critical and commercial success, Wonder Woman, this was because it had its own heart and was not just here to push a cinematic universe, and it has something to say. Since then we have had Aquaman that while not perfect was at least trying to do something interesting, and today we get a look at the next film that found that fun is fine, but heart is more important.

So to set the scene, we open as a young Thad (Ethan Pugiotto) is on a car trip with his unpleasant family in the 1970s when he is sucked into another realm run by Shazam (Djimon Hounsou) the last of the council of wizards left. He is trying to find someone pure of heart to be his successor, but alas Thad is not the one. Fast forward to December 2018 when we find Billy Batson (Asher Angel) helping the police out, but it a ruse to get into their computer because he is trying to find his mum that he lost as a child. Well, it didn’t work out and Billy is put with new foster parents Victor (Cooper Andrews) and Rosa (Marta Milans), not that he plans to stay long. However, everything changes when a subway trip leads him to a dark cave and he yells out the word Shazam becoming someone completely else (Zachary Levi).

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Movie Review – Destroyer

TL;DR – This is a film that holds its cards very close to its chest but that makes the slow burn that much better   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Destroyer. Image Credit: Madman.

Review

Okay … wow, this is a difficult film to parse because its structure and tone jump all over the place and it is a film guards its biggest conceit at all times. This also makes it a difficult film to review because there are vignettes throughout that I really like and really didn’t and it is hard to conceptualise that without immediately running into spoilers. However, that is what we will attempt to do.

So to set the scene, we open on Erin Bell (Nicole Kidman) a detective in the LAPD who has clearly had a tough life, and is clearly worse for wear after a long night of drinking. She is arriving at a murder scene of a John Doe that had been shot multiple times. The police on site were not happy to see Erin, and even less so when she implies she knows who did it because she recognises the tattoo on the back of his neck and the money covered in die spread around the body as a warning. All of this is confirmed when we next see Erin at her office and she gets a letter with one of the dyed bills revealing a past that haunts her to this day.

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Movie Review – Triple Frontier

TL;DR – While it has all the components for a good film, it feels like it is spending more of its time imitating than driving its own course.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Triple Frontier. Image Credit: Netflix.

Review

This is an interesting time for the action films, there are spaces where it is showing brand new filmmaking techniques, films that build tension as I have never seen, or simply shots where you go, how did they get that? Unfortunately, today I am not looking at a film like that, because today we review one of the most paint-by-numbers films I have seen in a very long time.   

So the set the scene, we open in Colombia where Pope (Oscar Isaac) works as an ‘independent observer’ helping the local police take down one of the local drug cartels. While there he becomes friendly with a local informant Yovanna (Adria Arjona) who lets him know how to get to Gabriel Martin Lorez (Reynaldo Gallegos) the local big bad. This is not a mission that he can pull off alone, nor does he want to involve the locals because they might tip his hand. So instead, he goes back to the States to recruit his old military Special Forces team. Redfly (Ben Affleck) now sells condos … badly and can barely keep his head above water after the divorce, Ironhead (Charlie Hunnam) spends all his time giving talks to military trainees, and his brother Ben (Garrett Hedlund) is now an MMA fighter, and Catfish (Pedro Pascal) can no longer fly planes after an incident. Together they go down to provide expert reconnaissance, and maybe a bit more than just that.    

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Movie Review – Captain Marvel

TL;DR – This is a film filled with wonderful characters, fantastic action, and some of the best banter in the Marvel Cinematic Universe.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to see this film.

Captain Marvel. Image Credit: Marvel.

Review

It feels like it has been an eternity since Thanos snapped his fingers and destroyed the world in Infinity War. Since then we have been wondering wanting to know what happened, however, in the closing seconds of the film Fury (Samuel L. Jackson) pulled out a pager and sent out a signal calling someone to help. Well, today we get to see just who had that pager, and just who is behind the red and blue.

So to set the scene, we open with Vers (Brie Larson) asleep on the Kree homeworld. She rarely has a restful night’s sleep because her dreams are punctuated with wars she cannot remember. Well, there is one way to get over a lack of sleep and that is to wake up your commanding officer Yon-Rogg (Jude Law) and have a good old-fashioned sparing session. Well as old fashioned as one can be when you are on an alien planet, have no memories from before six years ago, and oh you can shoot fire out of your hands. The Kree are fighting a losing war against the Skrull, a race that can mimic anyone down to their DNA, who infiltrate worlds and work their way up until they can take them over from the inside out. After training, she is finally brought to the Supreme Intelligence (Annette Bening) the AI that runs the Kree Empire and given her first mission. With the rest of the Starforce including Yon-Rogg, Korath (Djimon Hounsou) and Minn-Erva (Gemma Chan) they are to infiltrate a planet that has just fallen to the Skrulls to extract an undercover agent as Ronan (Lee Pace) provides cover fire with an orbital bombardment. Well, that’s the plan but plans rarely quite work out as nicely as we would like.

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Movie Review – The Hate U Give

TL;DR – A powerful and unflinching look at life at the intersection of race, power, poverty, and privilege.   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Hate U Give . Image Credit: 20th Century Fox

Review

One of the most important aspects of film, or indeed any media, is its ability to help you understand a different perspective. For many people in the world, the police are a source of comfort and protection, who you call when you are in danger. But for many people almost the opposite is true, and it can be difficult to understand why that is. However, that is what film is here to do, and that is what today’s film does.

So to set the scene, Starr (Amandla Stenberg) was only a child when her father Maverick (Russell Hornsby) gave her and her siblings Seven (Russell Hornsby) and Sekani (TJ Wright) the talk. No, I am not talking about the birds and the bees, I am talking about what you do when (not if) you get pulled over by the police so you can make it out of it alive. As Starr grew up her mother Lisa (Regina Hall) was determined to make sure she could have the best opportunity available for life and sends her and her siblings to a private school. This makes Starr create two sides of herself, the Williamson side and the Garden Heights side. All of this comes to a head when Starr runs into an old friend Khalil (Algee Smith) at a party. It was a chance to reminisce about the past and how they use to all dress up as Harry Potter. After a gun goes off at the party, Starr and Khalil race to the car, and that is when the world changes for everyone.  

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Movie Review – Alita: Battle Angel

TL;DR – Filled with excited characters, and interesting action, it is almost a great film, that is until it fails to stick the landing     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Alita: Battle Angel. Image Credit: 20th Century Fox.

Review

Alita: Battle Angel is one of those films that has been bubbling in and out of the film scene for almost twenty years now. It would get so close to being made and then another setback, and once it was filmed we would get these little titbits every month or so. With all this, I was wondering what we would actually get with the final product because I had not seen the original Manga it is based on so I was coming in blind. Well now that I have had some time to think through it, I can say that it is a film with some truly beautiful moments, some really intense ‘oh damn’ moments, and also is a movie that it falls into the same trap as many films these days and sacrifices the narrative of this film to set up potential sequels in the future.

So to set the scene, in the far future the Earth is covered in large sky cities until one day called ‘The Fall’ everything came crashing down bar one city called Zalem. With the Earth devastated many flock to the one remaining bastion of civilization creating the great Iron City that sprawls out underneath Zalem. No one from the Iron City can enter Zalem, but they all work for the city, in the farms, factories, or as Hunter-Warriors who are bounty hunters in a world where the police no longer exist. In the centre of Iron City is the junkyard, where the people of Zalem throw out all their junk raining it down on the city below. One day Dr Dyson (Christoph Waltz) was scavenging the junkyard for parts for his cybernetic limbs clinic when he comes across a cyborg core with a still functioning brain. He brings her home and repairs her body when she awakes she has no idea what her name was, or what her past was, but she accepts the name Alita (Rosa Salazar) and begins to learn about the dangerous world around her.  

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Movie Review – Green Book

TL;DR – When it is a Road Trip film it works really well, with two charismatic leads, as a social commentary film which it is desperately trying to be, well it fails dismally.      

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Green Book. Image Credit: Universal Pictures.

Review

As it gets close to February, I continue my yearly tradition of trying to see all of the Best Picture nominees before the Oscars ceremony. While this is the plan, it is rarely successful, however, I thought it best to at least see all the films with a strong chance of winning on the night. Well, this leads us to Green Book which is actually a very interesting film. For it is a film of two halves, one that works and one that doesn’t, and both of these halves are in direct competition with each other.

So to set the scene, it is in the early 1960s and Frank “Tony Lip’ Vallelonga (Viggo Mortensen) works for the Copacabana at night as a combination bouncer/maître d/driver. As well as this, Tony always finds an opportunity to make a quick buck “bullshitting” people. When the Copacabana closes for a couple of months for renovations Tony is left with very little money to keep his family going when he gets a call about a driving opportunity at Carnegie Hall for a Dr Shirley (Mahershala Ali), only to find that he is not a medical doctor but a musician, he is black, and that he is about to embark on a tour of the deep south. Tony needs the money, but he also has problems with African-Americans to the point that he threw out two glasses that African-American plumbers used when fixing the pips in his house. Well eventually Tony agrees to take ‘Doc’ Don Shirley on his tour, well only after Don called his wife Dolores (Linda Cardellini) to check if it was all right.   

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Movie Review – IO

TL;DR – This is a film that has the appearance of wanting to say something profound, but never actually gets around to saying much of anything.    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

IO. Image Credit: Netflix.

Review

In some respects, Netflix has been the saviour of the small concept science fiction film in recent years as cinemas abandon anything but the next tent pole franchise blockbuster. However, for all the wonders of Annihilation (see review) and films like that, there has been a slew of mediocre dull affairs. Today we look at a film that at first look feels like it should be the first, but unfortunately, it ended up being the latter.

So to set the scene, there were many attempts to forestall the coming abyss including making a satellite to harvest geothermal energy from other planets. However, it was all in vain because before they could intact their plan, the atmosphere on Earth turned bad becoming toxic at most lower altitudes. Most people that could leave the Earth did so in a great exodus for the space station IO around Jupiter’s moon Io. There are few people left on the planet but Sam Walden (Margaret Qualley) is one of them, trying to find a way to fix the planet rather than flee it. Well, on IO they have finally stored enough energy to send people off on interstellar colonisation missions, so they are stopping the evacuations of Earth. Sam has one choice, give up her father’s research and get on the last ship out of a dying planet, or be left behind.

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