Tag Archives: Australian Cinema

Jones Family Christmas – Movie Review

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TL;DR – A fun, delightful romp through something we have all experienced, a big family Christmas dinner where nothing goes right.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Stan service that viewed this film.

Warning – contains scenes that may cause distress.

The Australian countryside.

Jones Family Christmas Review –

It is getting to the end of the year, and one of the many constants is that Stan is going to release a Christmas movie. It is one of those odd Australian traditions that have started over the last few years, and they all tend to be charming in their own way. Well, it is time for 2023’s entry, where we end up in rural Victoria.
 
So to set the scene, it is coming close to Christmas time, and Heather Jones (Heather Mitchell) is rejoicing for the first time in the age all of her children Christina (Ella Scott Lynch), Danny (Nicholas Denton), and Alex (Max McKenna) are all coming home. There is tension because it is not good timing for many reasons. For some, it is their first time home from London. For others, they just got dumped, and others are just acting odd. But as all the usual family tensions arrive, the heat, the dryness, and the breeze bring the threat of bushfires to every rural location.

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Dome House Six – Movie Review

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TL;DR – An interesting film that packs a bunch at the end but is a bit rough on our journey to get there.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

URSA

Dome House Six Review –

I think one of the reasons I like exploring post-apocalyptic settings is not for the disasters themselves but for the ability to show the best and worst in people. It is the great amplifier of humanity, and good stories focus on this. Today, we look at an entry into the growing genre of the environmental apocalypse, where we have destroyed the Earth and how we go on after that.

So to set the scene, in the not-too-distant future, climate change has wreaked havoc on the Earth’s ecosphere, damaging the atmosphere with pollutants and just generally making it unliveable. Where there is a need, some corporations will fill it, and U.R.S.A. Corporation develops Dome House, a technology to isolate your home from the dangers outside. For those inside the domes, life is safe but also a monotonous routine from one day to the next. But outside, life is barely habitable. It is here where the lives of Sidney (Madyn Rae), Micah (Prem Sagar Krishnan), and Harvey (Jordan Abbey-Young) come crashing together. All while the calm tones of URSA (Charlotte Best) walk them through every aspect of their lives.

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The Rooster – Movie Review

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TL;DR – A powerful meditation on the intersection of masculinity and loneliness.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Warning – This film contains scenes that may cause distress.

Gum trees creak overhead.

The Rooster Review –

Loneliness and masculinity are two intersecting topics that are important to explore, but I rarely see it done well. I think it is challenging to have honest conversations about this topic when we still live in a world where mental health is seen as a taboo topic. Whatever the case, I am glad that the film we are exploring today is taking the time to jump into this topic.

So to set the scene, we open with Dan (Phoenix Raei), who is tormented by the same dream every night. He lives alone in a forested rural region of Victoria and is one of the town’s only police officers. His is a quiet life, only punctuated by the struggle to feed the rooster each morning who only wants to attack Dan. However, this peaceful life is ripped asunder when his friend Steve’s (Rhys Mitchell) body is found. This is a fulcrum moment, leaving Dan unable to cope with the world. But as he tries to drink his sorrows away, he discovers a Hermit (Hugo Weaving) living alone in the forest who might be a kindred spirit with a ping-pong table.  

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Bring Him to Me – Movie Review

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TL;DR – An oddly tense film about bringing a man to his coming fate.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A masked man with a gun.

Bring Him to Me Review –

One of the perks of being a film reviewer in Australia is watching Aussie films make it to the big screen. Even more so when they have filmed the movie around where you live, and you get to play the game ‘Wait, I know that bridge’. Well, today we get to review that hits both these marks as it galivants pair towards danger.

So to set the scene, we open in on a robbery in progress, where a money cleaner (Sam Neill) is very put out by having his night ruined. Even more so when they threaten his son (Zac Garred). The next day, the Driver (Barry Pepper) is called by his Boss (Rachel Griffiths) because everything went wrong the night before. Something has to have caused it, so the Driver needs to pick up one of the other members of the robbery, The Kid (Jamie Costa), who stuffed it up and, as the title implies, bring him to her.  

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The Portable Door – Movie Review

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TL;DR – A delightful romp through a world where coincidence can be bought and manipulated.     

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to watch this film

The portable door.

The Portable Door Review –

Few things get me into the cinema as quickly as ‘made by The Jim Henson Company’. No matter what they are involved in, you know it will be fascinating to watch. But add in some lovely Magical Realism and a cast of zany characters, and you have a must-watch.

So to set the scene, Paul Carpenter (Patrick Gibson) is down on his luck and trying to find a job to pay the bills before he gets kicked out of his flat. All he has to do is get to the café. What could go wrong? Well, everything, apparently. Both shoelaces might break, the trousers might have a stain, and a dog might run off with your scarf. But what if, coincidentally, running after the dog, you find a small door for applicants, and what if you find yourself in the company JW Wells and Co that is expecting you even though you never applied for something? But what if, in that interview, you notice that the cracks in the wall remarkably resemble a map of London? You might find yourself employed by a company that believes that coincidence can be manipulated and controlled.   

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True Spirit – Movie Review

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TL;DR – An impressively acted story that is let down by forced conflict and unnecessary padding.     

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit sequence

Disclosure – I paid for the Netflix service that viewed this film.

The Pink Lady leaves Sydney Harbour.

True Spirit Review –

There are these moments that you remember because they touched all of society when they happened. Usually, these are moments of tragedy that cut through the world, but for Queensland and Australia, we had the moment built on triumph. Today’s film is based on that long journey by Jessica Watson across the planet.

So to set the scene, Jessica Watson (Teagan Croft) grew up on the Sunshine Coast of Queensland, Australia, where water was always on your doorstep. She learned how to sail on the open ocean, catching the wind and riding the waves here thanks to her coach Ben Bryant (Cliff Curtis). Jessica had one dream: to sail around the world by herself, which took a bit of a beating when her boat was severely damaged by a cargo ship in the 2009 trail run. But with everything going against her, Jessica is determined to make the trip before the government legislates that she can’t go.

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Transfusion – Movie Review

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TL;DR – It is a film trying to explore some essential issues. However, it felt like we only got a surface-level analysis.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan service that viewed this film.

Blood in the sink.

Transfusion Review –

It is one of modern society’s great tragedies, actually no, not a tragedy, embarrassments, that we send people off to war and wars with dubious pretensions, and then we ignore them when they return home. We give lip service to trying to do something about it, but the damage remains. Today’s film shines a light on that trauma and how it can have generational effects.     

So to set the scene, an Australian special forces team in The Middle East infiltrates a secured compound at night. The mission was a success until a surprise combatant sneaks up on the team, and Ryan Logan (Sam Worthington) is shot protecting his team. Back home, Ryan must adjust back to life with his wife Justine (Phoebe Tonkin) and son Billy (Gilbert Bradman), but where the trauma of the past still lingers. But when tragedy strikes, the bond between a father and a son is stretched to breaking point.     

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The Best Australian Cinema in 2022

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It was a fantastic year for Australian Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level. This list will look more at the locally-made Australian productions/co-productions and not just films filmed in Australia.

So without further ado, these are the best Australian Cinema in 2022. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Blacklight – Movie Review

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TL;DR – An action film that wastes a lot of its runtime, forgetting it is an action film.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

Flags at Washington DC

Blacklight Review –

As we continue our run to the end of the year, I thought I would continue my catch-up by continuing my look at Liam Neeson’s after yesterday’s Memory. This time around, we have an action film where Liam is an undercover expert caught up in a grand conspiracy

So to set the scene, we open with a politician Sofia Flores (Melanie Jarnson) is giving an empowering speech about bringing politics back to the people and stopping the cooperate interests that are disenfranchising people. Still, later that night, she is run down by an assassin. Meanwhile, in Rural America, Travis Block (Liam Neeson) is extricating a deep undercover operative from a mission gone wrong. He wants to step away from this life and spend more time with his family, but one last mission to extricate Dusty Crane (Taylor John Smith) goes pear-shaped, and now he is in the fight of his life.  

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Christmas Ransom – Movie Review

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TL;DR – A thoroughly charming film when it is working and a bit overwrought when it is not.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes

Disclosure – I paid for the Stan service that viewed this film.

emerging from a ball pit

Christmas Ransom Review –

It is the time of year when Christmas films are a plenty. Indeed 5 Christmas films got added to a streaming service just today. But if I am to dive into what can be a mess of sentimentality, I want to spend some time with a local production. Well, it is good timing because the Stan Christmas film just dropped, and it is time to find some joy in the world.
 
So to set the scene, at Harrington & Sons toy store run by Clarence Harrington (Cleave Williams) and famous all through the country and the place to visit for toys. But as time marches on, Clarence’s son Derrick (Matt Okine) now runs the store. Christmas does not hold the joy it once was after doing it alone for so long, and even Gladys (Miranda Tapsell), the store’s security guard, can see something missing from Derrick’s life. Even more so given the store is about to close because of a lack of finance. But once the store is closed for the evening, we discover that not everyone has left. Two members of the naughty list, Wombat (Evan Stanhope) and Brady (Tahlia Sturzaker), are here. But before Gladys can finish integrating the little brats, two actual crooks, Nan (Geneviève Lemon) and Shez (Bridie McKim), come into the store with guns. Soon all the staff are tied up with tinsel, a ransom call has been made, and the question is, who can save them?

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