Tag Archives: British Cinema

The Gorge – Movie Review

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TL;DR – The oddest meet-cute I have ever watched, which could have been interesting if that narrative was there to support it.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the AppleTV+ service that viewed this film.

A helicopter over a gorge.

The Gorge Review –

When you have been poorly sick for a while, it is hard to get that motivating spark going again. The more you are away, the more content you miss and the deeper the backlog gets. But sometimes, it is best to just dive headfirst into something and see what happens, which is what we did with our film today.  

So, to set the scene, Levi (Miles Teller) is a very successful sniper who has been out of the Marines for several years, working for private military contractors until he was deemed unfit to serve. He didn’t have a reason or drive to contest the results, but maybe an old spook that could command the Army around might give him that drive. He is taken to an undisclosed location in the middle of a no-fly zone, so secretive that they have scanners to stop it from being seen by satellites. Western powers control one side, the Eastern powers control the other, and there is one person on each side. But they are not stopping people from getting into the gorge. Oh no, they have to make sure what is in the gorge never comes out.   

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Bridget Jones: Mad About the Boy – Movie Review

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TL;DR – In a cup, add a heaped measure of situational comedy, a tablespoon of second-hand embarrassment & a squeeze of authentic charm. Shake it up and pour over the realisation that you are getting older & serve with a garnish of the exploration of life after death.

Rating: 4 out of 5.

Post-Credit Scene – There are items during the credits.

Disclosure – I was invited to a press screening of this film.

Three figures release a single balloon into the air.

Bridget Jones: Mad About the Boy Review –

Now, I should be a bit clear: up until this point, I have never watched a Bridget Jones film before. When they first came out, I was very much not the target audience, but as you get older, you realise that target audiences are bogus and you should be experiencing a variety of medias. It also looked like this was going to be a bit of a soft reboot, so it was the perfect time to jump in. Little did I know just how right I was.  

So, to set the scene, it has been four years since Mark Darcy (Colin Firth) was tragically killed during a humanitarian mission overseas. Since then, Bridget Jones (Renée Zellweger) has been spending time at home trying to raise her two children alone, working through both their and her grief. But as the anniversary of Mark’s death draws near, Bridget is forced to look at her life and wonder if she is doing the right thing for her and her kids. But even though everyone has an opinion on how she should approach life, especially those nasty school mums, she needs to find her own way. But it won’t hurt if the new teacher Mr. Wallaker (Chiwetel Ejiofor) and local ranger Roxster (Leo Woodall) help change her perspectives.    

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Conclave – Movie Review

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TL;DR – An exquisitely acted and produced film that takes you into a world rarely seen with the weight of a drama but with all the fascination of a political intrigue.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Red Cardinals against white marble columns.

Conclave Review –

It is tough to see honest explorations of faith and religion in modern cinema. When films exploring faith come out of Hollywood, they usually feel like hollow vessels divorced from reality. But then you watch movies that come out of the faith-based industry, and more often than not, you are watching trumped-up emotional blackmail hiding under the frame of faith. So, call me surprised when I sat down to watch Conclave and discovered something different.   

So, to set the scene, the Pope is dead, long live the Pope. If there is ever an organisation that has embraced the pomp and circumstance, it is the Catholic Church, and this happens in death just as much or even more than life. Cardinal Thomas Lawrence (Ralph Fiennes), who is Dean of the College of Cardinals, has to convene a conclave to pick the next Pope even though he feels unworthy of the task. However, as cardinals fly in from across the globe, it is clear that there is tension regarding how the Church will move forward. Will it embrace tradition or modernity? Or maybe somewhere in between.

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The Brutalist – Movie Review

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TL;DR – Elegant, stunning, and powerful, it is a film that will stay with me for a long time even though I don’t think I will ever watch it again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

An upside-down Statue of Liberty.
An upside-down Statue of Liberty.

The Brutalist Review –

Today, we look at a film that absolutely captivated me from start to finish, and given that it is three and a half hours long, that is a lot of runtime to have to keep you engaged. However, I think you might see how each and every step captivates, even when the film can be deeply uncomfortable.  

So, to set the scene, László Tóth (Adrien Brody) is a Hungarian Jew who was separated from everyone he loves during World War Two. Escaping Europe by himself, he manages to make it to America and go live with and work for his cousin Attila (Alessandro Nivola) in Philadelphia. Things are tense in the closed environment. However, a chance encounter with Harry Lee Van Buren (Joe Alwyn) puts him into the orbit of the powerful, industrious Harrison Lee Van Buren (Guy Pearce), someone who might just let László create his brutalist masterpiece.

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Paddington in Peru – Movie Review

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TL;DR – While it has not reached the heights of its predecessors, it was still a joy to be back in this world.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and end-credit scene.

Disclosure – I paid to watch this film.

Paddington in Peru Review –

Few films series have hit such high expectations as the Paddington series, especially after just two films. Paddington 1 will always hold a special place in my heart because of getting to watch it with friends at a drive in one day and the joy that came with it. I don’t think I need to tell you about Paddington 2, given its impact on the film landscape. I mean, it was an entire plot point in The Unbearable Weight of Massive Talent. But can they make it a hat trick? That is what we will find out today.

So, to set the scene, there have been a lot of changes to the Brown household. Henry (Hugh Bonneville) has a new boss, Madison (Hayley Atwell), who has told him he has to embrace risk. Judy (Madeleine Harris) has begun looking for a University, Jonathan (Samuel Joslin) has gone full-teenage and spends all his time in his room, and Mary (Emily Mortimer) is struggling with the coming empty next. But Paddington (Ben Whishaw) has just gotten his British citizenship and passport, which was just in time because The Reverend Mother (Olivia Colman) of The Home for Retired Bears in Peru writes to let everyone know that Aunt Lucy (Imelda Staunton) not well. The Brown family rush to Peru, but when they get there, they find out that Aunt Lucy is missing and only Paddington might know where she has gone.

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Better Man – Movie Review

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TL;DR – A fascinating look at a pop icon that takes some wild swings that don’t always pan out.

Rating: 3.5 out of 5.

Disclosure – I paid to watch this film

Warning – contains scenes that may cause distress.

Better Man Review –

Today, we look at one of the oddest films that I watched in 2024. On the one hand, this was a very boilerplate biopic that explored the life of pop icon Robbie Williams. However, they also make massive artistic choices throughout the film, most notably by depicting the focus of the biopic as an ape. This was a fascinating choice, but did it work? And that is the question we will explore today.

So, to set the scene, Robbie Williams (Robbie Williams/Jonno Davies/Adam Tucker) had spent most of his life growing up in the small town of Stoke-On-Trent. Living with his mother Janet (Kate Mulvany) and Nan Betty (Alison Steadman) after his father Peter (Steve Pemberton) left to try and be an entertainer. He hasn’t done well at school because he has these lyrics in his head and a drive to be famous. It’s a good thing that his first big break has just strolled into town as Nigel Martin-Smith (Damon Herriman) is looking for boys to be part of a new band, Take That, which is Robbie’s chance to get out of this town and make something of himself.   

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Wallace & Gromit: Vengeance Most Fowl – Movie Review

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TL;DR – A fun blast of nostalgia and charm, but not much more than that.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

A crimes lead back to Wallace.

Wallace & Gromit: Vengeance Most Fowl Review –

One of the great joys, when I was a kid, was being stuck in my mother’s university library, bored out of my brain, but then discovering they had this VHS collection of wired animated stop-motion films. It was my first jump into the world of Aardman, and I have always looked forward to a new entry whenever they come out. Indeed, Chicken Run is still in my Top 10 Animated Films of All Time. Well, today, we get to dive into the latest entry and back into the world of Wallace & Gromit.

So, to set the scene, it has been years since the dastardly Feathers McGraw was apprehended by the eccentric inventor Wallace (Ben Whitehead) and his loyal beagle Gromit. Now, the two live together in a house full of inventions, but inventions don’t tend to pay the bills. That is when Wallace comes up with Norbot (Reece Shearsmith), a smart gnome that can clean and tidy gardens. But when Feathers McGraw spots this from their zoo jail cell, soon a plan of vengeance most foul is afoot.

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A Million Days – Movie Review

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TL;DR – A conceptually interesting film that just never quite coalesced in the way that it wanted.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Three astronauts with crosses for eyes.

A Million Days Review –

If there has been one major shift in technology in the 21st century so far, it is the rise of predictive AI. While the whole world is trying to rectify this new landscape, Science Fiction media has been playing in that space for decades. Today, we explore a film that is all about AI and what it means for the future of humanity.

So, to set the scene, in 2041, after decades of unchecked global warming, Earth is on the cusp of complete ecological collapse. The SEED project, powered by an AI called JAY, was created to try and make humanity a multi-planet civilization. Anderson (Simon Merrells) and Sam (Kemi-Bo Jacobs) help run the JAY project as the Lunar Colony is being established. However, when one of the new hires, Charlie (Hermione Corfield), accidentally runs a JAY simulation for a million days, they discover that something is wrong with humanity and its survival.   

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Control – Movie Review

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TL;DR – While it has an intriguing concept at its heart, some serious technical issues and casting choices torpedo what could have been an engaging narrative.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits.

Disclosure – I was sent a screener of this film.

Stella looking into the camera.

Control Review –

Today, we are looking at a film that feels very in the now. It is looking at self-driving cars and the potential loss of control when we hand security over to technology for our own comfort. There is a lot of scope to do something interesting with that scenario that is not working in the bombast seen in films like The Fate of the Furious.

So to set the scene, after a long meeting and press, Prime Minister David Addams (Mark Hampton) lets Home Secretary Stella Simmons (Lauren Metcalfe) take his daughter Evie (Eire Farrell) home. Of course, things are slightly awkward because David and Stella are having a very public affair. It should be a simple trip, that is, until someone hijacks Stella’s self-driving car. There is a voice (Kevin Spacey) who is very unhappy with Stella and now has complete control over her vehicle.     

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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