Tag Archives: David Oyelowo

Rise of the Planet of the Apes (2011) Review – Exploring the Past

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TL;DR –.It is a remarkable film that still holds up today and provided a strong foundation for everything that followed.  

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar looks down on San Fransisco.

Rise of the Planet of the Apes Review –

Back in the 2010s, remakes were all the rage, and most of them were not great. So, I am not sure that anyone was expecting a prequel remake reboot of the beloved cult Classic Planet of the Apes was going to be any good, let alone spawn one of the best trilogies of the modern cinematic era concluding with War of the Planet of the Apes. Well, with Kingdom of the Planet of the Apes coming out this week, I knew it was time to jump back in and refresh myself in this world.

So to set the scene, we open in on a rainforest where a troop of chimpanzees is led into a trap by poachers. In San Fransisco, Dr. William “Will” Rodman (James Franco) is desperately trying to find a cure for Alzheimer’s, using chimpanzees as part of the trial. But when the first trial goes terribly wrong, they discover a surprise: the trial chip was pregnant. It is this new baby called Caesar (Andy Serkis) that Will discovers the hope he has been looking for as his father, Charles (John Lithgow), slips further behind. But will the world see what Will sees, or will they see a threat?  

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Role Play – Movie Review

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TL;DR – There are some moments when the film shines. However, there is a lot of space in between those moments filled with missed opportunities.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.  

Role Play Review –

In the Spy and Spy-adjacent world, one of the core narratives that we see is when a spy’s family does not know what they do for a day job. The most famous is probably True Lies, but we see a lot of them moving from the more comical to the more serious, depending on the vibe that they want. That is if you can choose a vibe.  

So to set the scene, on the surface, the Brackett family is your perfectly normal middle-American suburban unit. The father, Dave (David Oyelowo), is an architect. They have two wonderful kids, Caroline (Lucia Aliu) & Wyatt (Regan Bryan-Gudgeon), and oh, by the way, when Emma (Kaley Cuoco) says she is going out of town to work cooperate management, she actually is a very successful assassin. Emma wants to have some time at home, but her handler, Raj (Rudi Dharmalingam), wants her back out in the field. After Emma forgets their anniversary, they decide to have a fun night out where they pretend to be two strangers meeting in a bar. One long ride stuck in the tunnel and the poor advances of Bob (Bill Nighy), and it looks like the night might be a bit of a mess. It would be the wrong time for someone’s cover to get blown.   

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Silo: Holston’s Pick – TV Review

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TL;DR – We delve deeper into this world and its story, and I am hooked.

Rating: 4.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

The doors to the outside open.

Silo Review –

I was intrigued by what we got when I watched the first episode. It was a familiar scenario, but the creatives behind the show presented it in a fresh way with a time-shifted story that didn’t feel convoluted. However, one big thing missing from that first episode was Rebecca Ferguson, who was front and centre of the marketing campaign before the show was released. Well, episode two is here to fix that.

So to set the scene, we open with Sheriff Holston (David Oyelowo) donning the suit as he commits to going outside after he broke the one unbreakable rule in the Silo during Freedom Day. He says his goodbyes to Mayor Ruth Jahns (Geraldine James) and Deputy Marnes (Will Patton) and takes those final steps outside, where he sees a world full of life … maybe. But down in the bowls of the Silo, Juliette Nichols (Rebecca Ferguson) is declaring his betrayal, as we find out much more than we suspect happened when Sheriff Holston came down to investigate the murder or suicide of George Wilkins (Ferdinand Kingsley). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.   

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Silo: Freedom Day – TV Review

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TL;DR – This is a solid start to the intrigue that did the best job a first episode can do, making me want to see more.

Rating: 4 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

Allison seeing something that they tried to keep hidden.

Silo Review –

I am always looking for a new genre show with an exciting spin on a setting. While the whole hiding away from the apocalypse in a bunker has been done before, probably most famously by Fallout. However, I am still drawn to this setting for the narrative potential you can find. Let’s bring on this new dystopian/post-apocalyptic/mystery and see what it can do.   

So to set the scene, they do not know why they are there, who built the Silo, why the world outside is a toxic mess, or if it will ever be safe to go back outside. It is on this day when Sheriff Holston (David Oyelowo) goes up to his office, takes off his badge, locks himself in a jail cell, and utters the words that chill his Deputy Marnes (Will Patton) to the core “I want to go out”. The only words once spoken that can’t be taken back. Someone is waiting for him out there in the dust, Allison (Rashida Jones), whom we met over three years earlier. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.      

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See How They Run – Movie Review

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TL;DR – A delightful romp through post-WW2 London as a murder reaches into the heights of polite society.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed the film.

Mousetrap

See How They Run Review –

We are seeing a resurgence of the Murder Mystery on our screens, which I have generally found to be an absolute delight. We have witnessed straight adaptations like Murder on the Orient Express, musical romps like The Bob’s Burgers Movie, and genre deconstructions like Knives Out. Today we’ll look at a film that is a lover of the genre and dances with a light touch while delving into some delightful meta-commentary.    

 So to set the scene, we open on London’s West End in 1953, where Agatha Christie’s Mousetrap is playing its 100th performance. Hollywood has tasked Leo Köpernick (Adrien Brody) to create a film adaptation of this dull play. After flirting with the star of the show Richard Attenborough’s (Harris Dickinson) wife, Sheila Sim (Pearl Chanda), Leo ends up backstage, where he is brutally murdered by someone dressed in black. But as Leo states as the narrator, it is always the most unlikeable characters that get bumped off. Now Inspector Stoppard (Sam Rockwell) and Constable Stalker (Saoirse Ronan) are on the case, but as Leo laments, if you have seen one Whodunit, you have seen them all.

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The Midnight Sky – Movie Review

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TL;DR – A film with a premise that does not hold up and then undermines the rest of the narrative   

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence

The Midnight Sky. Image Credit: Netflix.

The Midnight Sky Review –

I think it is safe to say that I am a fan of the Science Fiction genre. Indeed I try to watch as much as I can get. However, sometimes you come across a concept that just does not work. Unfortunately for all the star power, good acting, and exciting design, today we look at a film that just does not work.

So to set the scene, we open in on the Barbeau Observatory in the Arctic Circle in February 2049 where we are told it has been three weeks since ‘The Event’. The Observatory is being evacuated chaotically, but Augustine (George Clooney) stays behind as menacing red circles appear over cities on maps on the computer monitors behind. Augustine is trying to contact the last mission away from the planet Æther to warn them when he finds that not everyone evacuated with a little girl Iris (Caoilinn Springall) being left behind.        

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Movie Review – Gringo

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TL;DR – There are individual elements of Gringo that are interesting, but as a whole, the movie just doesn’t really work all that well

Score – 2 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Gringo. Image Credit: Amazon Studios

Review –

In some respects, Gringo is a really interesting film, because it is attempting something quite different from a narrative perspective, and it is clear that the cast is giving it their all. However, like a diver doing a front four and a half over-rotating and splashing into the pool, it just does not come together.

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Movie Review – The Cloverfield Paradox (God Particle)

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TL;DR – Great casting, an interesting premise, and a fascinating history behind it, but there was something that just didn’t work The Cloverfield Paradox, and honestly it left me feeling a bit meh at the end.

Score – 2 out of 5 stars

Post-Credit Scene – No

The Cloverfield Paradox


Review –

So back in the day in the olden times of far way 2008, a little film called Cloverfield exploded onto the scene. Now I was not a big fan of it, but ‘found footage’ films are not really something I like so that was no real fault of the film itself. There were talks of a sequel but nothing ever came about in the years that followed, and then one day 10 Cloverfield Lane (see review) kind of appeared in 2016 with almost no promotion and it was amazing, one of our Top Films of 2016. So given there was some similarities but also differences between the two films that preceded The Cloverfield Paradox there have been a lot of discussions as to what their relationship was. Are they all connected together, or are they more like an anthology series, for example, American Horror Story? We today we get the answer … well, sort of, when the sequel to both films dropped on Netflix with no warning. So let’s dive in and take a look.

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