Tag Archives: Monster Film

Vampire Zombies…from Space! – Movie Review

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TL;DR – A delightful parody of 1950s pulp fiction that is unfortunately a bit too long in the tooth.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Vampire Zombies…from Space!

Vampire Zombies From Space Review Introduction –

There are many ways a film can entice you to watch it. In the past, it was through who they cast as their leads, but that seems to be decreasingly crucial as the 21st century progresses. It could be the genre or the premise, or a multitude of things. Or maybe, the title of the film is so absolutely bonkers that you feel almost required to see just what they will do. Today, we are looking at Vampire Zombies From Space, and I think you know what category I would put that under.

So, to set the scene, one night a long time ago in the time of black and white, a dog ran into a tobacco field, and the family followed only to be confirmed by the impossible: a vampire and their flying saucer. While the mother was murdered in a wave of blood, a crucifix saved the rest of the family from certain doom. Ten years later, in a slightly more up-to-date-yet-still-black-and-white time, the family is a pariah in town. Little did they know that they would be the ground zero for something even more terrifying … zombies, sent by Dracula (Craig Gloster) to take over the world.

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Scurry – Movie Review

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TL;DR – A strong premise brings you into this world, but the narrative does not quite have the six legs to get all the way to the end.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A man holds a lighter up for light.

Setting the Scene

This has been an excellent year for Sparke Films, with its flagship Primitive War showing that you absolutely can do a dinosaur film without the word Jurassic in the title. But that was a big, bombastic work, and I was interested to see what they could do on a more concentrated effort, and today we find out.   

So, to set the scene, chaos reigns as something is causing a city to be evacuated and destroyed in equal measure. At the bottom of a sinkhole lies Mark (Jamie Costa), who had the unfortunate luck of standing on the road as it gave out underneath him. Stuck and with no phone connection, things are not looking good for him, nor is that car hanging precariously over the edge, filling anyone with confidence. There better not be a helicopter crashing from the sky that will make this situation worse, and what was that chittering sound in the background?

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Wolf Man – Movie Review

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TL;DR – It is a film that starts out like a sprint, but it may have forgotten it was not that kind of race towards the end.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A truck hangs horizontally, held up by some trees.

Wolf Man Review –

Well, not that long ago, Universal attempted to re-create a shared universe for all those classical monster films that they still held the rights for, and well, the Dark Universe was so successful that you won’t find it on our Cinematic Universes page. However, in the wake of that, they still had all these monsters lying around, and someone might as well do something with them, which is how we got Leigh Whannell’s fantastic The Invisible Man, a film that lived rent-free in my brain for an age. Well, it is now time to see if lightning can strike twice.   

So, to set the scene, Blake (Zac Chandler) has had an estranged relationship with his father (Sam Jaeger) and the place he grew up in the deep rural forests of Oregon, and he got out as soon as he could. Now living with a Wife, Charlotte (Julia Garner), and daughter, Ginger (Matilda Firth), Blake (Christopher Abbott) has everything he wanted but is still struggling. Much of this comes from the legacy of his father, who went out into the woods one day and never returned. Well, the government has finally declared him dead, so Blake can take his family back to his family home to pack everything up and close that chapter of his life with maybe a quiet stay in the mountains to reconnect everyone. This is the plan right until something furry jumps out on the road in the dark, and the family find themselves perched sideways on some trees with a monster about.    

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Werewolf by Night in Color – Movie Review

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TL;DR – A delightful romp through times past, made with the techniques of today, Now in Color.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Marvel Studios logo in color.

Werewolf by Night in Color Review –

Last year, we reviewed Werewolf by Night, an experiment and, honestly, one of the best things that the MCU put out on Disney+ … and much to my despair, no one watched it. Well, they are taking a second crack at the project by presenting it “In Color”, so on this final day of the spooky season, it feels like the perfect time to jump back in and see if the colour has changed anything. To save you searching, we will begin with the review we wrote for it the first time out and then look to see if the “In Color” changed anything.     

So to set the scene, we open on a dark night in a mansion deep in the woods where Ulysses Bloodstone’s (Richard Dixon) funeral is about to take place. All across the globe, the hunters gathered because this was both a funeral and a hunt. Whoever of the death dealers wins the ceremonial hunt gets the coveted Bloodstone, a relic of immeasurable power. But one of the hunters may actually be the hunted? 

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Skull Island: Season 1 – TV Review

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TL;DR – This is a perfectly watchable show, but it never reached its potential, with some odd tone issues and a lacklustre narrative holding it back.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

King Kong's foot print.

Skull Island Review –

When  Kong: Skull Island came out in 2017, I was delighted with the world they created, full of mystery and wonder. This meant I was slightly disappointed when they killed off the island with one line of dialogue in Godzilla vs. Kong. However, there is clearly still a lot of space in the Monsterverse, and today we look at more adventures on an island where nearly everything wants to kill you.   

So to set the scene, we open on a research boat of some sort in the South Pacific Ocean. There is a loud commotion when a girl named Annie (Mae Whitman) in handcuffs tries to escape the crew hunting her down. She makes her way onto a lifeboat in a last-ditch effort and drives into the storm. Meanwhile, on an exploration boat, Charlie (Nicolas Cantu) and his father, Cap (Benjamin Bratt), have a significant conversation about going to college. As Charlie’s friend Mike (Darren Barnet) consoles him, Charlie notices a girl floating in on some wreckage. It is quite a commotion, but while Annie is concerned about the mercenaries chasing her, she is even more concerned about what lurks in the deep. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Love and Monsters – Movie Review

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TL;DR – While it never quite gets to the heights it aims for, it is still a delightful ride with some stunning effects.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film.

Love and Monsters. Image Credit: Netflix..

Love and Monsters Review –

There are times when people can be stringent around how films can be categorised. Then films can come along and blow those strict delineations apart. You see it in movies like Zombieland or Warm Bodies, and we see it again today in the film we are about to look at.   

So to set the scene, in the near future, there was an asteroid Agatha 6-1-6 hurtling towards Earth. The governments grouped together to shoot it out of the sky, which they did. Unfortunately, the chemicals they used in all those rockets fell back down to Earth. They contaminated and mutated all the cold-blooded animals, from ants to crocodiles and everything in-between. While the militaries and the giant mutants wiped each other out, 95% of the world’s population died, leaving only those who were able to find security in bunkers. One of the survivors was Joel Dawson (Dylan O’Brien) from Fairfield, California. He made it to safety, but he has a habit of freezing in front of the monsters, not a good long-term survival trait. After an incursion into their bunker, Joel makes up his mind to go out into the world make the trek 90 odd miles to where his old girlfriend Amiee (Jessica Henwick) now lives. Ninety miles of infested territory that is trying to kill everything.

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Godzilla vs. Kong – Movie Review

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TL;DR – A bombastic visual spectacle that explodes on the screen and never lets up.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Nominated – Explosive Action, Most Fun & Fascinating Worldbuilding
Winner – Explosive Action

Disclosure – I was invited to a Press Screening of this film.

Godzilla vs. Kong. Image Credit: Warner Bros Pictures.

Godzilla vs. Kong Review –

There have been several attempts to create Cinematic Universes across modern cinema, but most of them have fallen flat. However, one of the few rays of light in this space has been the visual delight that has been the MonsterVerse. It has been bombast on the big screen, as giant monsters battle each other for supremacy as we watch on. Today, we look at the next film in that franchise that pits our two heroes from the previous movies against each other.     

So to set the scene, it has been several years since Godzilla became the alpha at the end of Godzilla: King of the Monsters. In that time, Godzilla has kept the other titans in their home areas, much to the joy of the humans living in the world. However, one day, Godzilla surges out of the water near Pensacola, Florida. The titan makes a beeline for the Apex factory tearing apart everything in its way. In the factory, a whistleblower Bernie Hayes (Brian Tyree Henry), is trying to find what Apex is up to because they are up to something shady. Meanwhile, on Skull Island, King Kong is taking his daily walk when he comes across a little girl, Jia (Kaylee Hottle), in the forest. However, as they bond, Kong feels a threat coming and sharpens a tree javelin, ready to take it down.

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Movie Review – The Invisible Man (2020 film)

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TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards –

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review –

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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Movie Review – Scary Stories to Tell in the Dark

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TL;DR – A solid horror film, with a good premise that meanders a bit in the middle before coming back strong in the end.   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Scary Stories to Tell in the Dark. Image Credit: Universal.

Review –

I have to admit that I am not as big of a horror aficionado as a lot of the critics out there. I prefer the tension and suspense of a film like Get Out over a horror gorefest. However, I have made it a plan to try and broaden the films I see and also if you ever want me to see a film having the story by Guillermo del Toro is a great way to do it. With that in mind let’s have a look at a film that champions what goes bump in the night.

In 1968 a lot of things are happening, the Vietnam War is in full swing, Richard Nixon is up for re-election, and in a small town called Mill Valley in Pennsylvania, the local residents are getting ready for Halloween. Stella (Zoe Colletti) does not want to go out but is coaxed out by her friends Auggie (Gabriel Rush) and Chuck (Austin Zajur) because this might be their last Halloween together. After running into local bully Tommy (Austin Abrams) who is on a date with Chuck’s sister Ruthie (Natalie Ganzhorn) they hide in Ramón’s (Michael Garza) car. Ramón is from out of town, so Stella suggests they take him to the Bellows’ House, the town’s local haunted house. Legend says that the family that founded the town locked their daughter Sarah (Kathleen Pollard) in the basement but she would tell stories through the wall to local children and then the kids would die. Everything is going fine until Stella finds a book, a book of Sarah’s stories, a book that is still writing more stories one by one.

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TV Review – The Last Kids on Earth: Book 1

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TL;DR – This is an interesting take on the End-Of-The-World genre

Score – 4 out of 5 stars

The Last Kids on Earth. Image Credit: Netflix.

Review –

When I say to you Zombie Apocalypse, I think for many people the first thing you would do is suppress a sigh. As a genre, it has been used multiple times and these days one could say that it has been done to death as long as they immediately followed it up immediately with ‘pun not attended’. However, every now and again, a new show will use the setting to explore something new and today we get to look at just such a show.

So to set the scene, we open in on Day 42 with Jack Sullivan (Nick Wolfhard) the only known survivor in his town. 42 Days ago portals opened up over his town and monsters and zombies came flooding out attacking the town. Some escaped, some were rescued, but more still were turned into zombies to roam the streets. Abandoned by his foster family, Jack survives by hiding in his foster brother’s treehouse and using that as a base of operation. He is trying to find his best buddy Quint (Garland Whitt) and rescue his flame June (Montse Hernandez), but first he needs to survive being hunted by a monster angry because Jack poked its eye out.

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