Tag Archives: Movie Reviews

Deadland – Movie Review

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TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review –

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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Atlas – Movie Review

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TL;DR – It has a rough start, but kind of finds its feet, but probably long after most of switched it off.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The Mech.

Atlas Review –

Well, if there has been one technology that can define the 2020s, it is AI. As much as that affects behind-the-scenes in exciting but also exploitive and dubious ways, we are also going to see that come to the forefront of narratives. Today’s film does just that as we dive into the world on the edge.

So to set the scene, everything was going fine on Earth until one day, every AI robotic component on Earth rebelled, killing millions. All the damage was seemingly set off by one Robot called Harlan (Simu Liu) who helped kill millions before what was left of the world combined under the ICN and fought back. Harlan escaped the planet, but twenty-eight years later, he legacy of destruction is felt by all. No more so than Atlas Shepherd (Jennifer Lopez) who grew up with Harlan as a child. When one of Harlan’s top lieutenants, Casca Vix (Abraham Popoola), was captured on Earth, everyone knew he was ready to return, the one thing Atlas was fighting to stop.

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Abigail – Movie Review

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TL;DR – A bloody joy when it is working and a bit of a slog when it is not.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

Abigail reveals herself.

Abigail Review –

Have you ever heard a film premise and immediately thought, “I need to see that”? Well, that is what happened to me when I first heard about Abigail. A group of thugs think they are kidnapping a little girl, but they actually take a monster. I mean, there are whole fairy tales based around concepts just like this and how they turn out. Add in the team behind Ready or Not, and you will have me sold.

So to set the scene, one evening, a group of professionals start casing out a house, waiting to capture the person within. Frank (Dan Stevens) is the boss, Joey (Melissa Barrera) is client control, Sammy (Kathryn Newton) is their hacker, Rickles (William Catlett) is the sniper, Peter (Kevin Durand) is their muscle, and Dean (Angus Cloud) is their car man. But the person they are kidnapping is a little girl, Abigail (Alisha Weir), who just got back from ballet practice. People are not okay with kidnapping a kid, but $7 million is $7 million. However, when they arrive at the creepy house run by Lambert (Giancarlo Esposito) and must hold the child for 24 hours, it would be a shame if there was also a monster stuck in there with them.

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The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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The Wages of Fear (Le Salaire de la Peur) (2024) – Movie Review

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TL;DR – While there is a solid narrative framework for the action, we end up with a film that has more missed opportunities than times they cut to jiggling nitro canisters.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A oil pump explores.

The Wages of Fear Review –

Today, we are looking at a remake of a classic novel and a classic film. I have not watched or read the original, but even then, their legacy looms large. Getting a second or third but at the apple can be an advantage because you have seen where things have not worked before, but then, when you are walking on the same ground as a classic, you might be lurking in dangerous territory.

So to set the scene, we open in the middle of the North African desert as pursuers ambush two cars from World Wide Heath and are just able to get into a local village before getting overrun. But a single stray bullet was enough to take out the local gas well. If the fire spreads, it will take out the entire village. They have only 24 hours to get enough nitro-glycerine to explode the gas pocket. Fred (Franck Gastambide) does not want to risk the ride through occupied territory; good thing the head of the oil company, Anne (Astrid Whettnall), had the perfect leverage, Eric (Alban Lenoir), Fred’s brother stuck in jail for a crime, Fred committed.   

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Control – Movie Review

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TL;DR – While it has an intriguing concept at its heart, some serious technical issues and casting choices torpedo what could have been an engaging narrative.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits.

Disclosure – I was sent a screener of this film.

Stella looking into the camera.

Control Review –

Today, we are looking at a film that feels very in the now. It is looking at self-driving cars and the potential loss of control when we hand security over to technology for our own comfort. There is a lot of scope to do something interesting with that scenario that is not working in the bombast seen in films like The Fate of the Furious.

So to set the scene, after a long meeting and press, Prime Minister David Addams (Mark Hampton) lets Home Secretary Stella Simmons (Lauren Metcalfe) take his daughter Evie (Eire Farrell) home. Of course, things are slightly awkward because David and Stella are having a very public affair. It should be a simple trip, that is, until someone hijacks Stella’s self-driving car. There is a voice (Kevin Spacey) who is very unhappy with Stella and now has complete control over her vehicle.     

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Bottoms – Movie Review

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TL;DR – It races right up to the line of being a parody without crossing it, a bunch of laughs even if not everything lands.

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid to see this film.

PJ and Josie at rock bottom.

Bottoms Review –

After mainly being obliterated, the R-rated teenage comedy has returned in recent years, which means a whole new generation gets to have their EuroTrip moment. But can a more mature comedy focused on teenagers work in this new world? Well, that is the question we are looking at today.

So to set the scene, friends PJ (Rachel Sennott) and Josie (Ayo Edebiri) are at the bottom of the social picking ladder at Rockbridge Falls High School. Even more so when they run over the star quarterback Jeff (Nicholas Galitzine) a month out from the big game against rivals Huntington High. But when you are on the bottom, there is nowhere else to go but up, and it is in that moment that the girls arrange a fight club. On the surface, it is all about empowering the women of the School, but in reality, it is all about getting laid.  

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