Tag Archives: Movie

Movie Review – Ultras

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TL;DR – An interesting film, exploring interesting issues, but does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – There is a lot of strobe lighting used in a sequence towards the end.

Ultras. Image Credit: Netflix.

Review –

For me, sports, particularly football is something that I have only really gotten into recently. So it is something that I have tried to explore more, with what makes it tick, what drives it, and what drives people to love it. Well, today we have a film from Italy that explores all of this, but from a different perspective, that of the hardened supporters of the Italian football league.

To set the scene, we open in as a man walk through a crowd where everyone knows his name, as we wander through the town we arrive at a wedding, where flares are lit and everyone is having a good time. Which is of course when we cut to a montage of the more colourful moments in Italian football history, full of riots, flares, and a long rivalry between teams from Naples and Rome, or Napoli and Roma. It here where we see that behind the bravado is a sadness, a sadness of time gone by.  

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Movie Review – The Legend of Baron To’a

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TL;DR – A bonkers fun film from first till last    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated – Explosive Action

The Legend of Baron To'a. Image Credit: Madman.

Review –

Do you know what I needed this week? I needed a bit of fun, you know what I think a lot of people need this week, a little fun, well, have I got news for you. It has been great over the last couple of years to see Pasifika Cinema go from strength to strength and today we get to look at another entry into the great canon.

So to set the scene, we open in on the great Baron To’a (John Tui) himself as he does a tour of his home and local cul–de–sac Kinlock Ave. He is the heart of the local community and he is most proud of his son Fritz (Lotima Pome’e). However, it cannot last and twenty years later when Fritz (Uli Latukefu) returns to help sell his house after his uncle Otto (Nathaniel Lees) stops returning his calls he finds that the sac is a very different place than what he remembered.   

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Movie Review – Queen and Slim

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TL;DR – It is a provocative and powerful film, while it does not hit every note right, when it excels it does so with gusto   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards –

Nominated: All The Tension.

Queen and Slim. Image Credit: Universal Pictures.

Review –

Some films are just there to provide a little entertainment and then to be done and there is nothing wrong with that because everyone needs a little fun in their lives. However, other films want to be provocative, some films that want to educate, some films that want to hold a mirror up to society, and some that want to all of that and more.  

So to set the scene, we open in a diner in Ohio as two people start the awkward banter of getting to know each other. Slim (Daniel Kaluuya) is interested to know why Queen (Jodie Turner-Smith) picked tonight to respond to his Tinder request after leaving it on hold for weeks, well Queen just didn’t want to be alone that night. After dinner Slim is taking Queen home when they are pulled over by police Officer Reed (Sturgill Simpson) for a very minor traffic infraction. While the officer is checking the car for drugs (which are not there nor was there any reason to believe there was) Queen, a defence attorney gets out of the car and the officer shoots her in her leg. A scuffle ensues and Slim in self-defence shoots the officer in the head killing him. What do you do? Do you stay and try to explain what happens, or do you run? You run!

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Awards – Worldbuilding that Astounded us in 2019

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One of the benefits of film is that it is a visual media, and that means that it can do in a frame what it might take a book several pages to pull off. Where we see this the most is in its ability to build worlds in front of our eyes.

These worlds could be great space operas that explore galaxies, or a small period piece that looks back in time, or anything. But when every part of the film is being used to tell a story, you know it is good.   

So without further ado, these are films that showed excellence in Worldbuilding 2019. Be warned that there may be some slight spoilers ahead for the films in question, also you can click on the banners to go to the full reviews.

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Movie Review – I am Jonas (Jonas/Boys)

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TL;DR – There is an interesting film here, but it just does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

I am Jonas (Jonas/Boys). Image Credit: Netflix.

Review –

In a film, time can be just as much part of the narrative landscape as the words the actors say. It can shape a film, it can direct a film, it can hide and it can reveal. Today, we look at a film that plays with time in its narrative, and while it never quite works it is interesting.

So to set the scene, we open in on a young Jonas (Nicolas Bauwens) playing Tetris on the Gameboy, while his dad fills up the car. Rage quitting he sees something out in the darkness and is attacked by a memory one he can’t shake. Many years later, Jonas (Félix Maritaud) is a very different person, but he is still haunted by the past.   

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Awards – Tension That Kept You On the Edge Of Your Seat!

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Tension is one of the most difficult facets of filmmaking to pull off because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses then the most important part of the film falls apart.

In 2019 we continued to see some excellent use of tension used to build mystery or to be the harbinger of the coming dread, or even the ticking clock of inevitability.   

So without further ado, these are the moments of tension that kept us on the edge of our seats in 2019. Be warned that there may be some slight spoilers ahead for the films in question and you can click on the banners to be taken to the full reviews.

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Movie Review – The Way Back (Finding the Way Back) (2020 film)

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TL;DR – A film that feels more personal than I have seen in a while and at the very least a loot messier     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Way Back. Image Credit: Warner Brothers.

Review –

There are many things that make reviewing The Way Back a difficult prospect. Part of that comes from intentional narrative devices that help the film in some ways and hinder it in others. Also, this is just a really raw film at times looking at a subject material that is both important but also deeply relevant to the lead actor. Which gets us into the realm of how much of this is performance and how much of this is reality thrown up on the screen. All of these are difficult things, but they were because in many respects this is a difficult film.

So to set the scene, Jack Cunningham (Ben Affleck) spends his days alone, even when he is surrounded by people. He wakes up with a beer, he showers with a beer, he drinks on the way to work, he hides booze while he is working, and he drinks himself silly when he gets home. After Thanksgiving dinner with his sister Beth (Michaela Watkins) who is clearly concerned that he is not seeing anyone after his marriage with Angela (Janina Gavankar) fell apart he arrives home to find an odd message on his phone. His old school wants him to come back and be the new basketball coach.

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Exploring the Past – Consequences (Posledice) (2018)

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TL;DR – An exploration of the effects of toxic masculinity and all its consequences.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Consequences (Posledice). Image Credit: Temporama.

Review –

There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.

So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.

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Movie Review – Dark Waters

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TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Waters. Image Credit: Universal Studios.

Review –


Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.

So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.

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Movie Review – The Lighthouse

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TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review –

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

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