Tag Archives: movies

Force of Nature: The Dry 2 – Movie Review

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TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review –

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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Ashes (Kül) – Movie Review

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TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review –

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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Badland Hunters (Hwang-ya/황야) – Movie Review

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TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review –

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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The Color Purple (2024) – Movie Review

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TL;DR – While it has its powerful moments, you can’t help but sit there and feel that this would have been better not as a musical.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening for this film

Warning – Contains scenes that may cause distress.

Celie and Nettie play in a tree.

The Color Purple Review –

Today, we are looking at a film that is quite difficult to parse because it is a film of mountains and valleys. When it soars, it soars, and you are captivated by the movie as it sweeps through the sky. But for every peak, we must then wade through a deep valley of missed opportunities. It is such a stark range that it is hard to find your footing at times.

So to set the scene, Celie (Phylicia Pearl Mpasi) and Nettie (Halle Bailey) are grouping up on the Georgia coastline at the start of the 1900s. Things are difficult for the sisters for many reasons, most notably their step-father Alfonso (Deon Cole). His actions have led to Celie being pregnant twice now and both babies being sent away. Life for Celie only becomes worse when she is married off to Ol’ Mister Johnson (Louis Gossett Jr.) and her sister is sent away. But the coming of Shug Avery (Taraji P. Henson) might be the chance Celie (Fantasia Barrino) needs to find herself.       

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Sixty Minutes (60 Minuten) – Movie Review

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TL;DR – While the narrative needed some strength, we got a quality action film with some stand-out brawls.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Octavio runs while time counts down.

Sixty Minutes Review –

It is Action Friday because after finishing off the final episode of Reacher’s second season, it is time to take a trip to Berlin to check out a German action film. While we have seen a lot of action films, I realised that I have never seen one out of Germany before. Well, today is the day I will fix that.

So to set the scene, Octavio Bergmann (Emilio Sakraya) is an MMA fighter who is stuck in a dilemma. He is facing the biggest and most prosperous fight in his life. But it is also his daughter Leonie’s (Morîk Maya Heydo) birthday, and the fighter Benko (Aristo Luis) is late, very late. He is stuck between a rock and a hard. But when his ex and mother of Leonie, Mina (Livia Matthes), gives him an ultimatum: see his daughter by 6 pm (one hour away) or be cut out of her life, well, that decision becomes clear for Octavio. Just maybe not for all the shady people who put bets on the fight. Oh, and it is rush hour in Berlin.

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Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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Role Play – Movie Review

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TL;DR – There are some moments when the film shines. However, there is a lot of space in between those moments filled with missed opportunities.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.  

Role Play Review –

In the Spy and Spy-adjacent world, one of the core narratives that we see is when a spy’s family does not know what they do for a day job. The most famous is probably True Lies, but we see a lot of them moving from the more comical to the more serious, depending on the vibe that they want. That is if you can choose a vibe.  

So to set the scene, on the surface, the Brackett family is your perfectly normal middle-American suburban unit. The father, Dave (David Oyelowo), is an architect. They have two wonderful kids, Caroline (Lucia Aliu) & Wyatt (Regan Bryan-Gudgeon), and oh, by the way, when Emma (Kaley Cuoco) says she is going out of town to work cooperate management, she actually is a very successful assassin. Emma wants to have some time at home, but her handler, Raj (Rudi Dharmalingam), wants her back out in the field. After Emma forgets their anniversary, they decide to have a fun night out where they pretend to be two strangers meeting in a bar. One long ride stuck in the tunnel and the poor advances of Bob (Bill Nighy), and it looks like the night might be a bit of a mess. It would be the wrong time for someone’s cover to get blown.   

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Awards – My Top 20 Films of 2023

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So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly Commended – Asteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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