Dawn of the Planet of the Apes (2014) Review – Exploring the Past

TL;DR – It is a profoundly emotional work that builds on the first film in nearly every way.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar in war paint.

Dawn of the Planet of the Apes Review –

It has been ten years since this movie first came out, and I was taken aback by just how good visual effects had grown, even by the high standards that the Lord of the Rings brought us. But with Kingdom of the Planet of the Apes coming out this week, I wanted to take a moment to go back in time and see how well this second entry before War of the Planet of the Apes holds up.

So to set the scene, it has been ten years since the Simian Flu pandemic spread across the globe with a survival rate of only 1 in 500, as was seen at the end of Rise of the Planet of the Apes. As human society completely collapsed, the ape colony founded by Caesar (Andy Serkis) began to thrive in the growing woods outside of what was once San Francisco. It has been two years since they even saw a human, which made that first sound of a gun going off echo throughout the colony. One of the few human settlements left on the Earth has set up shop in the ruins of San Francisco. Caesar does not acquiesce to the drum beats of war but gives the humans an ultimatum: stay away from their area. Peace has a chance, just as long as no one on either side decides to fall on the animosity of the past.     

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Corner Office – Movie Review

TL;DR – It has its moments, and it very much lands its vibe, but there is an intensity that loses its impact halfway through.

Rating: 3 out of 5.
The brutalist concrete building they work in.

Corner Office Review

Today we are looking at a film that I can’t quite place into the world of genre’s it is not quite a comedy, or a drama, or even a mystery. It has elements of all of those, but not enough to categories it. The only thing I can say is that it is a film about facial hair, and how there is probably a reason those styles are not popular anymore.

So to set the scene, we open in a car park covered in a layer of snow as the wind howls around. Orson (Jon Hamm) is arriving for their first day at work at The Authority Inc. in a large brutalist building. He is trying to stand out in the office, which is full of quirky characters, including his tablemate Rakesh (Danny Pudi). One day, while trying to find where they hid the printer paper, he stumbled across a room Orson had never seen before: a beautiful corner office. The room calls to him, like a forbidden lover, a place worthy of who he thinks he is, even if that does not match reality. The only problem is that no one else acknowledges that the room even exists.  

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The Stolen Valley (Alta Valley) – Movie Review

TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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Star Trek: Discovery – Full Season 4 – TV Review

TL;DR – A season that is equal parts uplifting and frustrating  

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

The crew get lifted into the air by a gravity wave.

Star Trek: Discovery Review –

When I was doing an overview of the site, I realised that there were a couple of missing moments that I was not able to tie up due to things happening at the time. Well, given that today is a public holiday, I thought it would be time to correct this, and the first thing we should do is look back at Season Four of Star Trek: Discovery. When I look at this season, what I see are two distinctly different parts, one which might be the best Star Trek has to offer, and the other which was an unfortunate anchor that weighed the entire series back, and today, we will break those two halves down.  

So to set the scene, after saving the galaxy by finding the cause of “The Burn” in Season Three. The USS Discovery-A has settled into being the leading edge of the resurgent Federation. Negotiating with new members and helping distribute dilithium. However, when a mysterious force destroys the entire planet of Kwejian, there is a race to try and work out who is scouring space before another planet is destroyed. Now, we will be looking at the season as a whole from here, so there will be some [SPOILERS] ahead. 

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Control – Movie Review

TL;DR – While it has an intriguing concept at its heart, some serious technical issues and casting choices torpedo what could have been an engaging narrative.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits.

Disclosure – I was sent a screener of this film.

Stella looking into the camera.

Control Review

Today, we are looking at a film that feels very in the now. It is looking at self-driving cars and the potential loss of control when we hand security over to technology for our own comfort. There is a lot of scope to do something interesting with that scenario that is not working in the bombast seen in films like The Fate of the Furious.

So to set the scene, after a long meeting and press, Prime Minister David Addams (Mark Hampton) lets Home Secretary Stella Simmons (Lauren Metcalfe) take his daughter Evie (Eire Farrell) home. Of course, things are slightly awkward because David and Stella are having a very public affair. It should be a simple trip, that is, until someone hijacks Stella’s self-driving car. There is a voice (Kevin Spacey) who is very unhappy with Stella and now has complete control over her vehicle.     

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3 Body Problem: Countdown – TV Review

TL;DR – This first episode has left me cautiously optimistic, but I am not sure if it can sustain the momentum it has set for itself, and I am concerned about some of the sharper edges getting sanded back.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this show.

Warning – This episode contains scenes that may cause distress.

The sun breaks over the horrizon on day one.

3 Body Problem Review

There was a certain amount of nervousness as I sat down to watch the first episode of 3 Body Problem: Countdown. It would be a lie to say that Season 8 of Game of Thrones was not part of that, even though I think I am a bit kinder on that than many. But more than that, how is an American team going to go adapting a work that is deeply entrenched in Chinese history and culture into an international product? That is the question I am looking at today.  

So to set the scene, we opened at Tsinghua University, Beijing, in 1966, at the height of the Cultural Revolution. Where students are bringing their professors out in front of the mob for the charge of being counterrevolutionaries. It is here where a young Ye Wenjie (Zine Tseng) watches as the crowd and members of her own family turn against her father, Ye Zhetai (Perry Yung), for teaching the Big Bang Theory. The crowd roars as the older man is beaten to death in front of them. In 2024, in London, Da Shi (Benedict Wong) arrives at the site of a scientist who committed suicide, a countdown written in blood on the walls. One of many reasons is that physics has stopped working as particle accelerators across the world have decided to put out nonsense. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.     

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Population 11: Outback UFO Tours – TV Review

TL;DR – This weird and wonderful first episode hooked me in to see what wild ride we are about to go on.

Rating: 4 out of 5.

Disclosure – I paid for the STAN service that viewed this series

A tree in the outback at light.

Population 11 Review

If there is one thing that Australia does very well, it is the mystery set in the Outback. Indeed, some of my earliest TV memories are of the wild and wonderful Jeopardy, which, if you are Australian or British of my age, you will know well. But in the world of Scrublands and Deadloch, we get a new entry today with Population 11.

So to set the scene, on a quiet night in the Outback surrounded by stars and termite mounds, a man stands alone, looking at a giant tree. That is, until a light appears from the heavens shining down on him, and while he runs, he is not quick enough. Sometime later, a strange American man from Cincinnati, Ohio, arrives in the town of Bidgeegud, which is so tiny that the pub and the church are in the same building. The man Andy (Ben Feldman) is here for the UFO tour led by Hugo (Darren Gilshenan), but maybe that is not the only reason he is there. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Kill Me If You Dare (Zabij Mnie, Kochanie) – Movie Review

TL;DR – It is an incredibly silly film, but if that is the vibe you are after, then it nails it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A knife falls to the floor.

Kill Me If You Dare Review

I think there is one thing that is almost universal across most cultures: what would you do if you won the lottery, or as we call it here, the lotto? Just asking that question probably provoked a number of thoughts as to what you would do with such a large amount of money. But what would you do if you were married and things were not as good as they could be?

So to set the scene, we open in this grand romantic gesture as Piotr (Mateusz Banasiuk) races to catch Natalia (Weronika Ksiązkiewicz) before she leaves on the train. But while he misses the train, he does not miss the love of his life, and he instantly proposes. Five years later, the love is not as strong as it once was, but maybe a shock lotto win might change that. Well, perhaps not if each other thinks the other wants to murder them and take the money for themselves.

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Force of Nature: The Dry 2 – Movie Review

TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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The Kitchen – Movie Review

TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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