Tag Archives: Tom Bateman

Kid Snow – Movie Review

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TL;DR – While it is an interesting scenario, and the cast is giving their all, you just can’t quite shake the feeling that the movie never finds its feet.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

Warning – contains scenes that include multiple flashing lights.

Kid Snow and Lizard run up a hill.

Kid Snow Review –

There are a lot of factors that go into making a good film: the cast, the story, the idea, the production, or even the budget. While you don’t have to get all of them right, it does help because just one of these factors can hold a film back from its full potential. Today, we look at a movie that excels in many of these points, but the one that holds it back is like an anchor dragging along the ocean shore.

So, to set the scene, it is 1971, and in the small towns across the deep Outback of Australia, there is a rolling fair that comes to town, including a boxing ring. Run by Rory (Tom Bateman) and headlined by his brother Kid Snow (Billy Howle), along with a motley of other performers, they charge money to get the locals to fight them. If they win, there are riches, but let’s be honest: no one ever wins. This was going well, okay, at least they were surviving, but when Hammer (Tristan Gorey), a ghost from Kid Snow’s past and current Australian champion, returns to challenge him to a boxing match for real money, there is a chance of him reclaiming his past. But it might be the arrival of Sunny (Phoebe Tonkin) into their lives on the same night that will have more of an impact on their futures.     

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Death on the Nile – Movie Review

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TL;DR – A sequel that boosts in individual performance while lacking in the ensemble.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ streaming service that viewed this film

Poirot sitting in front of the Sphinx.

Death on the Nile Review –

When COVID struck, nearly every major film was bumped from the schedule. For many, this gave them a moment to release in a time when people could see them safely. However, for others, the delay meant that it was released after a significant scandal decoupled one of its major stars. Alas, with this outing, we get a film that was the latter. But the question I had when going in was, could it overcome it?  

So to set the scene, we open in the trenches of WW1, where a well-moustachioed Captain is told that they need to take a bridge, a death note. However, a young Poirot (Kenneth Branagh) tells of a different way to attack the bridge that won’t leave them exposed. It worked, but a tripwire kills the captain. After the events of Murder on the Orient Express, Poirot finds himself in Egypt and the company of his friend Bouc (Tom Bateman) and Bouc’s mother Euphemia (Annette Bening) as they tour down the Nile. They are part of a wedding party, of a whirlwind marriage of Linnet “Linny” Ridgeway-Doyle (Gal Gadot) and Simon Doyle (Armie Hammer). But there is more danger on the Nile than the crocodiles lurking under the water.

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Murder on the Orient Express (2017) – Movie Review [Exploring the Past]

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TL;DR – A perfectly pleasant presentation of Poirot’s perceived peculiarities as he pertains the proceeds of a pernicious passing.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ streaming service that viewed this film

The Orient Express on a mountainside.

Murder on the Orient Express Review –

Every year, you intend to see one or two films, but they manage to slip out of your hands like the one fish they need to eat in Alone. In 2017, one of those films was Murder on the Orient Express, a modern adaptation of the classic book and film. Indeed, if nothing else, the cast list alone merits giving this one a watch. Today, given that I am about to watch the sequel, it felt like a better now than never prospect, so let’s dive in.  

So to set the scene, it is 1934, and we start in Jerusalem at The Wailing Wall, where hotel staff are making eggs for a painfully precise Poirot (Kenneth Branagh). A Rabbi, a Priest, and an Iman are accused of stealing a relic, and the city is about to explode into a riot. Well, one arrested police chief later, and a boat ride to Istanbul, Hercule Poirot and an assortment of colourful characters board the famous/infamous Orient Express, three days of peace and no crime, bar for a bit of murder discovered after an avalanche derails the train. A train full of people, one of them a killer, and the threat that more may die before the snow is cleared.

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Movie Review – Snatched

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TL;DR – It honestly feels like this movie was a waste of everyone’s time, including mine

Score – 1.5 out of 5 stars

Snatched. Image Credit: 20th Century Fox.

Review –

Sigh, what a disappointment, this movie had an interesting premise, the cast all had such potential, but what we got was a confused mess that does not know what kind of film it wanted to be. Now of course this first sentence probably would not fill you with confidence, and you’d be right, but when you have Goldie Hawn someone who can light up the screen no matter what film she is in and in her first movie since 2002 and you can’t make it work, well you have problems. So in today’s review we are going to break down the film and talk about what things did work and what didn’t, and one of those sections is probably going to be bigger than the other.

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