Year 10 – Movie Review

TL;DR – A descent into a world holding on by an edge, oh and mud, so much mud, you would not believe how much mud there is.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Pine forest.

Year 10 Review

One of the reasons that Post-Apocalyptic stories do so well is because they strip all vestiges of society from us and shine a light on who we are as a people. Sometimes, that light reveals a tenacity to overcome trials, a goodness that powers through no matter the situation, or it shows the base animals that we are. Today’s film very much leans on that last point as we get down and dirty in the mud of humanity.  

So, to set the scene, it has been ten years since civilization collapsed, and it has reached the point where people have resorted to cannibalism to survive. It is a dangerous world where packs of dogs roaming the countryside can be just as deadly as the people looking for one last scrap of food. When one single careless act leads a band of thugs back to their hiding place, Jake (Toby Goodger) is forced to take a trek across dangerous ground to get antibiotics for his Girl (Hannah Khalique-Brown), the last person he has left in his life.

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Star Trek: Section 31 – Movie Review

TL;DR – There are some interesting ideas here and some fun action sequences, but it is held back by serious pacing issues that occurred when they crunched this into a movie.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Paramount+ service that viewed this film.

A Section 31 communicator.

Star Trek: Section 31 Review

Well, if there is one series of Star Trek that always seemed to get brushed aside, it was Deep Space Nine, and while a lot of people have come around on it in recent years, even the other Star Trek production teams at the time didn’t truly understand it, which meant that up until maybe Lower Decks, we have never seen the impact of the show on the broader universe. Well, almost never. Because there was one part of the show that nearly everyone since has picked up and run with: Section 31. Which would be great if that was not the one bit of Deep Space Nine that I didn’t like. Well, if Star Trek is going to dabble in making movies again, and they are going to use Section 31 as the base, then headlining it with Michelle Yeoh absolutely should be the best way to start it off.   

So, to set the scene, Philippa Georgiou (Michelle Yeoh) was the Terran Emperor of the Mirror Universe, brought into our Universe before being sent far into the future. There, she was unable to live, and she was sent back to a time that would be more stable for her by The Guardian of Forever [sometime in the early 2300s]. Here, Georgiou has been living under the guise of Madame du Franc at the space station Baraam. But there is an alien selling a bioweapon Godsend, and a Section 31 team led by Alok Sahar (Omari Hardwick) was sent into to neutralise Georgiou and take out the weapons dealer. But of course, it all goes wrong.  

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A Complete Unknown – Movie Review

TL;DR – A wild exploration of one of the most prominent musical writers of an age or two, but also of a time and movement in American music that I don’t think we’ll see again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Bob arrives in New York.

A Complete Unknown Review

There are a lot of musical biopics out there in the world, some more earned than others. But there is an understandable power behind them, given music’s ability to move your soul. But when you think back to which songwriters have had the most impact on music in the modern era, few names are in the same ballpark as Bob Dylan, and it makes sense to explore his life and the effect it did have and well is still having to this day.   

So, to set the scene, one cold New York night, a young Bob Dylan (Timothée Chalamet) arrives at the hospital bed of his idol Woody Guthrie (Scoot McNairy) after hearing he was unwell. Bob is an expert in Folk Music, having picked up sounds from across America. Luckily for Bob, who was also visiting Woody at that time, was famed folk musician Pete Seeger (Edward Norton), who brought the young man under his wings. Soon, Bob will be captivating the New York Folk Music scene, but being a singular talent comes with as many downsides as successes.  

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The Brutalist – Movie Review

TL;DR – Elegant, stunning, and powerful, it is a film that will stay with me for a long time even though I don’t think I will ever watch it again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

An upside-down Statue of Liberty.
An upside-down Statue of Liberty.

The Brutalist Review

Today, we look at a film that absolutely captivated me from start to finish, and given that it is three and a half hours long, that is a lot of runtime to have to keep you engaged. However, I think you might see how each and every step captivates, even when the film can be deeply uncomfortable.  

So, to set the scene, László Tóth (Adrien Brody) is a Hungarian Jew who was separated from everyone he loves during World War Two. Escaping Europe by himself, he manages to make it to America and go live with and work for his cousin Attila (Alessandro Nivola) in Philadelphia. Things are tense in the closed environment. However, a chance encounter with Harry Lee Van Buren (Joe Alwyn) puts him into the orbit of the powerful, industrious Harrison Lee Van Buren (Guy Pearce), someone who might just let László create his brutalist masterpiece.

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American Dreamer – Movie Review

TL;DR – It was a profoundly odd film that was also surprisingly charming.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was sent a screener of this film

Peter Dinklage and Shirley MacLaine laugh in the sand.

American Dreamer Review

There are times when you want a big, bombastic work of cinema, and then there are times when you want a smaller character work where an actor can really dig into a character. Today, we get to look at the latter, set in the odd world of academia, which I understand, and the stranger world of real estate, of which I do not.

So, to set the scene, Dr Phil Loder (Peter Dinklage) is an adjunct professor of economics, which means he is not high up on the academic totem pole. He is not well thought of and will never have the money for the house he wants [look … relatable]. As people say, “he is a dreamer, not a doer”. But one day, when looking at the houses he can’t afford, he comes across a listing for a home that is well out of his reach but with a ‘Live In’ option that cuts millions of dollars off the price. It seems too good to be true; the owner gets to stay there until they die, but she is old, so that shouldn’t be much of a wait. 

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Wolf Man – Movie Review

TL;DR – It is a film that starts out like a sprint, but it may have forgotten it was not that kind of race towards the end.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A truck hangs horizontally, held up by some trees.

Wolf Man Review

Well, not that long ago, Universal attempted to re-create a shared universe for all those classical monster films that they still held the rights for, and well, the Dark Universe was so successful that you won’t find it on our Cinematic Universes page. However, in the wake of that, they still had all these monsters lying around, and someone might as well do something with them, which is how we got Leigh Whannell’s fantastic The Invisible Man, a film that lived rent-free in my brain for an age. Well, it is now time to see if lightning can strike twice.   

So, to set the scene, Blake (Zac Chandler) has had an estranged relationship with his father (Sam Jaeger) and the place he grew up in the deep rural forests of Oregon, and he got out as soon as he could. Now living with a Wife, Charlotte (Julia Garner), and daughter, Ginger (Matilda Firth), Blake (Christopher Abbott) has everything he wanted but is still struggling. Much of this comes from the legacy of his father, who went out into the woods one day and never returned. Well, the government has finally declared him dead, so Blake can take his family back to his family home to pack everything up and close that chapter of his life with maybe a quiet stay in the mountains to reconnect everyone. This is the plan right until something furry jumps out on the road in the dark, and the family find themselves perched sideways on some trees with a monster about.    

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Thelma – Movie Review

TL;DR – It is an absolute blast that also hits you so hard in the feels that you can’t help but surf a wave of emotions.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film.

Thelma Review

Well, what a surprise this film was. When you hear that there is a revenge film out there, but the hook is that the lead actors are in their 90s, well, that is something that you need to check out. If they had just kept the film at that, it would have been fine. But no, they don’t stop there, and the film is so much better for it.

So, to set the scene, Thelma (June Squibb) is living her life in a world that is very different than the one she grew up in, but she does not mind because she has her knitting, her routine, and a grandson Daniel (Fred Hechinger) who she loves. Daniel has been teaching Thelma how to use her computer so she can connect more with her family. But Thelma becomes a victim of the “Hi Mum” scam and loses $10,000 in cash. When she finds out she has been scammed, there is only one thing to do, which is Tom Cruise it! Hunt down those who scammed her and make them pay.

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Paddington in Peru – Movie Review

TL;DR – While it has not reached the heights of its predecessors, it was still a joy to be back in this world.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and end-credit scene.

Disclosure – I paid to watch this film.

Paddington in Peru Review

Few films series have hit such high expectations as the Paddington series, especially after just two films. Paddington 1 will always hold a special place in my heart because of getting to watch it with friends at a drive in one day and the joy that came with it. I don’t think I need to tell you about Paddington 2, given its impact on the film landscape. I mean, it was an entire plot point in The Unbearable Weight of Massive Talent. But can they make it a hat trick? That is what we will find out today.

So, to set the scene, there have been a lot of changes to the Brown household. Henry (Hugh Bonneville) has a new boss, Madison (Hayley Atwell), who has told him he has to embrace risk. Judy (Madeleine Harris) has begun looking for a University, Jonathan (Samuel Joslin) has gone full-teenage and spends all his time in his room, and Mary (Emily Mortimer) is struggling with the coming empty next. But Paddington (Ben Whishaw) has just gotten his British citizenship and passport, which was just in time because The Reverend Mother (Olivia Colman) of The Home for Retired Bears in Peru writes to let everyone know that Aunt Lucy (Imelda Staunton) not well. The Brown family rush to Peru, but when they get there, they find out that Aunt Lucy is missing and only Paddington might know where she has gone.

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Better Man – Movie Review

TL;DR – A fascinating look at a pop icon that takes some wild swings that don’t always pan out.

Rating: 3.5 out of 5.

Disclosure – I paid to watch this film

Warning – contains scenes that may cause distress.

Better Man Review

Today, we look at one of the oddest films that I watched in 2024. On the one hand, this was a very boilerplate biopic that explored the life of pop icon Robbie Williams. However, they also make massive artistic choices throughout the film, most notably by depicting the focus of the biopic as an ape. This was a fascinating choice, but did it work? And that is the question we will explore today.

So, to set the scene, Robbie Williams (Robbie Williams/Jonno Davies/Adam Tucker) had spent most of his life growing up in the small town of Stoke-On-Trent. Living with his mother Janet (Kate Mulvany) and Nan Betty (Alison Steadman) after his father Peter (Steve Pemberton) left to try and be an entertainer. He hasn’t done well at school because he has these lyrics in his head and a drive to be famous. It’s a good thing that his first big break has just strolled into town as Nigel Martin-Smith (Damon Herriman) is looking for boys to be part of a new band, Take That, which is Robbie’s chance to get out of this town and make something of himself.   

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Robot Dreams – Movie Review

TL;DR – A warm winter hug while the winds blast all around you.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Robot Dreams Review

One of the many strengths of animation is how easier it is to translate across cultures and languages. There are a lot of examples, maybe most notably, that show that with sound localization, the skies are the limit. But what if not even the language was a barrier?

So, to set the scene, it is 1984 in New York, and Dog sits alone at night eating his microwaved meal. In his loneliness, he sees an ad for a companion robot, and phone orders it right away. One building montage that would put Ikea to shame later, and while pigeons watch, Robot is created. So, Dog takes Robot on a tour of the city, but things go wrong on a trip to the beach when Robot breaks down, and Dog can’t get to him.

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