Category Archives: Movie Reviews

Fallout: The End – TV Review

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TL;DR – This first episode very much captured the vibe, even if the pacing didn’t quite hold up to the end.

Rating: 4 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

End Credit – There is a mid-credit sequence.

Kids play as the bombs drop behind them.

Fallout Review –

Well, this is an interesting one for me. Back in the days of Fallout 3, I devoured this series and this world, but since then, I fell off this world. Maybe its bleakness just didn’t quite do it for me with the current world. However, the thought of a tv series did intrigue me, and Silo recently showed it can be done. With that, I took some tentative steps into the post-apocalypse world to see if it would start a flame in my heart.  

So to set the scene, we open in 2077; that feels like it is a world of the past that is close but not quite like the one we have today, yet actually the future. After a series of resource wars, the USA and China are on the brink of apocalypse, and it is on everyone’s mind as Cooper Howard (Walton Goggins) appears as a cowboy at a local child’s birthday party. Which sadly, it comes to pass as multiple nuclear explosions destroy Los Angeles as Cooper rides off with his daughter on a horse. Two hundred nineteen years later, Lucy MacLean (Ella Purnell) lives in Vault 33, one of the few places that survived the carnage. Her dad, Hank MacLean (Kyle MacLachlan), is the overseer of the Vault, and the day of her wedding is a big event for everyone. However, the tri-annual visit from Vault 32 does not quite go according to plan. Now from here, we will be looking at the series as a whole, so there may be [SPOILERS] ahead.    

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The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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Monkey Man – Movie Review

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TL;DR – An explosive and raw revenge film that leaves nothing in the tank as it explodes in a riot of action.

Rating: 4 out of 5.

Disclosure – I paid to watch this film

Warning – Contains scenes that may cause distress.

Kid dressed in a monkey mask.

Monkey Man Review –

When it comes to the Revenge genre, they can be a bit hit-and-miss. You have to get the audience to sympathise with your protagonist because if they don’t, well then all that violence starts looking bad. The best example of this in the modern era, John Wick, a film which gets name-checked here, and is an excellent example of doing this right. Well, today, we might be able to add a new entry to that list.

So to set the scene, we open with a mother telling her son about the legend of Hanuman. But in the present, that boy does not have a name. He is Kid/Bobby/Monkey Man (Dev Patel) who spends a lot of time throwing cage matches for Tiger (Sharlto Copley) wearing a monkey mask. It is a brutal occupation, but it gets Kid the money to enact his plan, starting with getting into the ground floor of Queenie’s (Ashwini Kalsekar) very illegal but very popular entertainment business. Because Kid has a mission, and that is to bring pain to the people who cause his family harm.

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The Wages of Fear (Le Salaire de la Peur) (2024) – Movie Review

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TL;DR – While there is a solid narrative framework for the action, we end up with a film that has more missed opportunities than times they cut to jiggling nitro canisters.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A oil pump explores.

The Wages of Fear Review –

Today, we are looking at a remake of a classic novel and a classic film. I have not watched or read the original, but even then, their legacy looms large. Getting a second or third but at the apple can be an advantage because you have seen where things have not worked before, but then, when you are walking on the same ground as a classic, you might be lurking in dangerous territory.

So to set the scene, we open in the middle of the North African desert as pursuers ambush two cars from World Wide Heath and are just able to get into a local village before getting overrun. But a single stray bullet was enough to take out the local gas well. If the fire spreads, it will take out the entire village. They have only 24 hours to get enough nitro-glycerine to explode the gas pocket. Fred (Franck Gastambide) does not want to risk the ride through occupied territory; good thing the head of the oil company, Anne (Astrid Whettnall), had the perfect leverage, Eric (Alban Lenoir), Fred’s brother stuck in jail for a crime, Fred committed.   

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The Spider Within: A Spider-Verse Story – Movie Review

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TL;DR – A short but powerful look at our own demons.

Rating: 4 out of 5.

Disclosure – I watched this on Sony’s YouTube.

Warning – Contains scenes that may cause distress.

The world crushes in on Miles.

The Spider Within Review –

As we patiently wait for the third part of the Spider-Verse series after Into the Spider-Verse and then Across the Spider-Verse, it was nice to hear that we were getting a short film in the universe. This is an excellent idea because you can keep the interest in the series up while getting to tell some more intimate stories that might not have fitted in a large feature. With that in mind, let’s dive into The Spider Within.

So to set the scene, Miles (Shameik Moore) is walking home, but is feeling the weight of all his different worlds crushing in on himself. His schoolwork is floundering, but he is out saving the world, and that disconnect can only continue for so long. Not even his father (Brian Tyree Henry) and his offer of pizza and scary movies can help. But what happens when that disconnect breaks down?

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Godzilla x Kong: The New Empire – Movie Review

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TL;DR – While this is more of a Kong film, I love that they leaned into the camp, but some hollow aspects held it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

Kong finds a realm under Hollow Earth.

Godzilla x Kong: The New Empire Review –

One of my joys in recent years has been the big Kaiju punch-em-up that has been the Monsterverse. There is just a lot of fun seeing two giant creatures rumble their way through a city. But now that we got the big team-up film last time, the question then becomes: where do they go from there? Well, that is the question we will look at today.

So to set the scene, at the end of Godzilla v Kong, Godzilla becomes the alpha of the surface world, and Kong becomes the alpha of Hollow Earth. A sort of detente that exists only if nether of the two strays into each other’s territory. But when Kong heads up to get some dental surgery, and Godzilla starts ripping out nuclear reactors in Europe, it feels like something is coming their way. This is then when we ask the question: Is Hollow Earth as far down as you could go?

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Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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Control – Movie Review

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TL;DR – While it has an intriguing concept at its heart, some serious technical issues and casting choices torpedo what could have been an engaging narrative.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits.

Disclosure – I was sent a screener of this film.

Stella looking into the camera.

Control Review –

Today, we are looking at a film that feels very in the now. It is looking at self-driving cars and the potential loss of control when we hand security over to technology for our own comfort. There is a lot of scope to do something interesting with that scenario that is not working in the bombast seen in films like The Fate of the Furious.

So to set the scene, after a long meeting and press, Prime Minister David Addams (Mark Hampton) lets Home Secretary Stella Simmons (Lauren Metcalfe) take his daughter Evie (Eire Farrell) home. Of course, things are slightly awkward because David and Stella are having a very public affair. It should be a simple trip, that is, until someone hijacks Stella’s self-driving car. There is a voice (Kevin Spacey) who is very unhappy with Stella and now has complete control over her vehicle.     

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Kung Fu Panda 4 – Movie Review

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TL;DR – While it is always lovely to see Jack Black back in this role, unfortunately, the outing, while still fun, did not have the energy of the previous entries.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Po sitting under a flowering peach tree trying to meditate.

Kung Fu Panda 4 Review –

One of the joys you get is when you have a solid franchise that hits on every entry. A company that does that generally quite well is DreamWorks. Sure, not everything is a Shrek, and occasionally you get a Shrek 4, but they are always entertaining and occasionally you get a How to Train Your Dragon. In that space were the Kung Fu Panda films, which I thoroughly enjoyed, so I was excited to see we were getting a new one, if only for Jack Black’s energy alone.   

So to set the scene, it has been some time since Po (Jack Black) took on the full mantle of Grand Master at the end of Kung Fu Panda 3, and he is now defending the Valley of Peace by himself as The Furious Five leave to follow personal missions. It is in this space that Master Shifu (Dustin Hoffman) informs Po that he must choose his new successor as Dragon Warrior. Po does not want to give up the mantle that he has worked so hard for and become the spiritual leader of the valley. However, when word gets to him that Tai Lung (Ian McShane) has returned and is causing havoc, Po knows an adventure when he hears it. Thankfully, Po has a new guide in Zhen (Awkwafina) to help him tackle the real threat, the sorceress Chameleon (Viola Davis).

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The Moon Thieves (The Moon Thi4v3s, Dao yue zhe, 盜月者) – Movie Review

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TL;DR – While the plot will not be a great surprise to anyone who has watched a heist film before, the cast makes it a fun ride.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid to see this film.

The interior of a watch.

The Moon Thieves Review –

Long-time readers will know that I love a good heist film, the set-up, the mission when it all goes to pot. However, I have seen how many Western filmmakers have explored the genre, and that is just a tiny section of the filmmaking community. Today, we will start fixing this by looking at a film out of Hong Kong about the surprising world of counterfeit watches.

So, to set the scene, Vincent Ma (Edan Lui) is known in the counterfeit business as someone who creates frankenwatches. These are watches made from original parts but cobbled together for many different watches. This is a lucrative, if dangerous business, even more so when he is called upon by the local crime lord Uncle (Keung To), who is the son of the original Uncle but kept the name. Uncle needs Vincent and Chief (Louis Cheung) to put a group together to replace and steal three precious Picasso watches that have been found in Tokyo. Vincent does not want to do this, but he has no choice. But then, this introduction to a broader criminal world might be just what he needs for his ultimate goal: to find the lost Moon Watch, the first watch worn on the Moon by Buzz Aldrin.

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