Primitive War – Movie Review

TL;DR – Few films can sell me on a premise alone, but what if Dinosaurs were in the Vietnam War is 100% the way to go about it.

Rating: 4 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes with flashing lights.

A boat glides up a Vietnamese river.

Primitive War Introduction

Every now and again, you find a film that has been laser-focused on your interests. For me, you must work to make me not interested once you have mentioned the word dinosaurs. Start with the premise ‘what if dinosaurs suddenly showed up in the middle of the Vietnam War’, now you don’t just have my interest, you have my full attention

So, to set the scene, it is 1968, and the Vietnam War is in full swing. In the middle of the war, a Green Beret platoon was sent into a jungle valley to find out what the Russians were doing there, only for none of them to return, and a final radio call was cut off halfway through. General Amadeus Jericho (Jeremy Piven) needs the information the recon team collected. Still, he can’t have it known, so he sends in the Vulture Squad led by Ryan Baker (Ryan Kwanten), as they are a bunch of misfits. They find the remains of the Green Berets, but also an unusually large feather. It is clear that the Green Berets were not able to finish their recon before they were taken out, so the Vulture Squad trek into the jungle to find the Russian base, not realising what might be waiting, hiding, stalking in the bushes.  

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Interceptor – Movie Review

TL;DR – A one-dimensional film that gives the narrative nowhere to hide, thus revealing its flaws at every stage.   

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this video.

A terrorist stares through a window in a door.

Interceptor Review

There are some films that you know were filmed in Australia without checking. It can be the supporting cast being filled with characters actors you have grown up with, or it could just be the specific energy the film gives off. Today, we look at just such a film, also one that might just have a significantly higher opinion on the ability to shoot down nuclear weapons than what is born out in reality.  

So to set the scene, we open with a military base under attack, a substantial military base because Fort Greely in Alaska is one of only two places where America can launch interceptors to shoot down nuclear weapon attacks from Russia. On the only other INTERCEPTOR base, the floating SBX-1, Captain JJ Collins (Elsa Pataky) is returning after a battle with the US Brass around sexual assault, which is when they discover that first that Greely has gone dark and then that Tavlinka, a nuclear facility in Russia, has been attacked and terrorists have stolen 16 nuclear weapons. Those weapons are now aimed at America, looking to take out 16 major cities like Los Angeles and Boston. JJ and the base commander Colonel Marshal  (Rhys Muldoon), began preparations to lock down the base when they discovered the hard way they had been infiltrated by the terrorist as well. Now JJ has to fight for her life to stop America from being attacked.                           

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TV Review – Picnic at Hanging Rock

TL;DR – A surreal experience that plays on the power structures of the time, an important retelling of an Australian classic that everyone should watch.

Score – 5 out of 5 stars

Picnic at Hanging Rock banner

Review

What happened to the girls at the Hanging Rock?” It is one of the most famous questions in Australian mythology. Was there foul play, did they run away, was it something out of this world? The book by Joan Lindsay and the fictional yet presented as the real account is one of the most important works of literature to out of this fair country, and it was turned into a very successful film in 1975. Well, that was over forty years ago and today we have a new take at adapting the classic book into a mini-series format. Today we take a look at the world at the turn of the twentieth century, a world of pomp and ceremony, and a world of oppression and conformity.

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