Tag Archives: American Cinema

Guillermo del Toro’s Pinocchio – Movie Review

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TL;DR – A work of art that hits on every emotional level from start to finish.    

Rating: 5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Pinocchio but just a puppet.

Guillermo del Toro’s Pinocchio Review –

Some names instantly intrigue you when you hear they are attached to a project. Which is entirely what happened when I heard that Guillermo del Toro was going to make a Pinocchio film. This alone was enough to interest me. Then you discover that it will be an animated film, not just that, a stop-motion animation film, and the masters of puppets, The Jim Henson Company, will produce it. Well, that is a combination that could not be missed, and I am fundamentally glad I watched it.   

 So to set the scene, master craftsman Geppetto (David Bradley) lost his only child Calro (Gregory Mann), during the Great War when he was only ten years old. A stray bomb destroyed the church that they were working in, and it is a loss that he has never recovered from. Sometime later, Sebastian J. Cricket (Ewan McGregor), a travelling cricket, came to live in the tree planted at Carlo’s grave and watched as a drunk Geppetto laments over his lost son. But as that is happening, some old spirits from the forest who typically ignore humanity hear the pleas of the grieving father and when he cuts down the pine tree that was planted at the grave to turn it into a puppet. So The Wood Sprite (Tilda Swinton) looks over the creation and then brings that puppet Pinocchio (Gregory Mann) to life.   

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Slumberland – Movie Review

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TL;DR – A film that might have some of the most out-there performances I have seen but was missing a bit of substance in places.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

Flip and Nemo dance in the streets of a glass city.

Slumberland Review –

Grief is always a complex emotion for a film to land. Sure, you can phone it to get some emotional engagement from your audience, but if you want to tap into something more profound, that is a lot of work. Add to this the nuance needed when building a film directed towards a younger demographic, and you get the film we are looking at today.

So to set the scene, we open on a lighthouse on an island where Nemo (Marlow Barkley) lives with her father, Peter (Kyle Chandler). Nemo knows everything about the lighthouse, and every night Peter tells her stories of Flip (Jason Momoa) and the adventures they had when he was a kid. But when Peter is lost at sea during a rescue, Nemo must leave the lighthouse and live with her uncle, whom she never met and who lives in the city. No one is happy with this move. However, when Nemo goes to sleep, she is surprised when her soft toy pig comes alive, and even more so when her bed wakes up and smashes out of her window, taking her back to the lighthouse, but not quite as she remembers it, and someone from her father’s past is waiting for her.     

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A Knight’s Tale (2001) – Exploring the Past

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TL;DR – A delight, a joy, a battle, and a film for the ages. 

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene.

Disclosure – I paid for the Paramount+ service that viewed this film

lying on a bed of furs.

A Knight’s Tale Review –

As I sit here at the time of writing, it is the night of Christmas Day, and I am not seeing any family today for the first time in a while. While I have never minded that isolation, it brings a certain melancholy on days like this. However, it also brings a particular reflective thought. It is in that mood that I thought I would take a moment and look back at an icon from my childhood, a film that still sits on my Top 10 films of All Time List.  

So to set the scene, and let’s just use the title card of the film itself, “In medieval times a sport arose. Embraced by noble and peasant fans alike, though only noble knights could compete. The sport was jousting.”. In this world, we meet three lowly squires of Sir Ector (Nick Brimble), who has unfortunately died before he can win the tournament. William Thatcher (Heath Ledger), Roland (Mark Addy), and Wat (Alan Tudyk) must move quickly because they have not eaten in three days, and they are about to forfeit the match. William decided to ride in his place, but you must be of noble birth to compete, so if they are discovered, it’s to the gallows they go. But if you can pull this off, maybe you don’t stop at just one tournament.    

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Ghostbusters: Afterlife – Movie Review

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TL;DR –  It unravelled a bit at the end, but I enjoyed the ride up till then.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

The family sit on a broken car.

Ghostbusters: Afterlife Review –

With our next catch-up film, we get to go back to a movie released on New Year’s Day in 2022. I had meant to watch this well before this, but there was a lot of toxicity around the film building up to release, which put me off a bit, and it never worked into the schedule until now. But what failed at Halloween is now ready at Christmas, and it is time to dive in.  

So to set the scene, on a stormy night at Shandor Mining Co., a man leads an invisible entity back to his farm. He tries to catch it, but the power fails, and the creature attacks before he can recover. With his death, his farm in Summerville, Oklahoma, reverts to his estranged daughter Callie Spengler (Carrie Coon), who is in financial struggle and moves out there with her daughter Phoebe Spengler (Mckenna Grace) and son Trevor Spengler (Finn Wolfhard). They were hoping to be able to sell the place, but nothing is straightforward, and they have to stay for a while. Things are going okay, but for the daily earthquakes with no source. That is until Phoebe finds her grandfather’s old ghost trap, and she, her friend Podcast (Logan Kim), and teacher Gary Grooberson (Paul Rudd) open it up and let out a coming doom.  

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Blacklight – Movie Review

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TL;DR – An action film that wastes a lot of its runtime, forgetting it is an action film.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

Flags at Washington DC

Blacklight Review –

As we continue our run to the end of the year, I thought I would continue my catch-up by continuing my look at Liam Neeson’s after yesterday’s Memory. This time around, we have an action film where Liam is an undercover expert caught up in a grand conspiracy

So to set the scene, we open with a politician Sofia Flores (Melanie Jarnson) is giving an empowering speech about bringing politics back to the people and stopping the cooperate interests that are disenfranchising people. Still, later that night, she is run down by an assassin. Meanwhile, in Rural America, Travis Block (Liam Neeson) is extricating a deep undercover operative from a mission gone wrong. He wants to step away from this life and spend more time with his family, but one last mission to extricate Dusty Crane (Taylor John Smith) goes pear-shaped, and now he is in the fight of his life.  

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Memory – Movie Review

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TL;DR – An interesting concept let down by sloppy execution.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

bullet smashes through a window.

Memory Review –

As we gallop towards the end of the year, it is time to catch up with the films I had missed along the way. The first of these is Liam Neeson playing an assassin with early onset Alzheimer’s, and while that is a set-up that is at the very least intriguing.

So to set the scene, Alex Lewis (Liam Neeson) is a hitman for hire and has no compunction murdering a son while his mother sits in her hospital bed, unable to do anything but watch. The only issue is that he has early onset Alzheimer’s, a problem in his line of work where there is no such thing as retirement. This all comes to a head when Alex is tasked to take out Ellis Van Camp (Scot Williams) in El Paso, Texas. However, he didn’t know the next target was Beatriz Leon (Mia Sanchez), a young sex-trafficking victim, who should be off-limits. But you don’t say no to people like this.        

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DC League of Super-Pets (Super Pets) – Movie Review

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TL;DR – A generally fun film, even if it does lack some of the substance of its contemporaries    

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to watch this film

Krypton pokes Clark Kent.

DC League of Super-Pets Review –

To say that DC has had a rough couple of years at the movies would probably be a tremendous understatement. In the last couple of years, we have entered a phase where it has felt like they were throwing everything at the wall, seeing what would stick. Well, when you do that, eventually something will land, and today we look at just such a film.

So to set the scene, as Krypton starts collapsing, Jor-El (Alfred Molina) and Lara (Lena Headey) stuff their son into an escape pod so that one person may escape their doom. But as the capsule closes, the little child’s puppy jumps in unexpectedly. Many years later, on Earth, that little boy Kal-El is now Clark Kent, better known as Superman (John Krasinski), who fights crime with his trusty companion Krypto (Dwayne Johnson). However, when Lulu (Kate McKinnon), an old lab guinea pig of Lex Luthor (Marc Maron), captures some Orange Kryptonite and talks all the superheroes hostage. Krypto and a ragtag team of animals, Ace (Kevin Hart), PB (Vanessa Bayer), Merton McSnurtle (Natasha Lyonne), and Chip (Diego Luna), have to fight back and save Metropolis.     

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Avatar: The Way of Water – Movie Review

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TL;DR –  A visual masterpiece and powerful themes mark a solid return to Pandora   

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

Swimming with the Tulkun

Avatar: The Way of Water Review –

Back in 2009, I might not have gotten all the themes Cameron was dropping, but I felt the power of narrative and the world of the first Avatar. However, I will be honest in that I have not really thought much of the film much since then. Every couple of years, there were mentions of going back into the universe, but they never eventuated. Well, I was surprised as everyone when this finally started coming together 13 years later, but then I re-watched the first Avatar in the cinemas and was reminded how good this world was. That screening primed me to return to Pandora, and I am glad I did.

So to set the scene, in the years since pushing the sky people back into orbit and skulking back to Earth, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) have started a family and live with the rest of the Na’vi people in the forests. But after many years of peace, the sky people return and begin a literal scorched earth policy. Jake fights back, but when his kids Neteyam (Jamie Flatters), Kiri (Sigourney Weaver), Spider (Jack Champion), Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss) are put in the line of fire as the family is directly targeted, they decide to leave to limit reprisals. However, no matter how far you run, your responsibilities or a genetically resurrected hellspawn that will try to hunt you down.

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Puss in Boots: The Last Wish – Movie Review

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TL;DR – A fun delight of a film that goes hard thanks to the charisma of Antonio Banderas   

Rating: 4 out of 5.

Post-Credit Scene – There is something after the credits, but you do not need to stay for it

Disclosure – I was invited to a screening of this film

Goldilocks and the three bears.

Puss in Boots: The Last Wish Review –

When I think back, there will always be a soft spot in my heart for the Shrek series, even the later films that did not quite hit the same mark. The characters and world were always a delight as they took what was familiar and made a modern twist to it. One of those characters that shined was Puss in Boots, and today we see if they hold a whole film together with the sheer force of will that is Antonio Banderas’ charisma.

So to set the scene, Puss in Boots (Antonio Banderas) is galivanting around the world and is having a ball drinking, dualling, and having many musical interludes. In one such town, he usurps a Governor’s mansion and would have gotten away with it had it not been for a forest giant and a misplaced bell. Puss is on his last life, which should not be a problem until the Big Bad Wolf (Wagner Moura) arrives, wanting to take that final life. Running from the threat, Puss becomes an average lap cat which almost works until he hears of a fallen star and a hope that the one final wish could restore his lives. But he is not the only one out for that wish.

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The Mummy (1999) – Exploring the Past

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TL;DR –.While some parts of the film have not aged well, it is still a fun romp from start to finish.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan service that viewed this film.

Camels in the desert crossing sand dunes.

The Mummy Review –

There are those films from your childhood that should stay there because revisiting them can never come back to those heights. One of those films is The Mummy. I have fond memories of over everyone crowding around the VCR to watch it and then the unfortunate moment when someone decided to hand out tea and coffee. Every couple of years, I will think about watching it again but then wonder if too much time has passed. But then, when they keep remaking it both in name with The Mummy and in spirit with films like Jungle Cruise means that no matter what, there is a core here that is timeless.

So to set the scene, in Thebes, the capital of the Ancient Egyptian Empire in 1260 BC and home to Pharaoh Seti I (Aharon Ipalé) and his High Priest Imhotep (Arnold Vosloo). One fateful day, the Pharaoh’s mistress Anck-su-namun (Patricia Velásquez) and the priest were caught in their affair when Imhotep brushed the makeup from her shoulder, and they struck the Pharaoh down with his own blade. Soon they were all captured at Hamunaptra, the City of the Dead, and cursed for their crimes. In 1923 AD, Hamunaptra is at most a ruin, but for many, just a legend. But the French Legion found it and was massacred, with only Rick O’Connell (Brendan Fraser) and Beni Gabor (Kevin J. O’Connor) surviving to tell others of the treasure and curse that may await you there. Three years later, one Evelyn Carnahan (Rachel Weisz) might just take them up on that.

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