Tag Archives: American Cinema

Fast & Furious 9 (F9) – Movie Review

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TL;DR – It is the bombast that you expect from these films, full of family and of course lots of cars.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of the film.

Fast & Furious 9. Image Credit: Universal Pictures.

Fast & Furious 9 Review –

I am going to be honest. I did not get The Fast Saga for a long time. They were these big grandiose films that were inherently silly yet played so seriously. But many of my friends swore by it, which left me intrigued. So when The Fate of the Furious was announced, I thought it was time to give it another go, and it was watching that film that I finally understood what this was all about. I have now watched every movie in the franchise, so I was ready to dive into a new film with all that combined knowledge, well at least I thought I was ready.        

So to set the scene, we open up in 1989, as NASCARs race around the track, screeching their tyres along the route. As one car pulls in, we see a young Dominic Toretto (Vinnie Bennett) helping out his dad Jack (J. D. Pardo). However, tragedy strikes and in an instant, Dom’s life is changed. Back in the present, Dom (Vin Diesel) and Letty (Michelle Rodriguez) have left the world of car-spy-shenanigans to stay on a farm and raise Brian (Isaac Holdane/Immanuel Holdane). However, one morning a car arrived baring Roman (Tyrese Gibson), Tej (Chris’ Ludacris’ Bridges), and Ramsey (Nathalie Emmanuel) because Mr Nobody’s (Kurt Russell) plane has crashed and there is a new operative on the scene, one with ties to Dom’s past.

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Hitman’s Wife’s Bodyguard (The Hitman’s Wife’s Bodyguard) – Movie Review

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TL;DR – More of the same, so if you know how you feel about the first film, well, not much has changed    

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene and something at the end.

Disclosure – I paid to watch this film

Hitman’s Wife’s Bodyguard (The Hitman’s Wife’s Bodyguard). Image Credit: Roadshow Films.

Hitman’s Wife’s Bodyguard Review –

A few years ago, there was this small weird film that slipped into cinemas. The Hitman’s Bodyguard was a fairly average action film, with all the narrative beats that you would expect. However, with some good cinematography, action set pieces, and a cast that bought entirely into the premise, it turned out to be more than the sum of its parts. I wondered if they could capture that same energy twice, and the answer is both yes and no.

So to set the scene, Michael Bryce (Ryan Reynolds) is no longer an AAA-rated executive protection agent, as the organisation took umbrage that he took a bullet for a known hitman. After some counselling from his therapist (Rebecca Front), he decides to instead of waiting for the review board he would take a sabbatical from bodyguarding and fly to Capri for a relaxing holiday. Which lasts about five seconds until Sonia Kincaid (Salma Hayek) arrives guns blazing as the Mafia has captured Darius Kincaid (Samuel L. Jackson), and only Michael can set him free.

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In the Heights – Movie Review

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TL;DR –  It captivates you in the first moments and never lets you go until the very end.   

Rating: 4.5 out of 5.

Post-Credit Scene – There may be a post-credit scene

Disclosure – I was invited to a press screening of this film.

In the Heights. Image Credit: Warner Brothers.

In the Heights Review –

If there is one genre that has kind of disappeared from movie screens, it is the musical. Looking back, the last proper musical I saw on the big screen was The Greatest Showman. But something is exciting about being in a room full of people as the music and emotions wash over you. That moment when a song hits all the right notes, and you feel that emotion in your soul.  Today, I get to add another entry onto this list with the sheer delight that is In the Heights.

So to set the scene, we open with Usnavi de la Vega (Anthony Ramos) sitting on a beach telling a bunch of kids the story of the land of Washington Heights in the far off city of Nueva York. Here we see Usnavi go about his day, looking after his Abuela Claudia (Olga Merediz), opening up his bodega with his cousin Sonny (Gregory Diaz IV), and striking out with Vanessa (Melissa Barrera) while Sonny and his best friend Benny (Corey Hawkins) watch on. But something is happening on the street today, Kevin Rosario’s (Jimmy Smits) daughter Nina (Leslie Grace) is coming back from Stanford, and everyone is ready for the celebration.

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Army of the Dead – Movie Review

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TL;DR – This film is like a shotgun of ideas slapped up on the screen, and none of it lands. 

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film

Army of the Dead. Image Credit: Netflix.

Army of the Dead Review –

I need to start this review with a little proviso about filmmaker Zach Snyder, the director, writer, and cinematographer of this film. I do think he can be a great filmmaker because when his particular style lines up with the right narrative, you can get great films like 300. Unfortunately, you need someone to help channel that style, or you get a bloated mess of a film, and I think we are in the latter today y’all.

So to set the scene, we open in as a military convoy with a high-value cargo leaves Area 51, transiting it somewhere safer. However, when a driver on an oncoming car becomes “distracted”, their car crashes into the convoy killing many soldiers. But just as the survivors regroup, something comes out of the cargo and rips them all to pieces. That would be bad, but what is worse is that those once dead come back alive, and Las Vegas waits over the horizon. Sometime later, after the government lost the battle and instead decided to wall off the infected town, a mysterious businessman called Bly Tanaka (Hiroyuki Sanada) enlists the help of Scott Ward (Dave Bautista) and his team to break into the city. Because there is a lot of money left in those casinos, and you might as well take it before the government nukes the place.

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Those Who Wish Me Dead – Movie Review

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TL;DR – While it starts a bit muddled, it soon picks up, and the third act had me on the edge of the seat.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of the film.

Those Who Wish Me Dead. Image Credit: Warner Brothers.

Those Who Wish Me Dead Review –

I am not sure what you feel when you hear the word ‘firestorm’, but for me and I think many Australians, there is a visceral terror as we have all seen that all-consuming force. We know that destruction, year after year, so when you set a film in this world, there is a kind of instant buy-in as to the danger from the moment that first spark gets set off. But for a movie to work, it needs to be more than that, which is what we get this week. 

Set the scene, we open with a group of firelighters jumping out of a plane and parachuting down into the oncoming storm. They’re smokejumpers, and they are trying to make a firebreak and shore up the defences when the wind turns the fire directly at them. A year later, two men walk into the house of a district attorney in Fort Lauderdale, and minutes later, the house explodes, killing the whole family. Back in Jacksonville, Owen Casserly (Jake Weber), a forensic accountant, is getting his son Connor (Finn Little) ready for the day when he sees the news and immediately knows he is next. The two flee to Montana, where Owen’s brother-in-law Ethan Sawyer (Jon Bernthal) works as a sheriff, but just as they get close, the two men Jack (Aidan Gillen) and Patrick (Nicholas Hoult), attack.  

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Fatale – Movie Review

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TL;DR – A film with a solid concept that hits hard early and then gives diminishing returns after that.    

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Fatale. Image Credit: Universal Pictures.

Fatale Review –

When writing a movie, I would take it that one of the more difficult parts of any screenplay is to know when that wow moment will be and how that moment affects the whole film. I think we have all watched that movie where that wow moment has fallen flat, or when it came at the wrong part of the film. Well, today, we have an interesting case of a movie making a big statement with its wow moment that had me on the edge of my seat and then did very little with it from that point onwards.

So to set the scene, Derrick Tyler (Michael Ealy) is a basketball agent who has worked to build his company from a small operation to one of the big players in the industry. But while his professional life is reaching for the heights, his marriage with Tracie (Damaris Lewis) is on autopilot. All of this is made worse when Derrick, enabled by his business partner Rafe Grimes (Mike Colter), has an affair with a woman in Las Vegas. This was a turning point for Derrick, but he has to look in horror when the women Val Quinlan (Hilary Swank) turns out to be Detective Val Quinlan.

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The Mitchells vs. The Machines – Movie Review

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TL;DR – A blast from start to finish

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene, but like a lot of work went into the credits, and there are some snippets of stuff here and there.

Disclosure – I paid for the Netflix subscription that viewed this movie info here

The Mitchells vs. The Machines. Image Credit: Netflix.

The Mitchells vs. The Machines Review –

For the longest time, Sony Animation was this studio that shows immense potential, but they always seemed to be chasing trends, which never led them to make anything that stood out. The Cloudy with a Chance of Meatballs showed they had potential, but then Spider-Man: Into the Spider-Verse came out of nowhere and exploded onto the screen. Now, Sony Animation was setting the trends, and it made me wonder where can they go next. Well, today, we get to see that with the charmingly odd The Mitchells vs. The Machines.

So to set the scene, the Mitchells are your standard quirky/dysfunctional family heading towards their first major crisis. As time has gone on, father Rick (Danny McBride) and daughter Katie (Abbi Jacobson) have become equally frustrated with each other, and no amount of work from mum Linda (Maya Rudolph) and brother Aaron (Mike Rianda) can fix this divide. However, Katie is about to go across the country to college, and if she leaves while the relationship is still broken, well, that could be irreparable damage. Well then, the family decides to make one last-ditch effort to fix the unfixable by going on a long road trip to drop Katie off at college, on the same week that techbro Mark Browman (Eric Andre) of PAL Labs inadvertently starts a robot invasion after upsetting his AI PAL (Olivia Colman).   

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Mortal Kombat (2021) – Movie Review

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TL;DR – Gory, gruesome, and yet also just a ton of fun.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Mortal Kombat. Image Credit: Warner Bros. Pictures.

Mortal Kombat Review –

When I was growing up, Mortal Kombat was this illicit thing that everyone knew about because the adults kept trying to get it banned. A baby Brian’s first experience with the Streisand Effect. So when you got to play it, well, it was almost an act of defiance, which of course, added to its appeal. As time when on, it mostly faded from my radar, and the two past films did not help, well more the second, the first still had the banging soundtrack if nothing else. But when you hear that they are doing a remake holding nothing back … well, this is something you need to check out.

So to set the scene, we open in on 1617, Japan, at the house of Hanzo Hasashi (Hiroyuki Sanada) and his family. Hanzo is the Shirai Ryu ninja clan leader, and as such, his home is well protected from threats. However, one fateful day while he was out fetching water, Bi-Han (Joe Taslim) of the Lin Kuei assassins arrived and killed all the guards and Hanzo’s family. They fight, but Bi-Han uses his ice to win the day and stop the prophecy of Hanzo’s bloodline being Earth’s salvation. Well, almost, as Lord Raiden (Tadanobu Asano) arrives, he hears a cry call out from the house, for a baby had been hidden away and was saved from the slaughter. Today, Cole Young (Lewis Tan) is just going about his life as an MMA fighter when that birthmark shaped like a dragon turns out to be a bigger deal than he ever thought.

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The United States vs. Billie Holiday – Movie Review

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TL;DR – A film with one of the best individual performances I have seen in a long time, bolstered by an amazing supporting cast but ultimately held back by some odd stylistic choices.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Warning – Depicts scenes of abuse.

Disclosure – I was invited to a screening of this film.

The United States vs. Billie Holiday. Image Credit: Universal Pictures.

The United States vs. Billie Holiday Review –

Billie Holiday has one of those voices that you can instantly pick out. It has this uncanny ability to be soft and harsh all at once. When writing this review, I wondered when the first time was I had heard a recording of her performing? And it could have been off one of my grandfather’s records as he always had Jazz and Big Band playing. Or at the very least, it was on one of the radio stations in Fallout. But knowing about her voice, I realised before watching this film that I did not know much about her life at all. Well, today, I help fix that with a movie that charts some of the struggles she faced.

So to set the scene, we open with an older Billie (Andra Day) as she and her manager Miss Freddy (Miss Lawrence), sits down with interviewer Reginald Lord Devine (Leslie Jordan) to chart her life and explore why the government is so opposed to her. Well, we flashback in time to 1947, as a young soldier Jimmy Fletcher (Trevante Rhodes) makes his way to a jazz club in New York City where Billie is about to perform a complete set, including the one song no one but the audience wants her to sing Strange Fruit. Someone who especially wants her to stop the song is Agent Harry J. Anslinger (Garrett Hedlund) from the Federal Bureau of Narcotics.

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Love and Monsters – Movie Review

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TL;DR – While it never quite gets to the heights it aims for, it is still a delightful ride with some stunning effects.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film.

Love and Monsters. Image Credit: Netflix..

Love and Monsters Review –

There are times when people can be stringent around how films can be categorised. Then films can come along and blow those strict delineations apart. You see it in movies like Zombieland or Warm Bodies, and we see it again today in the film we are about to look at.   

So to set the scene, in the near future, there was an asteroid Agatha 6-1-6 hurtling towards Earth. The governments grouped together to shoot it out of the sky, which they did. Unfortunately, the chemicals they used in all those rockets fell back down to Earth. They contaminated and mutated all the cold-blooded animals, from ants to crocodiles and everything in-between. While the militaries and the giant mutants wiped each other out, 95% of the world’s population died, leaving only those who were able to find security in bunkers. One of the survivors was Joel Dawson (Dylan O’Brien) from Fairfield, California. He made it to safety, but he has a habit of freezing in front of the monsters, not a good long-term survival trait. After an incursion into their bunker, Joel makes up his mind to go out into the world make the trek 90 odd miles to where his old girlfriend Amiee (Jessica Henwick) now lives. Ninety miles of infested territory that is trying to kill everything.

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