TL;DR – While this film means well, you can also feel like the scenario presented is not a lived experience for the creatives behind the screen, as the focus is in the wrong place.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Good Fortune Review Introduction –

Today, we are looking at a film that is a bit of an odd duck all around. It is a film marking Aziz Ansari’s return from a self-imposed exile of only doing stand-up. A reinvention of sorts. It feels like an old-timey morality tale while also desperately trying to be relevant in the now. Also, it wants to be a comedy, but also wants to shine a light. Honestly, it is doing a lot of things; the question is, can it pull all these juxtapositions off?  

So, to set the scene, Gabriel (Keanu Reeves) is a guardian angel, sort of, well, only just. You see, he is not able to make any grand changes, because he is just the angel of texting while driving, giving a helping hand to look up before they crash into something. It is here that Gabriel finds Arj (Aziz Ansari), a man living in his car, working in the gig economy, and trying to find a way out, when all the cards are stacked against him. Well, what if Arj got a taste of what it would be like being rich, so he could learn that his current life has more purpose? Okay. But what Arj doesn’t want to change back?