Tag Archives: Drama

The Moon (더 문/Deo Mun) – Movie Review

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TL;DR – A film that is fundamentally frustrating, but even with all that, you can’t help but get caught up in the emotion.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Warning – contains scenes that may cause distress.

Disclosure – I paid to see this film.

Hwang Sun-woo on The Moon.

The Moon Review –

Today we have a fundamentally exciting film because it strikes two vast divides. On the one hand, it was a compelling work of fiction that captured my imagination and emotions. However, it was also an entirely frustrating endeavour at times. These two halves should not work in the same film, but today we see an example where it does.

So to set the scene, in 2029, five years after South Korea decided to strike out on their own in the space race that led to their first mission exploding and killing all three astronauts, they are back for a second attempt. Everything has gone well as the craft approaches the Moon until a large coronal explosion from the Sun fries everything onboard. Lee Sang-won (Kim Rae-won) and Cho Yoon-jong (Lee Yi-kyung) have exited to fix the ship when tragedy befalls them, and Hwang Sun-woo (Doh Kyung-soo) is left alone on a failing vessel where no one can help.   

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Jesus Revolution – Movie Review

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TL;DR – An interesting exploration of the founding of a movement, but for all its strengths, it did feel like a shallow experience.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I did not pay to see this film.

Chuck Smith gets surprise hugged by a hippie.

Jesus Revolution Review –

Those not living in America might not know that an entire independent-ish scene of Christian-themed films is being produced. While I often get requests for reviews, I tend not to go down that road because there is a whole cultural conflict component that you must wade through, and also, they just tend not to be any good. Much like animation for young children, quality is unnecessary when you can guarantee people will watch it through church networks. But today’s film caught my eye because it has some studio polish behind it, and it also was able to recruit Kelsey Grammer, which was enough to intrigue me.

So to set the scene, it is the 1970s in southern California, and the world is full of the generational divide, war, sex, drugs, and a touch of Rock and Roll. Greg Laurie (Joel Courtney) is in a Junior Reserve Officers’ Training Corps questioning the military mantra that is being fed to him when he sees a girl named Cathe (Anna Grace Barlow), who leads him into the world of counterculture through the medium of a Janis Joplin concert. Meanwhile, in Calvary Chapel, pastor Chuck Smith (Kelsey Grammer) looks out at his dwindling congregation and laments that he struggles to reach the youth who he no longer understands. Well, one day, his daughter Janette (Ally Ioannides) fixes that problem when she gives a lift to Lonnie Frisbee (Jonathan Roumie), a hippie and a gateway to a world Chuck is not ready for.   

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Asteroid City – Movie Review

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TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Mechanics.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.  

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Oppenheimer – Movie Review

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TL;DR – A visual spectacle and a masterclass in dissecting a complicated life.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains a scene that may cause distress.

Exploding Flames.

Oppenheimer Review –

Every now and again, my old life and new life collide in interesting ways. All those years of teaching and exploring Arms Control and Disarmament finally became relevant in my current career. The story of the Manhattan Project is fascinating, as was the life of J. Robert Oppenheimer, whose scope I doubt even three hours can completely cover. But given my general love of Christopher Nolan’s work [see Inception and Dunkirk], I knew I could not miss this one.

So to set the scene, the world is at war as Germany marches across Europe and Japan across the Pacific. This is already a dangerous predicament, but the world of theoretical physics has been running leaps and bounds forward, and everyone can see the endpoint, a bomb, a bomb of devastating potential. What happens if the Nazis get a bomb that can destroy cities? As the world scrambles, only one person in America can lead the Manhattan Project, J. Robert Oppenheimer (Cillian Murphy). However, his past might contain more problems than the government can handle.

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Silo: Machines – TV Review

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TL;DR – The tension ramps up as the power shuts down.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

The Park level in the Silo.

Silo Review –

I think that as a society, we take the connection to water and electricity for granted and would have no concept of what to do if it went out for an hour, let alone more. But what happens when you live deep underground and that power generator is the only thing keeping you from living in the dark, allowing you to breathe … well suddenly, you need to care about it much more.  

So to set the scene, we discovered two very interesting things at the end of Holston’s Pick. First, Holston (David Oyelowo) picked Juliette Nichols (Rebecca Ferguson) to be his replacement as sheriff. Also that Juliette’s late partner found a hidden door in the deep caverns where they hid the machine that dug the Silo. As the mystery abounds, Mayor Ruth Jahns (Geraldine James) and Deputy Marnes (Will Patton) make the slow trip down 140 levels to the bowels of the Silo, where it is not just the generator that is shaking things apart.Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.   

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Poker Face: Season 1– TV Review

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TL;DR – This was a delightful romp across America where we solved a murder each week in almost the same way, and I was captivated for the whole run.

Rating: 4 out of 5.

Disclosure – I paid for the Stan service that viewed this series.

Charlie sees something off.

Poker Face Review –

At times, the modern TV landscape is perpetually stuck in a state of cognitive dissonance. People tend to use the word ‘old-fashioned’ in a pejorative sense as if it has nothing of value to give us. We do this while living in perpetual nostalgia cycles that are morphing into nostalgia spirals. But if there is ever an artist that lives in the overlap between those two extremes, it is Rian Johnson, and I was fascinated to see where this show would go every week.   

So to set the scene, we open in a casino as the maids try to get the rooms ready for the next occupants, or at least clean for the day, when a maid sees something horrifying on a laptop. Something that needs to be reported. So Natalie (Dascha Polanco) tells her boss (Benjamin Bratt), who tells the head of the casino, Frost (Adrien Brody). But instead of protecting her, they did the unthinkable. The only problem is that working in the Casino, Charlie Cale (Natasha Lyonne) has the impeccable talent of always knowing when someone is lying. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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The Last of Us: Look for the Light & Season 1– TV Review

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TL;DR – In a show about the end of the world, this is the first episode to truly explore the levels of violence that could be found in the ruins of the old world.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

Running for safety.

The Last of Us Review –

When I started watching this season a couple of months ago, I came in with some trepidation. To begin with, many video game adaptations had fallen flat because those adapting them didn’t understand the genre or were embarrassed with the course material. Something that had already happened to one of Playstation’s marquee programs. Second, I was just coming off the masterclass of post-apocalyptic fiction with Station Eleven, and I knew I would constantly be comparing the two. But watching this first season, all my fears evaporated in amazement at what I was watching.    


So to set the scene, we open in the woods outside of Boston where a young woman Anna (Ashley Johnson), is running through the trees as screams erupt behind her. She is about to give birth, but the fungus waits for no one, and the walker bursts through a door as the contractions are coming. Fighting the creature off, she gives birth only to see she has been bitten on the leg. She cuts the umbilical cord before contamination could happen and entrusts the little baby Ellie into the care of her best friend Marlene (Merle Dandridge). In the show’s current timeline, Joel (Pedro Pascal) and Ellie (Bella Ramsey) have made it to the outskirts of Salt Lake City, and the end of their journey is near. Now from here, we will be looking at the episode and the season as a whole, so there will be [SPOILERS] ahead. 

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Till – Movie Review

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TL;DR – This is a heartbreaking film that soars thanks to a stunning performance but also struggles to stay out of its own way in parts.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Mamie watches the train leave.

Till Review –

I am not sure there is anyone who is going to see this film that does not know what happened to Emmett Till on that awful day in Mississippi. The question is, how do you come to a movie when your audience already knows every terrible beat coming? Till’s answer to this question is to make every moment land with the force of a hurricane.

So to set the scene, it was Chicago in 1955, and Mamie Till (Danielle Deadwyler) is taking her son Emmett Till (Jalyn Hall) shopping for a new wallet and shoes because he is about to spend some time by himself down in Mississippi with his cousins. Mamie is concerned because he has never spent that amount of time away from her, and the South is not a safe place to be. But Emmett is having a blast with his cousins until he accidentally ‘offends’ a white woman Carolyn Bryant (Haley Bennett), and soon some white men come into his uncle’s (John Douglas Thompson) house and drag him out of bed.

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Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Tár – Movie Review

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TL;DR – A phenomenal performance in a severely dull film   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Records on the floor.

Tár Review –

This will be a difficult film to review because it is a movie of two very distinct parts, performance and narrative. Thus it becomes a work of incredible highs and deep lows, and trying to pass that feels like climbing a mountain. But climb we will as we dive into this fascinatingly frustrating film.

So to set the scene, Lydia Tár (Cate Blanchett) is at the height of her career. She is the first female chief conductor of the Berlin Philharmonic, being asked to do masterclasses at the Juilliard School, she has a book coming out Tár on Tár, and she has a beautiful homelife with her wife Sharon Goodnow (Nina Hoss) and daughter Petra (Mila Bogojevic). But there is a growing sense that Tár is walking on shifting sands as actions of the past start bubbling to the surface.     

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