The Lost Bus – Movie Review

TL;DR – A film filled with tension from almost the opening minutes that keeps you hooked for every spark, every change in wind, and every explosion.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the AppleTV+ service that screened this film.  

Smoke rises over people fleeing.

The Lost Bus Review Introduction

Today is the last day of 2025 movies catch-up before I complete my best of lists [yes, I have said this before, but I mean it this time]. I am catching up on the films of technical excellence that I want to see unfold. The first cab off the rank is a film based on a real event of a fire catching a city unprepared, which does hit a bit close to home as I look out my window at a dry forest sitting there.   

So, to set the scene, the land is parched, the grass is dead, and the trees are tinder in the town of Paradise, California, as it has been 210 days without rain. It is the sort of situation where one spark is all that is needed for tragedy. It is here that local bus driver Kevin McKay (Matthew McConaughey) is not having a very good time at all; he can’t catch a break anywhere. What he does not know is that today is the day that California will experience its worst wildfires in its history so far when wind damages an electricity tower and the sparks set all the grass ablaze. With wind gusting and an isolated location, there is very little anyone can do to stop it from becoming something.       

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The Rip – Movie Review

TL;DR – This is a film that purposely wades into the murky world of drugs, money, and crooked cops. You will never know when the bullets will start flying, but you know for a certainty that someone is going to be shot before the closing credits.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that screened this film.

A cop cruiser approaches at night.

The Rip Review Introduction

Today, we look at a film that is trying to do something different in the streaming space, trying an experiment to re-add residuals back into a system that has systematically ripped them out of the industry. But while the backend mechanics of the film are very fascinating, that doesn’t mean much if the film lacks any substance. That means it is time to have a look and see if it has some depth to it.  

So, to set the scene, we open with Captain Jackie Velez (Lina Esco) of Tactical Narcotics Team (TNT) in Miami getting gunned down in a car park. This sends ripples through the force and agitates Lieutenant Dane Dumars (Matt Damon) and Detective Sergeant JD Byrne (Ben Affleck) as Internal Affairs and the Feds are looking at everyone at the TNT. There is money on the line, and where there is money, there is potential for corruption. All the cops in the department are feeling the pinch, but one of their own just got murdered, and no one seems to care. But when the police are tipped off to a massive stash of cash, everyone’s loyalties will be tested, because what if IA is right and one of them is dirty?   

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KPop Demon Hunters – Movie Review

TL;DR – Half Musical, Half Action Romp, Half Romance, Half Meditation on the Power of Art, Half Exploration on the Consuming Power of Shame, and All Style.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Netflix service to view this film.

Huntrix fights a wave of demons on the top of a train.

KPop Demon Hunters Review Introduction

As we get to our final films from 2025 before we write our best-of lists, it becomes very clear that no list would feel right if I didn’t engage with the most-streamed movie of the year. If any film has earned the right to be declared a cultural phenomenon this year, it would probably be this. It would be wrong to look at the year without exploring something with such a large cultural impact. Well, then, it is time to dive in and see if it lives up to all the accolades.  

So, to set the scene, throughout history, there have been demons escaping into our world to steal souls that are used as power by their dark lord Gwi-Ma (Lee Byung-hun). However, throughout history, there have always been those with strength of voice and character who have fought back and banished these demons back to the world they spawned from. Every generation, there are a new trio of Hunters that use their voices to reinforce the barrier between the worlds, the Honmoon. The current generation is a K-Pop band Huntrix featuring Rumi (Arden Cho/Ejae), Mira (May Hong/Audrey Nuna) & Zoey (Ji-young Yoo/Rei Ami). When a demon incursion goes very wrong, things get tense in the underworld because soon the Honmoon will turn golden and the demons will be stopped forever. It is this moment of desperation when the demon Jinu (Ahn Hyo-seop/Andrew Choi) comes up with a novel plan to defeat Huntrix: go after their fans by creating a demon boy band called Saja Boys.    

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Twinless – Movie Review

TL;DR – A fascinating and often confronting look at a very particular type of grief.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

Roman and Dennis dressing up as Simms.

Twinless Review Introduction

Today, we are looking at a film that is probably the penultimate film of the year for 2025. A movie that was much requested and with which I knew nothing about before pressing play beyond a vague understanding that it was delving into the dark comedy space. Sometimes this can be a burden, but today’s film is one of those interesting jaunts that may be better with the viewer knowing as little as possible before walking in.

So, to set the scene, we open with a screech of tyres, a sound of a thud, and then an awkward funeral. It is very difficult for Roman (Dylan O’Brien) because the deceased in this case is his identical twin brother. After a difficult fight with his mother, Lisa (Lauren Graham), Roman decides to seek out some help and joins a support group for those who lost their twin. It is here that he meets Dennis (James Sweeney), another twin who lost their twin. Roman’s life is spinning out of control, and Dennis is a stabilising factor, until…

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Warfare – Movie Review

TL;DR – An emotionally charged film that uses every bullet strike to bring you into this world, whether you are ready for it or not.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that was used to view this film.

Looking down a sniper scope.

Warfare Review Introduction

After Alex Garland came out swinging with Civil War in 2024, I was interested to see what he would follow it up with next. Unfortunately, I just was not able to get to a screening when it had its theatrical release, but before I put my best films of 2025 list together, I knew I had to make sure I crossed this one off the pile of shame.  

So, to set the scene, on November 19th, 2006, in Ramadi, Iraq, a Navy SEAL platoon took up sniper watch to support operations in the area. Two platoons take up position in an Iraqi family’s house to provide overwatch. Watching. Waiting. People peeking and probing their defences. All preparing themselves for that first shot or explosion.  

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Sisu: Road to Revenge – Movie Review

TL;DR – While it loses some of its drive halfway through, it is still the action romp that it needs to be as carnage stretches across Russia.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit sequences.

Disclosure – I paid to watch this film.

Sisu: A Finnish word that cannot be translated. It means the white-knuckled force of courage and unimaginable determination.

Sisu: Road to Revenge Review Introduction

It is that time of year when I take a look back on 2025, and see all the films that I missed that I need to take a look at before I start my best of 2025 lists. I won’t get to all of them; there isn’t enough time. However, one film I knew I had to see was the follow-up to a Finnish gem from 2023. Sisu is one of the few films in the post-John Wick era that took the action style and improved on it. But can lightning strike twice?  


So, to set the scene, after WW2, Finland lost territory to the Soviet Union, and the Finns living there were forced to flee. In 1946, after finding all that gold in Lappland, Aatami Korpi (Jorma Tommila) returned to his home in Karelia, now on the wrong side of the border, to where his dead family once lived, hoping to take the house and rebuild it in a land of peace. But when Aatami crossed the border, his passport triggered a response in Soviet high command. The KGB (Richard Brake) tasks Igor Draganov (Stephen Lang), the man who killed Aatami’s family, to finish the job. But Aatami is a man who has left hundreds of Red Army and Nazi corpses in his wake, and he won’t go down without a fight.    

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Anaconda (2025) – Movie Review

TL;DR – This is a wildly silly and meta film that holds back when it should dive all the way in.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to view this film.

A production slate for Anaconda.

Anaconda Review Introduction

Today, we are looking at a film that sold itself to me by its bonkers premise alone: what if the sequel to 1997’s Anaconda was a meta reboot about a group of filmmakers trying to film a sequel to 1997’s Anaconda. It is a premise so profoundly silly that you must see just how they pull it off, and the answer is very meta indeed.

So, to set the scene, Ronald “Griff” Griffen Jr. (Paul Rudd) is a background actor in Hollywood whose only notable role was a four-episode stint on S.W.A.T. Well, after another failed audition, he sees a poster for the 1997 film Anaconda and gets an idea. He returns home to Buffalo, New York, to inform his friends that he has secured the rights to the Anaconda franchise so they can make one of the films they used to make when they were kids. It is a profoundly silly idea, but soon wedding videographer Doug McCallister (Jack Black), recently divorced lawyer Claire Simons (Thandiwe Newton), and now Buffalo sober Kenny Trent (Steve Zahn) find themselves in Manaus, Brazil, looking at snake handler Carlos Santiago Braga (Selton Mello) and his pet anaconda. They take a boat deep into the jungle to start filming, but little do they know that when filming Anaconda, there may be an anaconda hunting them.      

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Avatar: Fire and Ash – Movie Review

TL;DR Avatar is pomp and circumstance like no one else in the business is doing at the moment, except maybe the other Avatar films, which are doing the same thing very much.

Rating: 3.5 out of 5.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

The Wind Traders.

Avatar: Fire and Ash Review Introduction

Truly, there is nothing out there at the moment with the ambition and multi-coloured excellence like Avatar. Just three hours of non-stop visual excellence for your eyeballs with a sheer tenacity that we don’t see come out of Hollywood much anymore. But, this is the third outing in the series, and the question is: can it keep feeling fresh coming back to the same world again and again? Before we jump in, I do want to make clear that for this review, we watched the standard presentation, so no 3D, 4DX or other extras other than the meal I ordered halfway through because I splurged on the nice seats. So, we won’t be able to comment on whether the 3D, etc., is worth the ticket price.

So, to set the scene, everyone is still reeling from the end of Avatar: The Way of Water, where to save his family, Jake Sully (Sam Worthington) and Neytiri’s (Zoe Saldaña) son Neteyam (Jamie Flatters) sacrificed himself to save his family, and Spider (Jack Champion) no less. Everyone is grieving in their own way, and most of those ways are not very helpful. However, after some battery mix-ups show how vulnerable Spider is out here in the wilds. The parents decide it’s time to send Spider back to the researchers, where he will be closer to humans and safer. It is a long trip back, full of dangers, but not just from humans/sky people. For within the Navi, there are the Mangkwan clan led by Varang (Oona Chaplin), who are raiding and killing all those they come across.

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The SpongeBob Movie: Search for SquarePants – Movie Review

TL;DR – An interesting concept for a SpongeBob Movie, that unfortunately, does not have the legs, or fins, or tentacle suckers to stretch to a feature-length movie.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Flying Dutchman on an eyrie sea.

The SpongeBob Movie Review Introduction

Today, I think I need to preface everything that I am about to say with one clear addendum: I am not the target audience for this film. I feel I need to make that clear from the front because not every film will be written for you, and you should have the wherewithal to understand that before dumping on something. But then I did also sit through it all, so, as we are here …


So, to set the scene, after measuring himself every day, SpongeBob SquarePants (Tom Kenny) is finally a “Big Guy”. Someone tall enough to go on the adult rides at the local amusement park. But when SpongeBob is not able to find the courage to hop on the rides with his dear friend Patrick Star (Bill Fagerbakke), he is crushed. But that is when Mr. Krabs (Clancy Brown) tells him about his time as a swashbuckler with the crew of The Flying Dutchman (Mark Hamill). SpongeBob becomes enamoured with the idea of being a swashbuckler as the way to become a genuine big guy; however, Mr. Krabs might not have been telling the whole truth.

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The History of Sound – Movie Review

TL;DR – It is both profoundly moving and also downright frustrating. The visual construction was some of the best all year, yet it pondered along, afraid to commit to what its thesis statement was.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

A river flowing in a forest.

The History of Sound Review Introduction

Today, we are looking at a film that existed in a state of dissonance for me, from the heights of beauty that you see throughout, to the despair of frustration. Some of this dissonance is purposely built into the film, an intentional conversation in subtext. However, while that is important, you can’t forget the actual text.
 
So, to set the scene, Lionel Worthing (Paul Mescal) has always had a special relationship with music since he was a child, able to feel it, see it, and manipulate it. It was this gift that took him in 1917 from the rural farm in Kentucky where he grew up to the Boston Conservatory to study music. It is here that he came across fellow student and composer, David White (Josh O’Connor). They had an instant bond, but war broke out, and David was drafted. David returned in 1919 and asked Lionel to join him on a trip collecting and recording folk songs, a trip that would have a marked impact on both their lives.

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