Avatar Aang: The Last Airbender – Movie Review

TL;DR – A beautifully animated entry into a series steeped in friendship and a sheer optimism that you need now and again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Paramount+ subscription used to watch this film.

An old Air bending temple.

Avatar Aang: The Last Airbender Review Introduction

Well, it is time to jump back into the world of Avatar: The Last Airbender. It has been a long time since I dabbled in this universe, but I remember it being a fun time. While it was very much focused on a younger audience, the themes of working together, finding yourself, and building a better future rang true. Now it is time to see if this world can still have an impact in the current world.
 
So, to set the scene, it has been a while since the events of The Last Airbender, and Aang (Eric Nam) has been collecting any remnant of the Air Nomads that he could find. While returning the artefacts to an ancient temple, Aang is attacked by an insurgent group known as the Denied. They were looking for a map to an ancient staff, from a time even before the oldest Avatars Aang can reach. The one clue that he can find leads him to the top of Mount Baihu, where Aang finds not a staff but something potentially more powerful.  

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We Bury the Dead – Movie Review

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix subscription used to watch this film.

A zombie opens its eye.

We Bury the Dead Review Introduction

Today’s offering has been bubbling around in the Australian cinematic landscape for quite a bit before it got its theatrical release earlier this year. Unfortunately, while there were no well-timed screenings near me at the time, it has now made its way onto streaming, and this is the perfect time for me to give it a watch.  

So, to set the scene, one day an accidental detonation of an experimental weapon off the coast of Tasmania destroyed the capital city of Hobart. However, an EMP wave stretched further, destroying the brains of all living creatures on the island. It is a catastrophe of epic proportions, and a whole mobilisation effort has been activated to help identify and recover the bodies of the 500,000-odd dead. However, now and again, some of the dead wake up, and they are no longer themselves. Ava Newman (Daisy Ridley) is one of the volunteers, hoping to find out what happened to her husband, who was at a conference on the south of the island. Those who do reanimate are completely docile and not a problem, or so the Army says.

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The End of Oak Street – Movie Review

TL;DR – This 80s homage film triumphs on one important facet: Anne Hathaway fighting dinosaurs.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A dog looks up to see a weird light.

The End of Oak Street Review Introduction

Now, if you know me, I make absolutely no apologies that I am a dinosaur fiend when it comes to media. Give me your Jurassic Parks, your Dinotopias, heck, you want to add dinosaurs to Star Trek, I am here for it. But if you are going to add dinosaurs to a film, they can’t just be a token addition; they need to mean something, and thankfully that is not an issue today.

So, to set the scene, in 1982 there is a quintessential suburb in America called Flowervale that does all the stereotypical things. They have block parties, the kids ride around on their bikes, and neighbours get upset with dogs pooping in their yards. On Oak Street in this suburb lives the Platt family: wife Denise (Anne Hathaway), husband Greg (Ewan McGregor), daughter Audrey (Maisy Stella), and son Brian (Christian Convery). They are the perfect nuclear family on the surface, but in private the cracks in Denise and Greg’s relationship are threatening to become a gorge. But all of that changes one night when the lights start to flicker, everyone’s ears pop, and odd noises start coming from the forest. That’s when the screams start.

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Greenland 2: Migration – Movie Review

TL;DR – A quasi-religious themed sequel doesn’t live up to the first film, unfortunately.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

John escapes from a radiation storm.

Greenland 2: Migration Review Introduction

Back in 2021, I was entirely surprised by a film. Greenland took what could have been a run-of-the-mill disaster/apocalypse film and filled it with real emotional weight. It even made it onto my best film list for that year. Since then, I have been wondering if they would go back to that world, and while we didn’t get an Australian release, I am glad to finally be getting a look at it today.  

So, to set the scene, in the five years since the Clarke devastation, fragments still impact the Earth, causing all sorts of radiation issues. John Garrity (Gerard Butler), his family, Allison (Morena Baccarin), and Nathan (Roman Griffin Davis) are still living in the bunker under Thule Airbase in Greenland. But things have stretched on longer than anyone expected, and they are now surviving by salvaging the ruins of humanity that wash up. The hope was to wait for the radiation levels to drop, but already large areas of North America have been made uninhabitable due to it. But when the tectonic plates shift and the base is destroyed, the Garrity family and the handful of survivors must make a mad dash across a waring Europe to reach the Clarke creator, the one place potentially free of radiation.  

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28 Years Later: The Bone Temple – Movie Review

TL;DR – An incredibly confronting film that made me regret eating dinner but reveals a wealth of thematic depth beneath the gore.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

Warning – Contains scenes that may cause distress.

The Bone Temple at dusk.

28 Years Later: The Bone Temple Review Introduction

Today we’re looking at an unusual sequel. After decades of waiting for 28 Years Later, The Bone Temple arrived so quickly afterwards that some audiences may have assumed it was the same film. I tried to watch it in cinemas, but the scheduling never worked out. But now it’s out on streaming, it’s time to give it a watch.

So, to set the scene, we open in the moments after the end of 28 Years Later with Spike (Alfie Williams) having to fight for his life in front of Jimmy (Jack O’Connell) and his cult of Jimmies. Meanwhile, around the Bone Temple, Dr Kelson (Ralph Fiennes) has made some odd discoveries about Sampson (Chi Lewis-Parry) that the alpha might indeed be his friend, or more importantly, the real person might still be in there. There is a bit of assumed knowledge going into this film, as it does expect that you have watched the previous film.

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The Last House – Movie Review

TL;DR – This is a film that is trying something, but it is working in a space where other contemporaries have excelled.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix subscription used to watch this film.

Water filling in the cracks of shattered glass.

The Last House Review Introduction

Today we are looking at something that is becoming increasingly rare in modern cinema: a genuinely original film. Not adapted, not spun off, and not based on a toy from 50 years ago. Given how uncommon these projects have become, I knew I had to give The Last House a watch.

So, to set the scene, one Sunday morning a surprise rainstorm appeared on the horizon. It felt like a normal day, but then the internet failed. But even stranger was the fact that none of the doors or windows would open. That’s okay, because you can break windows, right? No, the glass cracks but doesn’t break. Now, you and everyone you know are stuck in their houses, with only the food you happened to have inside.

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Spider-Man: Brand New Day – Movie Review

TL;DR – While there are limitations from a narrative perspective, the core strength of the characters shines through in a compelling way.

Rating: 4 out of 5.

Post-Credit Scene – There is an end-credit sting.

Disclosure – I paid to watch this film.

Spider-Man sitting upside down on a skyscraper.

Spider-Man: Brand New Day Review Introduction

This was a bit of an odd film for me, because of a number of factors. The first being my love of the MCU has been waning; I have not had the time or strength to keep up with its Disney+ outputs, and some of its recent films have been profoundly lacklustre. To add to this, I found the resolution of the last film, Spider-Man: No Way Home, to feel more like corporate maintenance than compelling storytelling. But given half the cast of the Odyssey is here, I thought it prudent to give it at least a go on its own terms.
 
So, to set the scene, it has been a hard couple of years for Peter Parker (Tom Holland), while Spider-Man (Tom Holland) has been out there becoming the hero of New York as he always wanted to be. Peter has lived a closed-off life, as the memory of the loss of Aunt May (Marisa Tomei) looms large. It doesn’t help that his two best friends, MJ (Zendaya) and Ned (Jacob Batalon), both forgot who he was and went off to live their own lives. But when an unknown entity starts attacking the Department of Damage Control by jumping between people, Peter realises there could be a dangerous enemy afoot, unless the imbalances in his own body take him down first.

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The Odyssey (2026) – Movie Review

TL;DR – The Odyssey is a rare blockbuster that combines spectacle, emotion, and myth in equal measure. It left me awestruck, unsettled, and completely engrossed from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

Warning – Contains scenes with flashing lights.

Ships on the ocean at sunset.

The Odyssey Review Introduction

There are many foundational myths across the world, such as the Epic of Gilgamesh, Kebra Nagast, and Beowulf, to name a few. Each is written in a style of myth and history in a way that evokes the human condition. Today we look at Christopher Nolan’s dive into this world, taking on the unenviable task of bringing The Odyssey to the big screen.  

So, to set the scene, it has been twenty years since Odysseus (Matt Damon) left on the command of Agamemnon (Benny Safdie) to siege Troy and return the ‘kidnapped’ Helen (Lupita Nyong’o) to Menelaus (Jon Bernthal). However, it has been eight years since the city fell to the Trojan Horse gambit, and Odysseus has still not returned home to his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland). This has been enough time for new suitors to start sniffing around, trying to gain the kingship of Ithaca via marrying Penelope. She has held them off for years, even as they use Zeus’ Sacred law to bleed her dry with banquet after banquet. Penelope holds on, partly because she knows they will kill her son as soon as a new heir is born, but also because deep down in her heart, she knows that Odysseus is alive out there somewhere.

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Minions & Monsters – Movie Review

TL;DR – Whether you like this film or not will depend on whether you think the Minions are charming or the death rattle of the end of Western Civilisation.

Rating: 3.5 out of 5.

Post-Credit Scene – There are several mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Minions & Monsters Review Introduction

Over the years, I have been a strong proponent of how much I do enjoy the Despicable Me universe, even if Despicable Me 4 did start to show its age. Part of that is the chaotic energy that is infectious, the bright colours, and a heavy helping of quality slapstick comedy. It doesn’t hurt that I don’t have kids, so I only have to watch them once. But can a spin-off of a spin-off have the power to work? This is what we will look at today.

So, to set the scene, we open as a new museum is opening in Hollywood, looking back at some of the greats of cinema history, for example George Lucas (George Lucas). But the tour group was perplexed to see a statue of two Minions sitting in the exhibition. Well, the tour guide (Allison Janney) said, it is time to get an education about the history of Hollywood. The Minions have one goal: to find a big bad to work for, but one of the Minions, James (Pierre Coffin), had more of a creative side. When they end up in Hollywood, James finds his moment working with Max (Christoph Waltz), a noted film director. But to make James’ magnum opus, they needed a monster, and well, the Minions might have the evil spell book to pull that off.

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Toy Story 5 – Movie Review

TL;DR – A perfectly adequate addition to the series with the odd tender moment, and a lot of coincidence, so much coincidence.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid- and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Lillypad.

Toy Story 5 Review Introduction

Look, I am just going to make it clear from the get-go that I walked into this film with the strong belief that it was not only unnecessary but profoundly detrimental to the franchise. Toy Story 3 is one of my Top 10 Animated Films of All Time and is the perfect ending to the series. I sort of worked my way through Toy Story 4, which, when you think of it, is more of an epilogue than a standalone film. I didn’t feel there was enough left in the tank to justify a fifth entry, and I think I was right.

So, to set the scene, Bonnie (Scarlett Spears) has been growing up fast, but still loves playing with her toys every day. But Jessie (Joan Cusack) and the gang have been trying to get her out of her shell so she can make some new friends. What Jessie does not know is that there is a storm brewing, and that storm is tech. Across the neighbourhood, toys are being abandoned as kids turn to tech to entertain themselves. But what was a neighbourhood problem is now in their house as a new Lilypad (Greta Lee) device has arrived, and it does not play fair.

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