Movie Review – Extinction

TL;DR – This is a film with a lot of promise and an interesting hook, but it’s missing that final level of polish needed for a film like this and the ending did feel like a cop-out.

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Extinction. Image Credit: Netflix.

Review

It has been a good year for Science Fiction TV on Netflix, I mean it is only halfway through the year and we have already had such gems as Altered Carbon (see review), Lost in Space (see review), Star Trek Discovery (see review) & The Rain (see review). However, when it comes to Science Fiction films it is a bit more of a mixed bag, ranging from the excellent Annihilation (see review) to the quite disappointing TAU (see review). Today we look at the next film that Netflix has saved after having its theatrical release pulled Extinction, which has some good ideas going on but didn’t quite get there with the execution.

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Movie Review – The Breaker Upperers

TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

The Breaker Upperers. Image Credit: Piki Films/Madman.

Review

For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.

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Movie Review – Mission: Impossible – Fallout

TL;DR – Heart pounding, electric, bombastic, edge of seat, high octane, adrenaline rush, these are all things I would use to describe Fallout.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Hunt jumps out of a plane, he jumps out of a lot of things. Image Credit: Paramount Pictures/Bad Robot

Review

When I think back to 1996 when the first Mission: Impossible film came out all those years ago I can remember it being enthralling and as it was one of the first big action films I ever saw in the cinemas that opening mission still holds a special place in my personal cinematic history. However, I didn’t think I would still be talking about these films over twenty years later, I mean there were a lot of great action films in the 1990s but few if any have had the same persistence as Mission: Impossible. Now to be fair, not every film in the series has been a gem, and I even stopped watching after a while, but people told me I should catch the last entry into the franchise with Rogue Nation (see review) and I really enjoyed it. Well, jump forward to 2018 and the director/writer of that last film Christopher McQuarrie is back for a second jump into this world of spies. With this in mind, I had high hopes that they could continue the good work here, and I am so happy to say that they did.

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Movie Review – The Equalizer 2

TL;DR – While not in any way revolutionary, it takes the familiar pieces and presents them in a really captivating way, anchored by a powerful performance by Denzel Washington.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Image Credit: Columbia Pictures

Review

So I am going to begin this review with a confession, I have never seen the first Equaliser film, nor the TV series it is based off. Indeed I didn’t even know there was a TV series until I saw it in the credits. To add to this I was not even planning to go see The Equaliser 2 today so I didn’t have the presence to watch the first film before going in, so as I was going in I thought I should at least read through the synopsis. Just reading what happened made me truly wonder how I missed it? However, film history is full of sequels that don’t live up to the original, so let’s take a look at a world power does not protect you.

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Movie Review – Occupation

TL;DR Occupation is an Aussie take on the Alien Invasion genre, with a fantastic setup and ending, though it does meander a bit in the middle.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Occupation. Image Credit: Pinnacle Films/Sparkefilms

Review

For those who have read my work before you would likely know that I am a big fan of the Science Fiction genre, and one of the types of media that falls under that banner is Alien Invasions. They can be on the small scale like Predator, or on the large scale like Independence Day and X-Com, or that one time with Battleship where it was weirdly mid-scale, that was an odd film. However, the basic premise of all these films is that one day everything is normal, you are going about your day without a care in the world and then everything changes. I really enjoy the Alien Invasion sub-genre, indeed I count Independence Day as one of my favourite films of all time, however, a lot of the recent films have been well disappointing, sorry Independence Day Resurgence (see review). Well, today I take a look at a film that is taking the genre in the right direction with an Aussie twist.

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Movie Review – TAU

TL;DR TAU is one of those films where there is an interesting core of an idea here, but then really the movie spends almost all of its time not exploring it.

Score – 2 out of 5 stars

Post-Credit Scene – There is no Post-Credit Scene

TAU. Image Credit: Netflix

Review

Watching a good film can be joyful, watching a bad film can at least be interesting, but watching a film that clearly had potential only to not deliver on it … well, that can be torturous. This week we look at TAU a film that unfortunately falls into the latter category. It is a film that is trying to take the AI computer genre in a different direction but unfortunately falls into just being a pastiche of other films, and not even a very good version of that.

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Movie Review – Ant-Man and the Wasp

TL;DR – A fun self-contained romp in the MCU that has all the charm of the first film with a bit more focus and a more interesting opponent.

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene

Ant-Man and the Wasp. Image Credit: Marvel/Disney

Review

Ant-Man (see review) was a bit of an odd duck of a film when it first came out. It followed on from Avengers: Age of Ultron (see review) as a kind of epilogue to Phase Two even though it didn’t kind of fit there. As well as this, it had the misfortune of being one of the two films in Phase Two where Marvel had big director missteps, with Edgar Wright stepping away from the project. It had all the makings of Marvel’s first big complete failure, yet it wasn’t. Indeed it was a fun little heist film with a lot of charm. Part of this has to be the groundwork Edgar laid down, but also the commitment of the actors to just go for it. Ant-Man was also one of those crystallising moments that showed that Marvel needed to work on a few things behind the scenes and the fruits of those decisions have been films like Black Panther (see review) and Thor: Ragnarok (see review). With this in mind, today we look at the first direct follow up which fixes one of the issues from the first film, and we see that right in the title because today we are looking at Ant-Man and the Wasp.

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Movie Review – Sicario: Day of the Soldado

TL;DR – When you have lost so many of the components that made up the first film it is going to have an effect, and the follow-up never quite reaches the heights of the first.

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Sicario Day of the Soldado. Image Credit: Lionsgate/Sony

Review

The first Sicario (see review) was a film that was equal parts facilitating, beautiful, and deeply problematic. It followed a new recruit as they worked through the often murky situation that is the US/Mexico border where cartels smuggle drugs and people. It was a film that was the master at crafting tension, it weaponised sunsets, had some truly phenomenal acting. However, it also engaged in some deeply problematic events but tried to ignore the ramifications. So with that in mind, I was interested to see where they would go with a sequel when through tragedy and unavailability they have lost their director, cinematographer, composer, and one of the lead actors. Can it hold up with such a change, well no, but it still does have its moments.

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Exploring the Past – Sicario (2015)

TL;DR – A masterful look at how to use tension to build a story in a brutal world

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Sicario. Image Credit: Lionsgate

Review
Today I got to cross a film off my pile of shame that has been sitting there for quite a while. Sicario was one of those films that were made by people I have come to deeply respect in the film industry but at the time when it came out, I was not in the right head space to give it a watch. Ever since then I have been meaning to go back and give it a go if only to add to my understanding of some of these filmmaker’s work, but it sat there. Well, today that changes as we take a dive into the world, or at least one perspective of the world on the American/Mexican border.

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Movie Review – Bao

TL;DR – A beautiful look at what it means to be a family

Score – 4.5 out of 5 stars

Bao. Image Credit: Pixar/Disney

Review

One of the hallmarks of a lot of recent Disney and Pixar films has been the short films that run before the main attraction. These are little films that explore interesting topics, like exploring the love between volcanoes in Lava that ran before Moana (see review), or Lou a story of a lost and found box that comes alive that came before Cars 3 (see review) which was also nominated for an Oscar. Now while not all of these short films work, they are all really interesting, and today we are going to look at Bao, which was the starting show for Incredibles 2 (see review).

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