Wolfs – Movie Review

TL;DR – This is a film that should have knocked the ball out of the park home run; instead, it just felt like a safe walk most of the time.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the AppleTV+ service that viewed this film.

Brad Pitt and Georgy Clooney draw guns on each other.

Wolfs Review

Some films just excite you when you hear who has been cast in it. Some actors have built this reputation that if you see both in the same movie, then you know it is going to be good. For example, you know if N. T. Rama Rao Jr. and Ram Charan appear in the same film, it will cause a stir. Well, today, we look at a movie that should have captured that same vibe but instead just fell flat.

So, to set the scene, we open with the sound of a crash, a scream, and then a string of obscenities, as something has clearly gone wrong. What could be so bad, you say, how about a recently dead body of the Kid (Austin Abrams)? Well, after an appropriate length of time freaking out, Margaret (Amy Ryan) phones a contact that she was given years ago, one that can make things disappear. That man is Jack (George Clooney), a cleaner. The only problem is that the owner of the hotel, Pamela Dowd-Henry (Frances McDormand), also witnessed what happened and hired her own cleaner, Nick (Brad Pitt). Now, the two of them must work together as this relatively simple case starts falling apart.  

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Kid Snow – Movie Review

TL;DR – While it is an interesting scenario, and the cast is giving their all, you just can’t quite shake the feeling that the movie never finds its feet.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

Warning – contains scenes that include multiple flashing lights.

Kid Snow and Lizard run up a hill.

Kid Snow Review

There are a lot of factors that go into making a good film: the cast, the story, the idea, the production, or even the budget. While you don’t have to get all of them right, it does help because just one of these factors can hold a film back from its full potential. Today, we look at a movie that excels in many of these points, but the one that holds it back is like an anchor dragging along the ocean shore.

So, to set the scene, it is 1971, and in the small towns across the deep Outback of Australia, there is a rolling fair that comes to town, including a boxing ring. Run by Rory (Tom Bateman) and headlined by his brother Kid Snow (Billy Howle), along with a motley of other performers, they charge money to get the locals to fight them. If they win, there are riches, but let’s be honest: no one ever wins. This was going well, okay, at least they were surviving, but when Hammer (Tristan Gorey), a ghost from Kid Snow’s past and current Australian champion, returns to challenge him to a boxing match for real money, there is a chance of him reclaiming his past. But it might be the arrival of Sunny (Phoebe Tonkin) into their lives on the same night that will have more of an impact on their futures.     

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Sector 36 – Movie Review

TL;DR – A fascinating exploration of the interception of power, corruption, and serving the community, and how all of that can be shaped by self-interest.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains Scenes that may cause distress.

Mission Children Posters.

Sector 36 Review

Corruption is one of the worst sins that a public official could do because their job is to uphold the people under their care, and when they obfuscate that sacred oath for money, power, or friendship, everyone suffers. Corruption can happen anywhere, but what happens when you target the most vulnerable members of society who have even less of a voice than ever? Well, you have a recipe for disaster.   

So, set the scene, in Section 36 of Delhi, works Sub Inspector Ram Charan Pandey (Deepak Dobriyal), a thoroughly corrupt police officer. Who is more interested in lecturing people on the Third Law of Motion than actually helping people. But when a girl’s hand turns up in the sewers, it puts into focus that there is a killer on the loose, not that the police want that. But that is what Prem Singh (Vikrant Massey) is doing, focusing on the most vulnerable members of society. He would have continued to get away with it, given the police’s incompetence, but one day, he tries to take the daughter of someone important, and ignorance is no longer an option.  

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Runt – Movie Review

TL;DR – It is a delightfully fun film that gets a bit preachy at times and a little unhinged in places.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and end-credit stinger.

Runt – I paid to watch this film

A dog running through an agility course.

Runt Review

There are a lot of things that can make a film Australian: its setting, its production, and the governmental jump ropes it needs to skip through to get funding. There are some films that, even if you removed the drone shots, pans over wheat fields, and set it in a small rural town, you would still know it was Australian, just because of the vibes. Today, we look at a film that is just that, Australian to its very core.

So, to set the scene, the Shearer family lives in the small Western Australian town of Upson Downs. One day, the daughter Annie (Lily LaTorre) found a stray mutt called Runt (Squid). She brought him home, and he soon became an integral part of the family. However, the town has been in drought for 375 days, and local rich snob Earl Robert-Barren (Jack Thompson) took all the local river water for his dam. Life is tight for the Shearers, with Bryan (Jai Courtney) and Susie (Celeste Barber) struggling to pay the overdraft on their overdraft, and her brother Max’s (Jack LaTorre) stunt video channel has not really taken off. However, one day, when Annie sees the canine agility course at the local fair with a cash prize, she sees a way to help her family. The only problem is that Runt does not like to perform when anyone but Annie is watching.

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Beneath Us All – Movie Review

TL;DR – While there was a lot of promise with this scenario, you can tell that there were factors like the budget that held it back.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Warning – Contains scenes that may cause distress.

Left overs from a mauling.

Beneath Us All Review

Today, we dive back into the world of Vampires, a world of shadows and screams. I have quite liked vampire films in the past because they are this blend of bloody action with profound lore. There are many versions of vampires, and I am interested to see where we will land in today’s film.

So, to set the scene, it is Scandinavia back in 912 AD when a child is ripped apart by a monster that appeared from the woods. The Monster (Yan Birch) was captured, but they could not kill him, so he was buried in a coffin, taken across the seas and then dumped in Vinland. In the modern day, Vinland is now North America and is full of rural Americans. Some of them are Todd (Sean Whalen) and Janelle Gibbs (Maria Olsen), who foster several kids and are not the nicest people in the world. But one day, their foster daughter Julie (Angelina Danielle Cama) is walking in the woods when a perceived noise impacts her head after she touches an amulet, which leads her to something buried in the ground.    

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The G – Movie Review

TL;DR – This is a wonderful character piece that maybe promises a touch more on what it can deliver.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Two men burring a person.

The G Review

In the current cinema landscape, it can be easy to go for style over substance. We can do the flash and bang and also the alakazam, but we linger on the surface. Things only become interesting once you dig a little deeper. Today, we look at a film that completely understands that even if it does not quite stick that landing.  

So, to set the scene, we open with two men digging in the snow, only to find them burying a body. These are people who know how to get their way. Their next victim is Ann Hunter (Dale Dickey), an elderly retiree who cares for nothing but her granddaughter Emma (Romane Denis). She is struggling to cope with the pressures of looking after her ill husband Chip (Greg Ellwand), but her life is upturned when Rivera (Bruce Ramsay) pushes them into a home with a trumped-up court order so they can steal her house. But there is no way she is going to let them do that to her.    

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The Delicate Cycle – Movie Review

TL;DR – It makes the most of its one location to explore the emotions of significant life changes.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A washing machine about to start.

The Delicate Cycle Review

While a short film can be constraining, those limitations can be turned into strengths. You can concentrate things down into their core forms. For example, that transient information that gets passed down from generation to generation. Today, we are looking at a film that is working in that space.  

So, to set the scene, it is just a typical day for Lance (Fred Mancuso) as he gets into the laundromat as early as possible to get his clothes done. Usually, there is no one there, bar maybe Anita (Yassmin Flores), but today there was someone new, a young kid called Adam (Dean Norris Jr.) who is in the process of trying to win at Ms Pacman but also struggling with his emotions.

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Kill – Movie Review

TL;DR – A bloody rampage of action that perfectly uses the medium of a train to tell its story of revenge.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Amrit, bloodied on the floor surrounded by bandits.

Kill Review

There are times when you want to sit down and watch a bloody action romp on screen. Fists throwing, legs kicking, knives slashing, and all that jazz. But what if you could get that and get something a little new that you have never seen before? Well, that is what we are getting today with one of the bloodiest action romps I have seen in an age.

So, to set the scene, Amrit (Lakshya) and Viresh (Abhishek Chauhan) are captains and commandos in the Indian Army. When they return from the field, they find out that Amrit’s love Tulika (Tanya Maniktala) has been betrothed to another. Amrit and Viresh try to rescue her from the engagement party, but there are too many families with assorted weapons. However, the next day, Tulika, her sister Aahna (Adrija Sinha), her father Baldev Singh Thakur (Harsh Chhaya), and the rest of her family are taking an overnight train back to Delhi. So, Amrit and Viresh tag along, hoping for a better chance there. The only problem is that Fani (Raghav Juyal) and his extended family are also on the train, and they are about to rob it.    

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Arena Wars – Movie Review

TL;DR – This is an ambitious film, and while I don’t think it ever reached that ambition, it was fascinating to watch.

Rating: 3 out of 5.

Post-Credit Scene – There is a scene throughout the credits.

Disclosure – I was sent a screener of this film.

The Big F##king City

Arena Wars Review –

Today, we are looking at a difficult film to review because you get pulled in two different directions. On the one hand, as a critic, I need to review what is on the screen, but as a human being, you can also see the potential that could have been.

So, to set the film, it is 2045, and in The Big F##king City, there is only one way that convicted felons can get out: by appearing on Arena Wars, a TV show that everyone watches, well everyone used to watch. The convicts have to fight through seven different rooms with seven violent killers in them to be able to go free. The brand is on life support, and they need to win back the audience that is becoming bored of death. In the Rodimus Federal Prison in the Washington DC City State, Luke Bender (John Wells) is sitting with a 200-year sentence, covering for their superiors who stuffed up. But they need a hero for the arena, and Luke is in the wrong place at the wrong time.     

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Breakwater – Movie Review

TL;DR – There are a lot of elements here that work; the cast is fantastic, and the setting lands. It is just the narrative glue that is meant to hold all that together starts peeling off far too early in the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A boat slinks through the sound.

Breakwater Review

Today, we are looking at a film with two halves, a strong cast and setting, but then a narrative that misses the mark. Quite often, you will hear people say that a film really needs only one of the two. Well, today, we will see that feeling put to the test, and I am not sure it will hold up.  

So, to set the scene, it is Dovey’s (Darren Mann) last day at the St. Brides Correctional Facility and his mentor Ray Childress (Dermot Mulroney) gives him a mission. A storm washed an old ship mast up on the beach, and in the photo, Ray spotted his estranged daughter. As Dovey tries to reacclimatise to the world outside, he is haunted by what he had to do to survive. But Ray can’t wait for the year of parole to be up, so Dovey has to choose: not keep a promise or potentially go back to jail because he broke his parole conditions.

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