Downton Abbey: The Grand Finale

TL;DR – An odd finale full of charm from start to finish, but also a great deal of awkwardness.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Downton Abbey.

Downton Abbey: The Grand Finale Review Introduction –

It looks like we have reached the end of the grand experiment that was the Downton Abbey cinematic experience. After the original Downton Abbey film in 2019, and the follow-up Downton Abbey: A New Era back in 2022, I had wondered if there would be any more, especially after the passing of Maggie Smith’s character, who was such an anchor for the series. Well, today we get to see if they will land this series in a triumph or worse with an uninteresting thud.

So, to set the scene, it is now the 1930s, and grand changes are looming on the horizon of both England and the world. In Downton Abbey, this is marked by Robert Crawley, 7th Earl of Grantham (Hugh Bonneville), hoping that Lady Mary Crawley (Michelle Dockery) will be ready to take over running the entire household. This was meant to be a great handing over from one generation to the next. However, a scandal erupts throughout higher society when it is announced rather publicly in the press that Lady Mary is getting a divorce, an unmitigated scandal for those prim and proper people in polite society. Now the entire household has been shunned, and the question remains if this will be enough to shut down Downton Abbey for good.  

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The Holdovers – Movie Review

TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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Jungle Cruise – Movie Review

TL;DR – While it has its moments and is quite watchable, it also can’t escape walking in the shadows of better films of the past.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this show.

Jungle Cruise. Image Credit: Disney.

Jungle Cruise Review

When Disney gets an idea, they tend to go all-in, having many hits and misses. So when a film based on one of their rides worked, well, then everything was on the table. But for every Pirates of the Caribbean, there is The Haunted Mansion or even Tomorrowland, which means that there was a little trepidation going in even with a solid cast at the helm.

So to set the scene, history had been full of stories of the hidden wonders in the American continent. One such story told of a plant, ‘Tears of the Moon’, that could cure any illness, but no expedition to find it ever succeeded. In 1916 London, England, during World War One, Dr Lily Houghton (Emily Blunt) is trying to access records from the Royal Society to help her locate it. But they refused to give information to a woman, even when she used her brother MacGregor Houghton (Jack Whitehall) as a decoy. But a minor theft later, and they were on their way to Porto Velho on the Amazon River in Brazil, they just needed a captain to take them upriver, and tour boat operator Frank Wolff (Dwayne Johnson) just found their next mark.  

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Gunpowder Milkshake – Movie Review

TL;DR – Stylistically fascinating, tonally inconsistent, and yet still engaging      

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Gunpowder Milkshake. Image Credit: StudioCanal.

Gunpowder Milkshake Review

There has been a real struggle for independent stories to break through in a world of franchises and sequels. So when you see a new film emerge, you want to see it thrive. However, there are still as many hits and misses when you have new ideas as what happens when you are working with a solid franchise base. Today, we look at a film which has aspects of both sides, both the good and the bad.

So to set the scene, we open with a phone beeping off the hook as blood and bullets scatter the room. It is here where we are introduced to Sam (Karen Gillan), who is a cleaner for a secret organisation called The Firm. 15 years ago, a young Sam (Freya Allan) was abandoned at a diner by her mother Scarlet (Lena Headey) after a shootout with the Russian Mob. Now, Sam is here with her handler Nathan (Paul Giamatti), and she is on the last legs with the organisation. All she has to do is hunt down some missing money. What could go wrong?     

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