Tag Archives: review

Leave the World Behind – Movie Review

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TL;DR – What happens when the world slips away from you but only fragments at a time until you don’t even realise you ran off a ledge?

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

An Oil tanker crashes into the beach.

Leave the World Behind Review –

The disaster film is such an intriguing genre, especially when you are not sure what disaster you are in or even if there is one going on. For me, it is not the disasters themselves that bring the core of the work, but how people respond to the crisis. This week, we look at a film that focuses mainly on that, and I found it to be deeply compelling.  

So to set the scene, Amanda Sandford (Julia Roberts) and her husband Clay (Ethan Hawke) have had a long, stressful year, and one morning, as Amanda was up not sleeping, she decided to randomly book the family for a trip away in a hamlet by the beach. The aim is to leave the world behind for a time, and the house absolutely provides all of that. All is going well until an oil tanker crashes into the beach, and the TV and Wi-Fi stops working. Which is when late at night, there is a knock on the door when the purported owners of the house, G.H. Scott (Mahershala Ali) and his daughter Ruth (Myha’la), arrive and decide to stay.   

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The Boy and the Heron (Kimitachi wa Dō Ikiru ka, 君たちはどう生きるか) – Movie Review

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TL;DR – A heartbreaking and devastating exploration of grief set to a beautiful backdrop and wacky characters.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Mahito walks through grass.

The Boy and the Heron Review –

When you look at the great animation studios of history, one name does tend to stand out, so much so that we wrote a whole article about The Beauty of Ghibli. For a long time, we thought that there would be no more films because creator Hayao Miyazaki had retired. However, it seems like Miyazaki-san does not like to take it easy, and it means that we get another of his movies, and who am I to disagree?

So to set the scene, Mahito Maki (Soma Santoki/ Luca Padovan) is a young boy during WW2 who is haunted by the day he watched as the hospital with his mother inside burned to the ground. He has not really had a chance to process this when his father Shoichi (Takuya Kimura/ Christian Bale) marries his late wife’s younger sister Natsuko (Yoshino Kimura/ Gemma Chan) and moves into her estate in the countryside, where a Grey Heron (Masaki Suda/ Robert Pattinson) pays a particular notice to the new arrival.  

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Silent Night (2023) – Movie Review

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TL;DR – I respect this film for trying something new, even if they don’t actually pull it off.

Rating: 2.5 out of 5.

Silent Night Review –

There are some directors that you have to watch when you hear they are attached to a project, and if you are a fan of action, then you know that John Woo is one to get yourself into a cinema. Add to this is a hook that I have not seen played like this before, and I was intrigued, well, at least I was when I walked in.  

So to set the scene, we open with a man running, hands covered in blood, as tires screech and bullets fly. Two cars are in battle as bullets fly around, and the man is chasing them down. You think he might be succeeding as he flings a metal bar into the window, crashing the car. That is until Playa (Harold Torres) gets out of the crashed car and shoots Brian (Joel Kinnaman) right in the neck. Brian can speak, but that is only the start of his trauma, and he decides that he has to do something about this.

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Bottoms – Movie Review

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TL;DR – It races right up to the line of being a parody without crossing it, a bunch of laughs even if not everything lands.

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid to see this film.

PJ and Josie at rock bottom.

Bottoms Review –

After mainly being obliterated, the R-rated teenage comedy has returned in recent years, which means a whole new generation gets to have their EuroTrip moment. But can a more mature comedy focused on teenagers work in this new world? Well, that is the question we are looking at today.

So to set the scene, friends PJ (Rachel Sennott) and Josie (Ayo Edebiri) are at the bottom of the social picking ladder at Rockbridge Falls High School. Even more so when they run over the star quarterback Jeff (Nicholas Galitzine) a month out from the big game against rivals Huntington High. But when you are on the bottom, there is nowhere else to go but up, and it is in that moment that the girls arrange a fight club. On the surface, it is all about empowering the women of the School, but in reality, it is all about getting laid.  

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The Princess – Movie Review

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TL;DR – An interesting concept, strong action and cast, but one that didn’t have the thematic strength to make it to the end.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film

The Princess sleeps in her bed.

The Princess Review –

One of the types of films that I like is when a filmmaker takes a familiar concept and then flips it on its head. Think like John Wick, who presented a slasher film in a way that we were rooting for the killer. This week, we look at a movie that is doing a similar thing, in taking the idea of a princess trapped in a castle by an evil lord and changing the narrative of a rescuer coming to save her to her slashing her way out of the place.  

So to set the scene, we open in on a picturesque castle by the coast, and as we come closer, we see a woman on an elegant bed. The only thing to cause concern is that the woman, a princess, is in chains and is trapped in her room. As two henchmen come to check on her, she dislocates her thumb and uses her chains as a weapon as she takes the guards down one at a time. The Princess (Joey King) has been forced to marry Julius (Dominic Cooper) against her will. He did not take the rejection well, capturing the castle and imprisoning the royal family. Now The Princess is at the top of the tallest tower, the escape is at the bottom, and there are a lot of enemy soldiers between her and the exit.

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Finch – Movie Review

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TL;DR – An emotional journal to find safety in a world that has fallen into disaster.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Apple TV+ service that viewed this film.

Finch. Image Credit: AppleTV+.

Finch Review –

One genre I have always found interesting is that of the lone survivor. Why they were left alone could be from them being forgotten, marooned, left behind, well, anything. Fighting against the elements and even time to survive. Indeed, Tom Hanks is famous for playing a similar situation in Cast Away, so you knew it had to be an exciting premise to get him back into this realm.

So to set the scene, in the not-so-distant future, a solar flare wiped away Earth’s ozone layer exposing the globe to a massive surge of radiation and also setting off a global EMP. This baked the planet, killing nearly all the plants, animals, and of course, humans. One of the last people alive is Finch (Tom Hanks), who has survived in St Louis in the basement of the robotics company he worked at. He has one mission, to finish building Jeff (Caleb Landry Jones) an android, so there would be someone to look after Goodyear/Dog (Seamus) after he was gone. Things were going well until a supercell arrived. It will last for over 40 days, 40 days too long. So they all have to make a trip across the country to safety.  

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Land – Movie Review

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TL;DR – A film where profound sadness and haunting beauty intersects on the mountains of rural Wyoming.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of the film.

Land. Image Credit: Universal Pictures.

Land Review –

There is a genre of cinema that is sometimes derogatory referred to as a vanity project. This when a star gets enough clout to be able to direct their first film and then casts themselves in the lead role. These are usually overly dramatic works hoping to buy into that Oscar love. However, every now and again, you get a film that cuts through that noise and shows a real talent both behind and in front of the camera. With Land, we get just such a film and a phenomenal directorial debut from Robin Wright.  

So to set the scene, we open in Chicago with Edee (Robin Wright) in a therapy session, trying to talk about why she is alone with her pain and why she refuses to share it with anyone. She is there out of her sister Emma (Kim Dickens) insistence, who is scared that her sister might self-harm. Edee instead decides to sell everything she owns, rents a car and drives all the way to rural Quincy, Wyoming. Here she buys a cabin off the beaten track that was already off another beaten path to be alone from everyone. But living with no running water, electricity, or phone has more challenges than first encounters, especially when winter starts.

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In The Land Of Lost Angels – Movie Review

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TL;DR – An intimate exploration of a crime as it unwinds across the days.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was sent a screener of this film.

In The Land Of Lost Angels. Image Credit: The Filmbridge.

In The Land Of Lost Angels Review –

In my exploration of cinema outside of my traditional Anglosphere, today I have another first. I think my previous investigation of Mongolian Cinema began and ended with watching The Hu on YouTube. Today, I take the first steps to fix that by looking at this brooding work of cinema.

So to set the scene, we open in the dark of a Los Angeles night. Ankhaa (Tumursukh Erdenemunkh) is on the phone back home telling everyone not to worry because his new job pays well, but clearly, this is not quite the truth. Along with his friend Orgil (Iveel Mashbat), they go through the motions of setting something up, including purchasing a gun, much to Orgil’s surprise. You are not sure where this is going, right up until they grab Scott (Mike Cali) from his car and slap a ransom note to the window.  

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The Little Things – Movie Review

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TL;DR –  A film where the lack of consistency and drive leave you wondering what went wrong.   

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

The Little Things. Image Credit: Warner Bros. Pictures.

The Little Things Review –

There are times when you see a cast list and a concept, and you have a level of excitement because all of these factors should lead to a solid film. However, this is not always the case as there can be a myriad of reasons what a film does not stick the landing. Well, today we look at just such a movie filled with Oscar-winning actors that all seem to be in different films.

So to set the scene, we open with a young lady driving home down a dark street in an isolated stretch of the Southern Californian countryside. Then a car approaches from behind and forces her off the road near a diner. As she bangs on the closed doors for someone to hear her, the assailant opens the boot of his car to retrieve a bat and duct tape. The next day we come to Joe “Deke” Deacon (Denzel Washington), a Kern County Deputy Sheriff, and someone clearly too old to be in such a low position. He is tasked to drive back to his old posting in Los Angeles to pick up some evidence for a court case. When there, he is roped back into his old homicide department by the new guy LASD Det. Jim Baxter (Rami Malek) because there is a murderer on the loose.

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Animals on the Loose: A You vs. Wild Movie – Movie Review

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TL;DR – An improvement on this style of story, but an odd juxtaposition holds it back.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie.

Animals on the Loose: A You vs. Wild Movie. Image Credit: Netflix.

Animals on the Loose: A You vs. Wild Movie Review –

 

One way that Netflix has tried to differentiate itself in an increasingly bifurcated market has been the implementation of ‘choose your own adventure’ films. These echo back to an old style of storytelling, but while the nostalgia has been interesting, none of them has been able to nail the technique so far. However, if anyone has a shot at it, it would be Bear Grylls for the entertainment factor alone.

So to set the scene, we open in a wildlife sanctuary in South Africa, where we find Bear Grylls (Bear Grylls) running from a lion only to reach his car to find it locked. We then jump back earlier in the day to find Bear inspecting a fence to see that something had broken through and that the fence that should be electric is not working. You have to fix, the power, find a baboon, and stop a lion all before a storm comes in.

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