Movie Review – No One Will Ever Know (Nadie Sabrá Nunca)

TL;DR – A film that sines in those moments that display the contrasts in our lives.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

No One Will Ever Know (Nadie Sabrá Nunca). Image Credit: Netflix.

Review

Today we continue our dive into Latin cinema, this time moving away from Mexico and across the Atlantic to Mexico. Unfortunately, I have even less experience here, besides last year’s seminal Roma. Well, today we start to rectify today by exploring a look at colliding worlds at a time of great change.   

So to set the scene, in Mexico, not that long ago, Lucía (Adriana Paz) lives in the rural countryside with her husband Rigo (Jorge A. Jimenez) and her son Braulio (Luciano Martínez). Lucía wants to move to Mexico City and take over a commercial property that her sister Sara (Claudia Santiago) found, but her husband will hear nothing of it. Lucía feels trapped where she is, and there is nothing she can do, well there is one thing, and that is escaping into her own mind, a world of intrigue and mystery.

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Movie Review – Otherhood

TL;DR – A strong cast, dealing with important issues, even if not all of it works.

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Otherhood. Image Credit: Netflix.

Review

To be honest, motherhood is not something I have a lot of experience with, so there is a little disconnect coming into a film all about that. But loneliness and frustration at your life choices, well that’s my jam. This all means that I am coming into this film with some interesting overlap. Well, let’s dive into a world of really, really, awkward conversations.  

So to set the scene, for years three women have grown up as friends brought together because their sons were best friends. However, as life has moved on all their boys Matt (Sinqua Walls), Daniel (Jake Hoffman), and Paul (Jake Lacy) have left home and now live in New York City. While they move on with their lives, their mothers Helen (Felicity Huffman), Gillian (Patricia Arquette), and Carol (Angela Bassett) feel left behind especially on mother’s day when no one calls. Well on that day, they have an annual tradition of getting together to catch up and talk about their lives over a lot of bourbon. Well, this time, they decide that enough is enough, and get in a car and drive down to the city to surprise the boys … and well that goes about as well as you can expect.    

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Movie Review – The Red Sea Diving Resort

TL;DR – A really ambitious film that unfortunately falls into the same traps as a lot of Hollywood films do when depicting Africa’s history.    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene but some pictures of the resort during the credits

The Red Sea Diving Resort. Image Credit: Netflix.

Review

Tonight we take a look at a film that attempts to discover a part of our history that has not been explored at all. However, Hollywood has a very poor history in exploring Africa’s history with film after film glossing over the complexities for hero moments of usually a white protagonist saving the day. While The Red Sea Diving Resort attempts to step away from this past it can’t help but fall into the same traps.

So to set the scene, in the 1980s Ethiopia was tearing itself apart during a bloody civil war, a lot of the innocents were being caught in the crossfire, especially minority groups. One of those groups that were targeted was Ethiopia’s Jewish community. However, there is some hope with Israel’s Mossad sending agents like Ari Levinson (Chris Evans) in to help them get to refugee camps in Sudan. However, this is just a temporary measure, they need a way to get them out of the country. So a plan is set in motion to set up a fake resort on the coast of Sudan as a front to help them smuggle them out to waiting boats. However, this is not something that you can do forever without attracting notice, made worse when actual tourists arrive at the fake resort.

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Movie Review – Hobbs & Shaw (Fast and Furious Presents: Hobbs and Shaw, Fast and Furious: Hobbs and Shaw)

TL;DR – A film that soars when it is in the banter/action grove but falters when it needs to move the story forward.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There are multiple mid-credit scenes as well as an end credit scene

Hobbs & Shaw. Image Credit: Universal Pictures.

Review


 To be honest, if I have a blind spot in modern cinema it is the Fast and Furious franchise. When the films started to come out, I didn’t really jell with the super-serious machismo in what was an inherently silly premise. This looked to be the way for all the films but when The Fate of the Furious came out two years ago, I thought I would give it another watch. Well about the time they used a car to take out a submarine I realised that they had finally realised just how silly it all was and had leaned into it, and that is something I can get behind. That being said, a spin-off the film is still a bit of a gamble, but given how well the director and cinematographer are at actions filmmaking, I walked in being quietly optimistic and with the action, I was not let down.

So to set the scene, two years since the last adventure and Luke Hobbs (Dwayne Johnson) is enjoying his life as a DSS agent and a father to his daughter Sam (Eliana Su’a). However, at that moment in London, an MI6 team is taking out a band of mercenaries that have a manufactured virus and who are about to sell it on the black market. After a clinical takedown of the gang, all is right but then a mysterious figure (Idris Elba) arrives and single handily kills all of the MI6 bar Hattie (Vanessa Kirby) the lead agent. Fearing the virus would get into the hands of evil people Hattie injects herself with the virus to hold on to it while she escapes. The MI6 think she has turned rogue and the CIA, MI6, and the criminal organisation are now hunting her. The only chance she has is if Luke teams up with Deckard Shaw (Jason Statham) and well that has disaster written all over it.

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Movie Review – Djali (2019 AACTA Awards Short Film Competition)

TL;DR – A poignant look at what rock bottom feels like  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

Today we continue our dive into the 2019 AACTA Awards Short Film Competition by exploring a short film from one of Australia’s up and coming actors Hunter Page-Lochard. Here we look at what life is like when you hit rock bottom and that moment where you realise that you need to climb up.

Djali looks at the life of Johnny (Hunter Page-Lochard) who is an inspiring dancer and really good at it until he received an injury to his leg. However, this is just the first in many setbacks as we see him hiding in a dark room reminiscing about the past. Only for his brother Harry (Rhimi Johnson Page) to come and try and shake him out of his funk.

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TV Review – Twelve Forever: Season 1

TL;DR – The animation is fantastic, that characters are charming, and the stories really hit home

Score – 4 out of 5 stars

Twelve Forever. Image Credit: Netflix.

Review

For a while now, I have been wondering what show is going to fill that Adventure Time sized hole that is still in my heart. For a long time it was Steven Universe, but with that gearing up for what might be its final movie I was wondering if anything else would come along. Well, I don’t know yet if Twelve Forever will fill that hole, but at the very least it is interesting as all get up.

So to set the scene, it is Reggie’s (Kelsy Abbott) twelveth birthday, but what should be a time of celebration for her is turned into a disaster when her mother Judy (Bridget Everett) uses the time to help her move into the next stage of her life, the one with deodorant, shaving and bras. Reggie does not want to grow up, all of which is put in the spotlight when all her old toys are put into the garage sale. However, all is not lost because her and her best friend Todd (Antony Del Rio) have a secret, they can escape to a magical realm called Endless Island. They decide to hide the old toys by burying them under the ground. The only issue is that on Endless Island what you bury has a habit of coming to life in unexpected ways.

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Movie Review – Booksmart

TL;DR – While it follows a lot of the plot beats of similar films, it stands out on its own by focusing on the characters that are the heart of the movie.      

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Booksmart. Image Credit: Annapurna Pictures.

Review

There are some scenarios that you see get plaid out in cinema over and over again. Indeed, one of the most popular scenarios is looking at that last few days before you graduate high school. I think it is so popular because it is something that nearly every person in the target audience has or will go through. So it becomes a nexus of past nostalgia and future promise. Either way, it is a scenario that I have seen put to film over and over again, especially in the R-rated comedy genre. However, in all the scenarios, I have never seen a film quite like this.

So to set the scene, high school is drawing to a close and class valedictorian Molly Davidson (Beanie Feldstein) and her best friend Amy (Kaitlyn Dever) are getting ready to survive the final day of classes. Molly is going to Yale and spent all her time at school making that happen, and Amy is getting ready to spend a summer in Botswana as an aid worker. However, Molly’s certainty about her past is shaken when she discovers that all the kids that partied throughout high school also got into top universities. Well, there is only one night left before graduation and Molly know just what to do, she needs to go to Nick’s (Mason Gooding) party so she can have the full high school experience and she is dragging Amy along with her.

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Movie Review – Boi

TL;DR – An odd little film that I don’t think every quite found its footing but left me feeling intrigued    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Boi. Image Credit: Netflix.

Review

Back in my ¡Ay, Mi Madre! review I mentioned that I wanted to explore more of Spanish cinema, what I didn’t realise was just how quickly the next film would roll around. But less than a week later a thriller set in Barcelona arrived on my desk, and I knew I had to check it out. Well, Boi is many things and thankfully interesting is one of them. 

So to set the scene, Boi (Bernat Quintana) is starting his first day as a private chauffeur in Barcelona, but he has a lot on his mind. Including caring for his Aunt (Fina Rius) and a breakdown in his relationship with his partner Anna (Miranda Gas). All of this leads him to completely getting the time wrong of when his first clients were arriving in the country so he has to rush and bluff his way into picking up Gordon (Adrian Pang) and Michael (Andrew Lua) two Chinese businessmen from Singapore. But that is only the start of three very long days.

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TV Review – Another Life: Full Season

TL;DR – A campy schlocky mess at times, but also kind of endearing when it hits its groove

Score – 3.5 out of 5 stars

Another Life. Image Credit: Netflix.

Review

We have been living through an interesting time for Science Fiction on TV, with the rise of streaming services we have seen a plethora of new shows and ideas that both look to the future and reinterpret the past. Today we are getting a Sci-fi show that kind of does both, building upon very real concerns in the world but framing it in a style of Sci-Fi that we have not seen in a long time. With that in mind let’s jump in and explore the full first season.

So to set the scene, we open with a normal day on Earth in the not too distant future after the world has been devastated by a second great depression and the great flood. Things are starting to return to some sort of normalcy when an alien ship smashes through the atmosphere flies across the USA and crashes into a field transforming itself into a huge crystalline lattice. Months later, they are still no closer to finding out what the artefact is or wants, but they have picked up a transmission to the Pi Canis Majoris solar system. To work out what to do they send the USIC Salvare under the command of Niko Breckinridge (Katee Sackhoff) out to investigate. Niko had to leave her daughter Jana (Lina Renna) and her husband Erik (Justin Chatwin) behind as Erik is leading the scientific mission at the crash site. But before too long things start going wrong, and we still don’t know if the aliens are friends or foe.  Now from here, we will be looking at the season as a whole so there will be [SPOILERS] ahead.

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TV Review – Another Life: Across the Universe

TL;DR – This is one of those Sci-Fi shows that has you wondering what the hook is going to be and then it hits you.

Score – 3.5 out of 5 stars

Another Life: Across the Universe. Image Credit: Netflix.

Review

While there have been a lot of issues, one of the best things to come out of the new streaming world has been a new wave or really interesting Science Fiction TV shows. At the heart of this, but by no means the only contributor, has been Netflix that has had a huge slate of really interesting Sci-Fi content. Well, today we get to take a look at its newest addition Another Life with an exploration of its pilot episode Across the Universe.  

Overall, there was a lot of interesting facets in this first episode, but one thing I really liked was the production. The design for the Salvare has facets that are instantly recognisable but also are a little unique. The rings have a visual language of a rotating gravity ship, but there is internal gravity so there is an interesting juxtaposition. The standing sets are also really interesting mixing a bland of high-tech and also maybe-we-filmed-this-in-a-warehouse-somewhere that kind of works. Also, I am a sucker for astronomy, so you had me sucked in the moment you stopped at Sirius A, which they showed in all its glory.

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