Movie Review – Queen and Slim

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TL;DR – It is a provocative and powerful film, while it does not hit every note right, when it excels it does so with gusto   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards –

Nominated: All The Tension.

Queen and Slim. Image Credit: Universal Pictures.

Review –

Some films are just there to provide a little entertainment and then to be done and there is nothing wrong with that because everyone needs a little fun in their lives. However, other films want to be provocative, some films that want to educate, some films that want to hold a mirror up to society, and some that want to all of that and more.  

So to set the scene, we open in a diner in Ohio as two people start the awkward banter of getting to know each other. Slim (Daniel Kaluuya) is interested to know why Queen (Jodie Turner-Smith) picked tonight to respond to his Tinder request after leaving it on hold for weeks, well Queen just didn’t want to be alone that night. After dinner Slim is taking Queen home when they are pulled over by police Officer Reed (Sturgill Simpson) for a very minor traffic infraction. While the officer is checking the car for drugs (which are not there nor was there any reason to believe there was) Queen, a defence attorney gets out of the car and the officer shoots her in her leg. A scuffle ensues and Slim in self-defence shoots the officer in the head killing him. What do you do? Do you stay and try to explain what happens, or do you run? You run!

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Awards – My Top 20 Films of 2019

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TL;DR – 2019 was a great year in film and here are our favourites

So far in our awards, we have looked at Action, Animation, Best of Australia, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into in our Best of 2018 awards, we crown our winner of the best film of 2019.

Now all films are subjective, so our list might look completely different than yours, also we didn’t get to see every film this year which means we will be only drawing our Top 20 from the 128 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.

Okay with that out of the way let dive into the first entry in our list of Best Films of 2019.

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Awards – Worldbuilding that Astounded us in 2019

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One of the benefits of film is that it is a visual media, and that means that it can do in a frame what it might take a book several pages to pull off. Where we see this the most is in its ability to build worlds in front of our eyes.

These worlds could be great space operas that explore galaxies, or a small period piece that looks back in time, or anything. But when every part of the film is being used to tell a story, you know it is good.   

So without further ado, these are films that showed excellence in Worldbuilding 2019. Be warned that there may be some slight spoilers ahead for the films in question, also you can click on the banners to go to the full reviews.

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Humankind – Features Post

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Humankind Title Image. Image Credit: Amplitude Studios/Sega.

In this thread we will be documenting all the new additions for Humankind from Amplitude Studios.

TL;DR: You can layer from 60 different civilizations from history to create your own unique narrative. It will stretch from the Neolithic to the Modern age. In the end, the civilization with the most Fame will be the winner. Full of Humanmade Wonders, Natural Wonders, Units, and Buildings for you to construct.

Note: all images are created by the team at Amplitude Studios

Cultures

The Civilizations. Image Credit: Amplitude Studios/Sega.
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Movie Review – I am Jonas (Jonas/Boys)

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TL;DR – There is an interesting film here, but it just does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

I am Jonas (Jonas/Boys). Image Credit: Netflix.

Review –

In a film, time can be just as much part of the narrative landscape as the words the actors say. It can shape a film, it can direct a film, it can hide and it can reveal. Today, we look at a film that plays with time in its narrative, and while it never quite works it is interesting.

So to set the scene, we open in on a young Jonas (Nicolas Bauwens) playing Tetris on the Gameboy, while his dad fills up the car. Rage quitting he sees something out in the darkness and is attacked by a memory one he can’t shake. Many years later, Jonas (Félix Maritaud) is a very different person, but he is still haunted by the past.   

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TV Review – Star Trek: Picard – Nepenthe

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TL;DR – Picard comes home

Score – 4.5 out of 5 stars

Star Trek: Picard – Nepenthe. Image Credit: CBS Studios.

Review –

Today we look at an episode that I think everyone has been excited for since that first trailer dropped last year. The moment that Picard (Patrick Stewart) meets back up with Will (Jonathan Frakes) and Deanna (Marina Sirtis) is something that has real power to it. However, if the show keeps looking back, can it move forward? Well, that is what we look at today.

So to set the scene, after last week when Narek (Harry Treadaway) activated Soji (Isa Briones) by trying to kill her, Hugh (Jonathan Del Arco) took Picard and Soji deep into the Borg Cube to the Queencell. Here they used a failsafe transporter to take them off the cube at to Nepenthe. This week we open on when they arrive but waiting for them is not a friend, but a hunter with a bow and the arrow is ready to be loosed. Now we will be looking at the episode as a whole so you better believe that there will be [SPOILERS] ahead. 

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Awards – Tension That Kept You On the Edge Of Your Seat!

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Tension is one of the most difficult facets of filmmaking to pull off because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses then the most important part of the film falls apart.

In 2019 we continued to see some excellent use of tension used to build mystery or to be the harbinger of the coming dread, or even the ticking clock of inevitability.   

So without further ado, these are the moments of tension that kept us on the edge of our seats in 2019. Be warned that there may be some slight spoilers ahead for the films in question and you can click on the banners to be taken to the full reviews.

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Awards – The Musical Scores of 2019 That Wowed Us

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One factor that I will always look out for with a film and that is the musical score. I can get caught in the world of the music, as it sits in my head in the days, weeks, months, and even the years that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do know why, or rejoice in the triumph of that final victory.

Music charts the cinematic world, it guides us, it can lift us up, and it can crush our souls, this is its power. So without further ado, these are the musical score that moved us in 2019. Be warned that there may be some slight spoilers ahead for the films in question and if you click on the banners you will be taken to the full review. 

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Movie Review – The Way Back (Finding the Way Back) (2020 film)

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TL;DR – A film that feels more personal than I have seen in a while and at the very least a loot messier     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Way Back. Image Credit: Warner Brothers.

Review –

There are many things that make reviewing The Way Back a difficult prospect. Part of that comes from intentional narrative devices that help the film in some ways and hinder it in others. Also, this is just a really raw film at times looking at a subject material that is both important but also deeply relevant to the lead actor. Which gets us into the realm of how much of this is performance and how much of this is reality thrown up on the screen. All of these are difficult things, but they were because in many respects this is a difficult film.

So to set the scene, Jack Cunningham (Ben Affleck) spends his days alone, even when he is surrounded by people. He wakes up with a beer, he showers with a beer, he drinks on the way to work, he hides booze while he is working, and he drinks himself silly when he gets home. After Thanksgiving dinner with his sister Beth (Michaela Watkins) who is clearly concerned that he is not seeing anyone after his marriage with Angela (Janina Gavankar) fell apart he arrives home to find an odd message on his phone. His old school wants him to come back and be the new basketball coach.

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Exploring the Past – Consequences (Posledice) (2018)

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TL;DR – An exploration of the effects of toxic masculinity and all its consequences.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Consequences (Posledice). Image Credit: Temporama.

Review –

There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.

So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.

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