Tag Archives: British Cinema

“Wuthering Heights” (2026) – Movie Review

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TL;DR – I truly do not know who this film is for. It is an unpleasant experience for those who have never read the novel, and changes so much from the source material that it would be alienating for those who loved it.

Rating: 1.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes which may cause distress.

Cathy in a wedding dress flowing along the moors.

Wuthering Heights Review Introduction –

Okay, I feel like this is one of those films where I need to clarify where I am coming from here. When I was growing up, there were a number of classics on the curriculum, but my school didn’t dive into the works of the Brontë sisters. So, it didn’t form a strong bond with me when I was young. Now, don’t get me wrong, I do not dismiss those who did form a bond because if someone did a film of Dinotopia and botched it, I would also be mad. However, I’m coming into this film without those built-up expectations, for better or worse. [Editor’s Note: It would not have helped either way]

So, to set the scene, Cathy (Charlotte Mellington) is the only daughter of a drunkard fool, Mr Earnshaw (Martin Clunes), who once owned considerable land and prestige but has both figuratively and metaphorically pissed all that away through gambling debts. Cathy has one companion, Nelly (Vy Nguyen), who is, retrospectively, more of a paid lady-in-waiting than a friend. But her life changes when her father brings a boy home, who is given the name Heathcliff (Owen Cooper). They become a fast pair in a land of isolation. But years later, the adult [and probably too old for the source material] Cathy (Margot Robbie) is joyous to hear that they finally have a new neighbour, Edgar Linton (Shazad Latif). While Nelly (Hong Chau) advises against it, and Heathcliff (Jacob Elordi) clearly does not want her to go, Cathy goes to visit the new family, but one sprained ankle changes everyone’s lives.   

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Lord of Misrule – Movie Review

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TL;DR – While it nails the vibes of a film in this space, it didn’t capture me with its narrative, creating a chasm that I could not parse.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A town dances around fires.

Lord of Misrule Review Introduction –

I think one of the most possibly terrifying issues a parent could face is a child going missing. I mean, I lost track of my nephew in an IKEA for thirty seconds, and it was terrifying. That pain of not knowing, the loss of all that is dear. It is in that space full of folk-horror tones that we find ourselves today.

So, to set the scene, deep in the countryside, there is the village of Berrow, where church organs still bellow out their ancient chords. The new vicar, Rebecca Holland (Tuppence Middleton), is trying to find her place in a village with an old soul that runs deep. But their world is turned upside down when her daughter Grace (Evie Templeton) is chosen as the ‘Harvest Angel’ and then disappears at the local festival. No one knows where she went, but Rebecca saw her led into the forest by a demon, or someone dressed as one, not that anyone believes her.  

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Hamnet – Movie Review

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TL;DR – This film emotionally wrecked me. It’s raw to the bone and yet also one of the most cathartic works of cinema I have ever witnessed. Full of unbelievable pain and yet also moments of absolute joy. It exists as both a stunningly beautiful work of art and a profoundly haunting treatise on trauma.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

The Globe Theatre.

Hamnet Review Introduction –

Okay … phew … deep breath … I can do this. In my time, I have watched a lot of films that have made me emotional in the cinema. Indeed, including at least one time when I ugly cried so much the old lady sitting next to me asked if I was okay, oh, and that time when Pixar made us think they were going to kill all the toys in the furnace, I have still not forgiven you for that, Pixar. However, I have never experienced emotions quite the same way as I sat down to watch Hamnet, a film steeped in both beauty and trauma.  

So, to set the scene, we are in a small town in Elizabethan England, where, while tutoring some boys in Latin, a young William (Paul Mescal) sees an enigma walk out of the forest. Agnes (Jessie Buckley) is nothing like any of the other women he has met, understanding the ways of bees, knowing the curative power of herbs, and being the master of birds of prey. It is the combination of traits that makes the town whisper unseemly things behind your back. But when an expedited wedding is needed, a new complicated family is born. But life can be hard in this era, and you never know when it will sneak up on you, no matter how well you prepare.

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The Running Man (2025) – Movie Review

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TL;DR – While it does not have the legs to get all the way to the end. It is powered by the sheer force of will that is Glen Powell’s charisma, and well, he has it in spades.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A performance of The Running Man.

The Running Man Review Introduction –

When I first heard that they were remaking The Running Man, I didn’t hold much stock in how it was going to turn out. The original film is iconic for a reason, and in the 40-odd years since it first came out, who could have done a take on the scenario as well? Indeed, we got a film just like that last year with Jackpot!. However, then you find out that it is being written and directed by Edgar Wright and starring Glen Powell, who is possibly the last traditional movie star out there. Well, then 2025 remake, you have my attention.
  
So, to set the scene, in the not-too-distant future, the situation in America has descended into complete dystopia, where The Network runs the show both literally and metaphorically. Ben Richards (Glen Powell) is out desperately trying to find work so he can buy medicine for his daughter. The Network blacklisted him because he was caught talking to a union. After all, he was concerned about his workers being exposed to radiation. But as things become desperate, Ben signs up for the one thing he promised never to do: be a runner on The Running Man. There, people run for their lives, and if they last 30 days, they get ₦1,000,000,000. The only problem is that no one has ever made the 30 days, as hunters, police, and even the general public are out for blood.

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Downton Abbey: The Grand Finale

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TL;DR – An odd finale full of charm from start to finish, but also a great deal of awkwardness.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Downton Abbey.

Downton Abbey: The Grand Finale Review Introduction –

It looks like we have reached the end of the grand experiment that was the Downton Abbey cinematic experience. After the original Downton Abbey film in 2019, and the follow-up Downton Abbey: A New Era back in 2022, I had wondered if there would be any more, especially after the passing of Maggie Smith’s character, who was such an anchor for the series. Well, today we get to see if they will land this series in a triumph or worse with an uninteresting thud.

So, to set the scene, it is now the 1930s, and grand changes are looming on the horizon of both England and the world. In Downton Abbey, this is marked by Robert Crawley, 7th Earl of Grantham (Hugh Bonneville), hoping that Lady Mary Crawley (Michelle Dockery) will be ready to take over running the entire household. This was meant to be a great handing over from one generation to the next. However, a scandal erupts throughout higher society when it is announced rather publicly in the press that Lady Mary is getting a divorce, an unmitigated scandal for those prim and proper people in polite society. Now the entire household has been shunned, and the question remains if this will be enough to shut down Downton Abbey for good.  

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The Roses – Movie Review

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TL;DR – A film built entirely on the chemistry of Benedict Cumberbatch and Olivia Colman, which is a fundamentally good idea. But then the film makes several choices that make you pause.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Benedict Cumberbatch and Olivia Colman.

The Roses Review Introduction –

Unfortunately, 2025 has not been kind to the satirical Dark Comedy, with many noted filmmakers falling in the attempt to capture that vibe. With film after film falling in its wake. However, can a remake of a classic from 1989 find its footing? Well, to pull that off, you would need to cast two leads with impeccable chemistry and bring it into the 21st century, but there is a chance you can pull it off.    

So, to set the scene, Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) are both professionals working in London and being held back by their respective bosses. However, fate brought them together one day, and the chemistry was instant, so instant that they took a gamble to fly off to California after one meeting. Ten years later, they are married with twins, and Ivy has put her career on hold to raise the family. But when a calamity strikes and Theo is fired, Ivy steps up to take the slack, working in her new restaurant. It is a complete 180° shift in their marriage dynamic, which I am sure will have no lasting repercussions.   

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28 Years Later – Movie Review

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TL;DR – A wildly fascinating film, filled with interesting creative choices. I am not sure that makes it a great movie, but it does make it a wildly engaging one.

Rating: 4 out of 5.

Post-Credit Scene – There are snippets during the credits.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Warning – Contains flashing lights.

Blood splattered across a television playing Teletubbies.

28 Years Later Review –

In the last year or so, we have been inundated with sequels to old films with a significant gap since the previous movie. Think Beetlejuice Beetlejuice or Gladiator II. Well, today we are dipping into the Zombie genre with a sequel that is just as long, but probably works from an alliteration perspective [as long as we ignore months, and let’s be honest, who hasn’t done that at one point]

So, to set the scene, we open in the throughs of the first rage virus outbreak as carnage spreads across the Scottish Highlands. 28 Years Later, the rage virus has been stopped in Europe and now the British Iles are quarantined. No one can leave once they touch the ground. Settlements are few and far between, but on an island off the British coast, a community has survived on Holy Island. Where only a tidal causeway connects with the mainland. Spike (Alfie Williams) lives on the island with his mother Isla (Jodie Comer) who is profoundly sick, and Jamie (Aaron Taylor-Johnson) his father. Jamie desperately wants to take Spike out on his first killing trip, more than a few years before the town would like them to. But as they explore a fallen world they come across something they are not ready for, an Alpha (Chris Gregory/ Chi Lewis-Parry).

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F1 (F1: The Movie) – Movie Review

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TL;DR – The Daddist Dad Film that ever Dadded

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Looking at an F1 Race from the cockpit of an F1 car.

F1 Review –

In the pantheon of cinema, some films are Dad films. Now, that does not mean only men will enjoy them, only that the movie in question is very Dad-coded. If you have ever sat down to watch a film and thought: ‘My dad would like this’ well reader and a fine, elegant, and clearly one of good taste reader at that, have just watched a ‘Dad film’. Today, we look at a film that might be the most ‘Dad Film’ I have ever seen ‘Dad Film’, and it was excellent to boot.  

So, to set the scene, Sonny Hayes (Brad Pitt) was an up-and-coming F1 racer in his youth before a brutal crash took ten years of his life. Since then, he has been chasing different racing challenges, almost like he is knocking off a list of the world’s best races. Indeed, we meet Sonny in the middle of The 24 Hours of Daytona, and he crushes it. But as he makes his way across America to the next race, Ruben Cervantes (Javier Bardem), a former friend from his F1 days and current F1 APXGP team owner, pops in for a visit. For you see, Ruben has a problem: his team has never won a race, their second driver has just quit, and they are sitting on 0 points for the season. If they fail to win a race, shareholders like Peter Banning (Tobias Menzies) could force a sale. All Ruben needs Sonny to do is become the second driver for the rest of the season and help give his experience to their very talented yet very young other driver, Joshua “Noah” Pearce (Damson Idris). Sonny left that world behind thirty years ago, but the allure of one last crack at it can’t help but call him back.

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Escape – Movie Review

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TL;DR – While it dabbles in exploitation, the film never really comes together as a whole.

Rating: 2 out of 5.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A woman running towards a cabin in the desert.

Escape Review –

So, to set the scene, we open with a woman running for her life in a desert as she is being chased by a truck. 24 hours earlier, while a bunch of women have arrived at a luxurious island hideaway for a holiday, at a workshop, a comically evil trafficker is setting out the rules to his henchmen. They need ten women captured to be shipped off by Friday. The women are having a blast, not knowing they are walking into danger.  

Well, there is a lot I can say about this film, but I want to highlight some of its strengths. They make the most of their shooting location on the Canary Islands, which helps the narrative or at least makes it more energetic. I also liked that, on the whole, the women were written as out of their depth but not entirely stupid. For example, realising that maybe having a wrench would be a good idea. However, I think they would have preferred being kidnapped and wearing more practical footwear.

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Black Bag – Movie Review

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TL;DR – Sexy, intriguing, delightful, and also a bit tense. In other words, it is an almost perfect spy film.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A handgun on a wooden table.

Black Bag Review –

It has been a long time since I have seen a spy film perfectly capture that intrigue, where you, the audience, do not quite know what is going on, yet you are profoundly compelled to find out as the machinations of the story unfolds in front of you. Narratively, that is hard to pull off, especially in the modern era where we have seen most of the story tricks you would use in other films. However, in today’s entry, we find a movie that nails that with class.

So, to set the scene, George Woodhouse (Michael Fassbender) and Kathryn St. Jean (Cate Blanchett) look like your normal highly successful power couple, bar one thing: they both work for one of Great Britain’s security services. Kathryn is a renowned field agent, and George is a security specialist whose polygraphs are legendary. They work well together because they know where all the professional boundaries lie. However, this is thrown asunder when a key analyst, Meacham (Gustaf Skarsgård), discovers there are only five people who could have stolen a highly classified weapons program, and one of them is Kathryn. What is George to do? Well, maybe invite every suspect to his house for dinner.   

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