Tag Archives: Drama

Hamnet – Movie Review

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TL;DR – This film emotionally wrecked me. It’s raw to the bone and yet also one of the most cathartic works of cinema I have ever witnessed. Full of unbelievable pain and yet also moments of absolute joy. It exists as both a stunningly beautiful work of art and a profoundly haunting treatise on trauma.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

The Globe Theatre.

Hamnet Review Introduction –

Okay … phew … deep breath … I can do this. In my time, I have watched a lot of films that have made me emotional in the cinema. Indeed, including at least one time when I ugly cried so much the old lady sitting next to me asked if I was okay, oh, and that time when Pixar made us think they were going to kill all the toys in the furnace, I have still not forgiven you for that, Pixar. However, I have never experienced emotions quite the same way as I sat down to watch Hamnet, a film steeped in both beauty and trauma.  

So, to set the scene, we are in a small town in Elizabethan England, where, while tutoring some boys in Latin, a young William (Paul Mescal) sees an enigma walk out of the forest. Agnes (Jessie Buckley) is nothing like any of the other women he has met, understanding the ways of bees, knowing the curative power of herbs, and being the master of birds of prey. It is the combination of traits that makes the town whisper unseemly things behind your back. But when an expedited wedding is needed, a new complicated family is born. But life can be hard in this era, and you never know when it will sneak up on you, no matter how well you prepare.

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The Great Flood (Daehongsu/대홍수) – Movie Review

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TL;DR – A wildly ambitious film about a catastrophe in motion that struggles with its scope as it explores deeper emotional constructions.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Water reaching the 10th floor.

The Great Flood Review Introduction –

There is a reason that floods get the moniker “biblical”, and it is not just what was described in Genesis. Water has an immense, indiscriminate power behind it at the best of times, but when rivers break their banks or waters surge from the ocean, nothing can stand in its way. It forges canyons, it cleaves buildings, and it kills with little effort. It is that power that guides the story today.

So, to set the scene, it is a day that started as typical as anything else as Gu An-na (Kim Da-mi) wakes up to find her son Ja-in (Kwon Eun-seong) already in her bed wanting one more day diving in the pool. But the normalcy was interrupted by rumbling sounds in the distance that the rain could not account for. Rice gets spilt, heads get hit, and a parent is overbearing. It’s honestly not a great start to the day. But when water starts seeping into her apartment from outside, when she lives on the third floor, Gu An-na realises something is very wrong, even if her son thinks this is the best day in the world.    

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The History of Sound – Movie Review

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TL;DR – It is both profoundly moving and also downright frustrating. The visual construction was some of the best all year, yet it pondered along, afraid to commit to what its thesis statement was.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

A river flowing in a forest.

The History of Sound Review Introduction –

Today, we are looking at a film that existed in a state of dissonance for me, from the heights of beauty that you see throughout, to the despair of frustration. Some of this dissonance is purposely built into the film, an intentional conversation in subtext. However, while that is important, you can’t forget the actual text.
 
So, to set the scene, Lionel Worthing (Paul Mescal) has always had a special relationship with music since he was a child, able to feel it, see it, and manipulate it. It was this gift that took him in 1917 from the rural farm in Kentucky where he grew up to the Boston Conservatory to study music. It is here that he came across fellow student and composer, David White (Josh O’Connor). They had an instant bond, but war broke out, and David was drafted. David returned in 1919 and asked Lionel to join him on a trip collecting and recording folk songs, a trip that would have a marked impact on both their lives.

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Wicked: For Good (Wicked: Part Two) – Movie Review

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TL;DR – While Cynthia Erivo & Ariana Grande still shine, the choice to split the film into two parts has had a detrimental effect on the pacing, narrative, and structure of the film.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A propaganda poster of the Wicked Witch.

Wicked: For Good Review Introduction –

If I look back on the last twelve months, there may have been one film, outside of Chicken Jocky, that captured the imagination of people in the cinemas. It felt like everyone was holding space for Wicked, as it dominated the box office and broader pop culture. Thanks mainly to it being anchored by two of the best lead actors in the business for a musical film like this: Cynthia Erivo & Ariana Grande. But here’s the thing, and it’s a big one. The choice to end the first film at the traditional intermission moment meant that everything that the general public understood of Wicked was all in that first film, and thus, I was worried about how Part Two would go. I think I was right to be concerned.  

So, to set the scene, at the end of Wicked, Elphaba (Cynthia Erivo) discovered that the Wonderful Wizard of Oz (Jeff Goldblum) is nothing but a fraud. Oz and his accomplice Madame Morrible (Michelle Yeoh) needed Elphaba’s natural magical abilities, but not if she was a threat. So Elphaba escaped their clutches, but has now been branded the “Wicked Witch of the East” in a propaganda campaign that stretches across the lands. Everyone now has to live with the consequences of their actions. Glinda (Ariana Grande) always wanted to be in the spotlight, but is she willing to do what it takes to stay there when it means betraying her friends? And will Fiyero (Jonathan Bailey) discover his strength before it is too late?   

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A House of Dynamite – Movie Review

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TL;DR – As divisive as it is fascinating, anchored on understandable tension, and character performances that rocked me at times.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Sun rising behind the Washington Monument.

A House of Dynamite Review Introduction –

We are getting to the pointy end of the year, and that means it is time to start catching up with a bunch of the films that I missed this year. This is made more apparent because I just spent a month away in Japan, and there are a bunch of films that I missed while I was away. The first cab off that rack is a political thriller that explores the calamity of nuclear weapons, which means that this is already 100% my jam.

So, to set the scene, it is just a typical day for people around the world, including those in the missile defence systems in Fort Greely, Alaska and those in the Situation Room in Washington DC. But tensions have slowly been growing around the world, and when you have a fuel around, all it takes is one match for it all to explode, which is when a ballistic launch is detected over the Pacific Ocean, heading right to the USA. A nuclear event that everyone has feared is now a reality.   

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Regretting You – Movie Review

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TL;DR – A delightfully funny film filled with earnest emotion.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Standing at the town limits.

Setting the Scene

In my line of work, you tend to get a good sense of a film before you have even walked into a cinema, that is because so much of it gets released in the marketing process. However, today we have one of those gems that I knew nothing about before walking in, other than what you could glean from the theatrical poster. So, I could be completely surprised by the fun yet emotional romp I was about to watch.  
 
So, to set the scene, back in the day when they were teenagers, Morgan (Allison Williams), her sister Jenny (Willa Fitzgerald), and their boyfriends Chris (Scott Eastwood) and Jonah (Dave Franco) were inseparable. But when Morgan gets accidentally pregnant, she and Chris build a life together. Seventeen years later, Jonah has popped back into Jenny’s life after being away for over a decade, and they now have a new baby, Elijah (Ryan Conner Simmons/ William Burnham Simmons). Also, Morgan and Chris’ baby Clara (Mckenna Grace) is now all grown up and giving lifts occasionally to the cutest boy in the school, Miller (Mason Thames). Everyone is content with their lives, knows what their future will be, which is the right thematic moments for a tragedy to rip that all apart.

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Neighborhood Watch – Movie Review

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TL;DR – Anchored by two solid character performances, it does make for an interesting if slow watch.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes and language that may cause distress.

Jack Quaid standing in the middle of an alley.

Setting the Scene

Today, we are looking at a very odd film. It is a very slow burn; you can never be entirely sure as to what is going on, and it is filled with fascinating performances. It is the kind of film that will captivate some, while leaving others cold, and that is an interesting intersection to explore.

So, to set the scene, Simon (Jack Quaid) has spent a long time in and out of hospitals, which has made much of his life, including getting a job, difficult. It is hard to make connections when someone is yelling in your head and only you can hear them. When Simon sees a woman get kidnapped, he tries to report it to the police. But no one believes him because of his medical past, but there is one hope, his neighbour Ed Deerman (Jeffrey Dean Morgan), who used to be the head of security of the local college. They are not the most convincing pair, but they may be this woman’s best hope, if she exists at all.   

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One Battle After Another – Movie Review

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TL;DR – This is a chaotic, uncomfortable, taut, and downright weird film, but it is also completely captivating from the opening frame to the closing credits.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A road meandering up and down over some hills.

Setting the Scene

2025 has been an odd year for noted Indie directors trying to tackle the political situation in America at the moment, because most of them have floundered in the attempt. They have been trying to capture the moment, but their stories get lost in comedic attempts or a poor understanding of the very topics they want to analyse. However, today we are looking at a film that just might have cracked the code with one secret weapon that gets lost in cinema at times, intentionality.   

So, to set the scene, we open as a number of self-labelled revolutionaries, including Pat Calhoun (Leonardo DiCaprio) and Perfidia Beverly Hills (Teyana Taylor), who are staking out an immigration detention facility near the border in California. In the middle of the night, they strike, liberating the camp and beginning their revolution against corporate and oppressive elements of America. The French 75 group places bombs in courthouses, robs banks, and causes general calamity. However, you don’t make that much noise without attracting foes, and little do they know that Colonel Steven J. Lockjaw (Sean Penn) is hunting them all down, or maybe just Perfidia.   

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Downton Abbey: The Grand Finale

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TL;DR – An odd finale full of charm from start to finish, but also a great deal of awkwardness.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Downton Abbey.

Downton Abbey: The Grand Finale Review Introduction –

It looks like we have reached the end of the grand experiment that was the Downton Abbey cinematic experience. After the original Downton Abbey film in 2019, and the follow-up Downton Abbey: A New Era back in 2022, I had wondered if there would be any more, especially after the passing of Maggie Smith’s character, who was such an anchor for the series. Well, today we get to see if they will land this series in a triumph or worse with an uninteresting thud.

So, to set the scene, it is now the 1930s, and grand changes are looming on the horizon of both England and the world. In Downton Abbey, this is marked by Robert Crawley, 7th Earl of Grantham (Hugh Bonneville), hoping that Lady Mary Crawley (Michelle Dockery) will be ready to take over running the entire household. This was meant to be a great handing over from one generation to the next. However, a scandal erupts throughout higher society when it is announced rather publicly in the press that Lady Mary is getting a divorce, an unmitigated scandal for those prim and proper people in polite society. Now the entire household has been shunned, and the question remains if this will be enough to shut down Downton Abbey for good.  

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Kangaroo (2025) – Movie Review

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TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction –

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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