Kid Snow – Movie Review

TL;DR – While it is an interesting scenario, and the cast is giving their all, you just can’t quite shake the feeling that the movie never finds its feet.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

Warning – contains scenes that include multiple flashing lights.

Kid Snow and Lizard run up a hill.

Kid Snow Review

There are a lot of factors that go into making a good film: the cast, the story, the idea, the production, or even the budget. While you don’t have to get all of them right, it does help because just one of these factors can hold a film back from its full potential. Today, we look at a movie that excels in many of these points, but the one that holds it back is like an anchor dragging along the ocean shore.

So, to set the scene, it is 1971, and in the small towns across the deep Outback of Australia, there is a rolling fair that comes to town, including a boxing ring. Run by Rory (Tom Bateman) and headlined by his brother Kid Snow (Billy Howle), along with a motley of other performers, they charge money to get the locals to fight them. If they win, there are riches, but let’s be honest: no one ever wins. This was going well, okay, at least they were surviving, but when Hammer (Tristan Gorey), a ghost from Kid Snow’s past and current Australian champion, returns to challenge him to a boxing match for real money, there is a chance of him reclaiming his past. But it might be the arrival of Sunny (Phoebe Tonkin) into their lives on the same night that will have more of an impact on their futures.     

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Touch (Snerting) – Movie Review

TL;DR – This is a stunningly beautiful portrait of a man’s life that feels both deeply personal and universal in what drives him. It is profoundly moving and full of narrative grace that could have been all melancholy but is instead full of heart and joy.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Kristófer looks out over a city scape.

Touch Review

I know this is only August, and there are many films I will see this month, let alone by the end of the year, but today, can I say that we are looking at one of my films of the year. If not, the film of the year. This is such a stunning work that it has sat with me the whole time since I first watched it. I mean, Touch is such a beautiful film that I am getting emotional from writing about it now.

So, to set the scene, Kristófer (Egill Ólafsson) is going through the motions of his life in Iceland at the start of the COVID pandemic. He is a famous restaurateur on the island, but he has now closed his restaurant and is spending time at a local choir and trying to invoke his past diaries. But as the world starts to close up, Kristófer sets on a mission to answer one of the great questions of his past when he (Palmi Kormakur) was a young student in London and one day, he walked into a Japanese restaurant and met Miko (Kōki).

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The Ministry of Ungentlemanly Warfare – Movie Review

TL;DR – Big personalities and a lot of action, but not a lot more than that.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Anders Lassen looks through a porthole covered in blood.

The Ministry of Ungentlemanly Warfare Review

If there is one film that people have asked me for, it is what happened to The Ministry of Ungentlemanly Warfare? It looked like it was everywhere, and then it disappeared, but that cast and director should have cut through. Well, today, we have a chance to answer that question and give it a look as it finally got a release here in Australia.   

So, to set the scene, it is the height of WW2, and things are not going well for the Allies. In the middle of the Atlantic, patrolled by German U-Boats, a sailboat is being inspected by Nazis. The Nazi Commander does not like the laughing Swedes, even less when those Swedes mow down all his men. It is here that we discover just what is going on. The UK is the last significant power in Europe, not occupied by Axis Powers, and they are being cut off from the air and sea. Hitler is not playing by the rules, storing the rearming operations for the U-Boats in neutral territory. Well, then, it is time for the UK to retaliate with a group of soldiers who do not play by the rules. Led by Gus March-Phillipps (Henry Cavill), Operation Postmaster, all they have to do is sink an Italian Ship in neutral territory before the Nazis move it. To do this, they need a team: Henry Hayes (Hero Fiennes Tiffin), the navigator; Freddy Alvarez (Henry Golding), the explosives expert; Anders Lassen (Alan Ritchson), who is good with wet work, and Geoffrey Appleyard (Alex Pettyfer) intelligence. With Heron (Babs Olusanmokun) and Marjorie Stewart (Eiza González) embedded on the island of Fernando Po, it should all go fine … right …?   

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Shōgun: Season 1 – TV Review

TL;DR – This is a polarising show in that it will either suck you into its world or create barriers that make it hard to be connected. I was the first, but I could understand why you could be the latter.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Warning – Contains scenes that may cause distress.

Samurai salute.

Shōgun Review

When you hear that an American studio is going to take on a Japanese story, that raises some alarm bells, but then it is a story about Japan written by an Australian in the 1970s. Well, you take a moment to have a grave concern. However, the more I heard about the series and the role of Japanese creatives like lead Hiroyuki Sanada, the more I had to check out, and I am glad that I did.  

So, to set the scene, it is the year 1600, and only Portugal has been able to make inroads into the closed society of Japan. But there is a change in the air, with the reigning Taikō dying and not clear succession. This is an opportunity for both those within and those without to change up the status quo. But in all times of change comes chances for great riches and terrible defeats. One such entrant into this Dutch merchant led by Englishman navigator John Blackthorne (Cosmo Jarvis), whose convoy was hit with storms, starvation, dehydration, and despair when it crashed into the Japanese coastline, with only one ship of five remaining. But Blackthorne arrived in the Japans at an exciting time. For there is a power vacuum, and many people are trying to fill it, one of which is Lord Yoshii Toranaga (Hiroyuki Sanada), the local bushō and lord over Kantō. Blackthorne cannot speak a word of Japanese, but he is fluent in Portuguese. This is good because Lord Toranaga has a Portuguese speaker in his entourage, Lady Toda Mariko (Anna Sawai). The bad news is that the Portuguese are Blackthorne’s enemies. In religion, in regional competition, and can control if Blackthorne lives or dies. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.        

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The Bikeriders – Movie Review

TL;DR – While this film is a beautiful character feature, however, its pacing and subject matter make it difficult to connect and care.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Tom Hardy rides into town.

The Bikeriders Review

Today, we are looking at an interesting film because it has been a weird rollercoaster for me. When I first heard of the premise and cast, I was so giddy. It was a combination that had to be seen to be believed. But then that first trailer dropped … and it was not great. I came into this screening with more than a bit of apprehension that ended up being a little justified.

So, to set the scene, it is 1965 and fresh new journalist and photographer Danny Lyon (Mike Faist) is interviewing people from the Vandals motorcycle club. Of particular interest was Kathy Cross (Jodie Comer), who entered this world as an outsider before falling in love with the dangerous but charming Benny (Austin Butler). Everything is going well under the watchful eyes of leader Johnny Davis (Tom Hardy). But the question is: is that security earned, or is everything on the cusp of falling apart?

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Hundreds of Beavers – Movie Review

TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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The Convert – Movie Review

TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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Doctor Who: Rogue – TV Review

TL;DR – An entertainingly camp episode, playing into the current hotness.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

The aftermath of a dual.

Doctor Who Review

It does not matter if you are Doctor Who, James Bond going into space, or that one time Deep Space Nine was James Bond. When there is a current hotness in pop culture, you know people are going to ride that vibe. Well, it doesn’t take much to see that Bridgerton is the current hotness, so slap on some suits and frocks, amp up the drama, and let’s all go to a dance.  

So to set the scene, it is the year of our Lord 1813, and we are at a high society function, my dear, in the most exotic place we can find: Bath, England. We pan down to two gentlefolk who have a row over the honour of one of their sisters. The only problem is that when a dual is called, one of the men is packing electricity. But of course, it would not be a party without The Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) popping by, and well, who is that brooding man on the balcony (Jonathan Groff)? Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The Holdovers – Movie Review

TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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The Boys in the Boat – Movie Review

TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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