Movie Review – Mary Poppins Returns

TL;DR – This is a film with two halves, the beautiful story of a family coming together in the face of a crisis with the help of Mary Poppins, but also a story about how it is individuals and not big corporations that are bad … from Disney … umm  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mary Poppins Returns . Image Credit: Disney.

Review

Mary Poppins is a movie that is quite dear to me. When I was a child it was one of those films that we would watch as a family on a Saturday night. I honestly I was not really all that on board with the remake/sequel hybrid film all the trailers seemed to imply that we were about to get. As well as this, I am starting to get a little tired of Disney’s ‘Weaponised Nostalgia Era’.  Well, that is what I thought walking in, but then a wave of joy enveloped my life leaving a smile on my face and tears rolling down my face.  

So to set the scene, it has been a number of years since the first film and the Banks’ children have grown up. Michael (Ben Whishaw) is, well was, a painter, who married and had three lovely children Annabel (Pixie Davies), John (Nathanael Saleh) and Georgie (Joel Dawson) before his wife tragically died. This has understandably sent ripples through the family, made all the worse when there is a knock on the door and we discover that the bank is foreclosing on the house because Michael has fallen behind paying back a loan, the same bank his father helped run, and the same bank he currently works for. Well, the whole family, including his sister Jane (Emily Mortimer) helps to look for their father’s shares in the bank in the last ditch effort in saving the house, when who should appear at the end of a kite, none other than Mary Poppins (Emily Blunt) herself.

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Movie Review – Storm Boy (2019)

TL;DR – A movie that has good moments, but is hamstrung by its narrative framing device that was unhelpful and unneeded     

Score – 3 out of 5 stars

Post-Credit Scene – There is a post-credit scene but not one you need to stay back for

Storm Boy. Image Credit: Sony.

Review

When you grow up there are these touchstone moments as you discover the world of cinema. For me, and I would say a lot of people in my generation that grew up in Australia, the original Storm Boy movie was one of those moments (well until you have to write an essay on it for English, which was the worst. Well, it has been many years since I have watched the original, so I was really interested when I heard they were remaking it, well that was until I saw it.

So to set the scene, we do not start with the story of the pelicans, but instead, we begin many years later when Storm Boy has grown into being an old man (Geoffrey Rush). He is back in Australia because his son-in-law (Erik Thomson) is holding a vote to allow mining on his company’s pastoral land. The old man’s granddaughter Madeline (Morgana Davies) is very much opposed to it, but he is all just a bit ambivalent to it because it is not really his business anymore. But before the vote could be cast a storm damages the building and we get a day’s pause. It is during this time that he decided to tell his granddaughter the story of when he was a child (Finn Little) and he and Fingerbone Bill (Trevor Jamieson) found some baby pelicans, orphaned after hunters killed their parents.

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Movie Review – Instant Family

TL;DR – There are some moments of real humour and it can be really heartfelt, but it has also be smashed into a rigid three-act structure to the point that you can see the plot beats coming a mile away.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Instant Family. Image Credit: Paramount Pictures.

Review

Adoption and foster care are two very important issues in society today. There are not enough foster parents for all the kids in the system, meaning that they get bounced around from house to house, or left in a worst state than when they came in. Which is a tragedy because these are some of the most vulnerable members of society and we need to be protecting them. Today we look at a film that explores this issue by looking at what happens when you go from having no kids to having three.

So to set the scene, Pete (Mark Wahlberg) and Ellie (Rose Byrne) are a couple going through life that seemingly has it all. They run a successful renovation business where they buy down and out houses and then do them up to flip them for a profit. This helps gives their lives purpose, until one day Ellie’s sister mentions that they are never going to have kids and a look ensues. This leads to them having a look at adoption websites and being overcome by the need. So they attend training run by Karen (Octavia Spencer) and Sharon (Tig Notaro) and on a lunch playdate/get to know all the kids/totally weird event, they come across Lizzy (Isabela Moner) who everyone else is ignoring because they don’t want teenagers. They really like Lizzy but there is one catch, she comes with two siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz) and all of a sudden they become a family of five.

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Movie Review – How to Train Your Dragon: The Hidden World (How to Train Your Dragon 3)

TL;DR – Beautiful, joyous, funny, emotional, a film for everyone, and one of the best sequels I have seen a very long time   

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene, but the credits are delightful

How to Train Your Dragon: The Hidden World. Image Credit: Universal Pictures

Review

The How to Train Your Dragon series has been one of those little gems that keeps binging quality films, time and time again. It is a really simple premise, you live in a world with dragons, and you can either fight them or make friends with them. It is a simple but effective morality tale about fearing what you do not know and finding a new way forward. Well, today, the third film in the series is out in cinemas and we thought it was really good, like really, really good, like you really need to go see it good.

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Movie Review – The Favourite

TL;DR – At times funny, at times perplexing, and at times very dark, it explores the world of immense power and those who want to obtain it, and the damage that can do.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Favourite. Image Credit: Fox Searchlight

Review

We live in a world where thanks to technology we can explore galaxies far away, to fantasies imagined in every which way, but sometimes reality can be stranger than anything we can muster. Today we are exploring a film that is set around the power politics of last years of the House of Stuart as different people position themselves in an ever-shifting world. This would be interesting enough in itself, but in both a less and in some cases more dramatic way this is what really happened (or at least what was alleged to have happened) in real life. It is a snapshot of absolute power, but also of sadness, and regret.

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Movie Review – Holmes & Watson

TL;DR – This is one of those films where you walk out thinking three things, 1) how dare you charge people money to see this, 2) I am embarrassed for everyone involved in the film & 3) how dare you charge people money to see this     

Score – 0 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Watson and Holmes. Image Credit: Sony

Review

Sometimes you see a film and you have to wonder ‘how did this get greenlit’, like people paid over 40 million dollars to put this together, agents recommended this movie to their clients, and they even got Alan Menken to write a story. However, instead of being excited when every big name cast member walked onto the film, you felt sad, like ‘oh no, they dragged Hugh Laurie into this mess too.’ Why is that, well this is because this is the worst film I have seen all year, and since I am writing this on the 31st of December, I doubt that will be surpassed because this is also the worst film I have ever reviewed. Hey good news Pixels, you are not on the bottom anymore.   

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Movie Review – Black Mirror: Bandersnatch

TL;DR – While there is some clear potential in the interactive story model, my particular playthrough of Bandersnatch was less engrossing and for me more frustrating than anything else.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Black Mirror: Bandersnatch, Image Credit: Netflix.

Review

Black Mirror is a series that is always looking to be on the cutting edge of narrative storytelling. It twists worlds in on itself, leads the viewer down the garden path only to cut their legs out from underneath them, or destroys the nostalgia we have for the past, or indeed the hope we have for the future. So, when it dropped a couple of days ago that there would be a feature-length episode, well that was some interesting news, but then when it was announced that it would be a ‘chose your own adventure’ with multiple endings and user interaction, well this went from intriguing to must watch in a heartbeat. However, now that I have seen it I feel that maybe the idea did not match the execution. Also, because this is a chose your own adventure, it actually makes it difficult to review because my experience is going to be possibly a lot different to what yours will be. Maybe I just drew the short straw and hit all the frustrating options, maybe you’ll be luckier than me, which from the discussions on the internet might just be the case, I just simply do not know. Well with that in mind let’s take a dive into a world with multiple paths and endings.

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Movie Review – Bird Box

TL;DR – There are moments of real suspense, and Sandra Bullock is amazing, but the structure of the story holds it back by revealing its hand too soon.      

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Bird Box. Image Credit: Netflix.

Review

2018 has been a good year for the suspense thriller/ horror films, we have built on the strengths of 2017, a produced such amazing films as A Quiet Place (see review) and Cargo (see review). I bring A Quiet Place up because after the first few minutes you can tell that this is the film Bird Box is going to be compared to the most, and that is not entirely unfair. As they are both suspense post-apocalyptic films where you have to cover one of your senses to survive i.e. sound, or in this case sight. However, this was less the case of copying a more the case of producers seeing that suspense films are back (also they never left but that is an issue for another day) and optioning different books at around the same time. However, while it is a bit unfair to compare the two while watching you can’t help but do so, especially when the differences between the two are probably the reasons why I liked one more than the other.

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Movie Review – Roma

TL;DR – Delightful, heart-breaking, alienating, immersive, full of complicated people in complicated relationships, a film that I would recommend everyone to see.        

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Roma. Image Credit: Netflix.

Review

There is always an interesting feeling when the credits start to roll and the world comes back into focus, and the wave of emotions that have built up over the last few hours comes crashing down. Do you realise that you just wasted the time on something with no substance, or did your whole world change whilst time stood still? Well, today we look at a film that falls more on the later side of that divide. A world where everything is right and normal, and it all can be pulled out from underneath you in a moment. A film that will stay with me for the weeks and months to come.

So to set the scene, we open in on 1970 Mexico City as Cleo (Yalitza Aparicio) washes the tiles of the driveway of the house she works at. We watch as she gets the house ready for the day for her employers Sofía (Marina de Tavira), Antonio (Fernando Grediaga), and their children Paco (Carlos Peralta), Pepe (Marco Graf), Sofi (Daniela Demesa) and Adela (Nancy García García). Cleo is an indispensable part of the family, but then she is also not part of the family because she is a maid and this disconnect filters throughout the film. Things in the household shift when Antonio leaves for a conference in Canada and stays longer than planned, and when Cleo meets a man Fermín (Jorge Antonio Guerrero) and the tension under the surface of Mexico starts to rupture.

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Movie Review – Aquaman

TL;DR – Bombastic, silly, overly long, but still by far some of the best fun DC has made so far.    

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Aquaman. Image Credit: Warner Bothers.

Review

To say that the DC Expanded Universe has had a rough launch up to this point would be a bit of an understatement. Indeed, of all the past films, only Wonder Woman (see review) felt like a coherent film in any great sense. So, more than ever, the first film after Justice League had to hit the ground running, even more so after background conversations that the expanded universe was losing a lot of its big-name talent. Now while Aquaman is not a perfect film, it is a film with a lot of style, and more than most of the films that have come before it was just fun.

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