Mr. & Mrs. Smith: Season 1 – TV Review

TL;DR – This fascinatingly compelling series that took the essence of the film and then turned everything up to eleven while providing a slightly more plausible scenario.

Rating: 4.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

End Credit SceneInfidelity & A Breakup have mid-credit scenes.

Donald Glover & Maya Erskine

Mr. & Mrs. Smith Review

If you are of my age, then you know about the cultural moment that was Mr. & Mrs. Smith even if you never watched the film. I did get to watch the movie at the time, and it was funny, entertaining, and incredibly hot. However, that was such a moment in pop culture history that, understandably, no one has attempted to take another stab at it before now. But after a troubled production, can the show reach the heights of where it came from? I would say yes. 

So to set the scene, we open in a small house in the middle of nowhere. It is here where John Smith (Alexander Skarsgard) and Jane Smith (Eiza Gonzalez Reyna) are enjoying a glass of wine until an unannounced car arrives and kills the both of them. Later, we see two anonymous people going through the application process to join an independent spy agency. This application process is about finding a compatible partner as well as seeing if they are a good fit for the agency. But as John (Donald Glover) and Jane (Maya Erskine) Smith settle into their new brownstone in New York, they soon discover just how intense this job can be. We will be looking at the season as a whole from here, so there will be some [SPOILERS] ahead.

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Kill Me If You Dare (Zabij Mnie, Kochanie) – Movie Review

TL;DR – It is an incredibly silly film, but if that is the vibe you are after, then it nails it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A knife falls to the floor.

Kill Me If You Dare Review

I think there is one thing that is almost universal across most cultures: what would you do if you won the lottery, or as we call it here, the lotto? Just asking that question probably provoked a number of thoughts as to what you would do with such a large amount of money. But what would you do if you were married and things were not as good as they could be?

So to set the scene, we open in this grand romantic gesture as Piotr (Mateusz Banasiuk) races to catch Natalia (Weronika Ksiązkiewicz) before she leaves on the train. But while he misses the train, he does not miss the love of his life, and he instantly proposes. Five years later, the love is not as strong as it once was, but maybe a shock lotto win might change that. Well, perhaps not if each other thinks the other wants to murder them and take the money for themselves.

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Force of Nature: The Dry 2 – Movie Review

TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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Ashes (Kül) – Movie Review

TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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Badland Hunters (Hwang-ya/황야) – Movie Review

TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Kitchen – Movie Review

TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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The Color Purple (2024) – Movie Review

TL;DR – While it has its powerful moments, you can’t help but sit there and feel that this would have been better not as a musical.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening for this film

Warning – Contains scenes that may cause distress.

Celie and Nettie play in a tree.

The Color Purple Review

Today, we are looking at a film that is quite difficult to parse because it is a film of mountains and valleys. When it soars, it soars, and you are captivated by the movie as it sweeps through the sky. But for every peak, we must then wade through a deep valley of missed opportunities. It is such a stark range that it is hard to find your footing at times.

So to set the scene, Celie (Phylicia Pearl Mpasi) and Nettie (Halle Bailey) are grouping up on the Georgia coastline at the start of the 1900s. Things are difficult for the sisters for many reasons, most notably their step-father Alfonso (Deon Cole). His actions have led to Celie being pregnant twice now and both babies being sent away. Life for Celie only becomes worse when she is married off to Ol’ Mister Johnson (Louis Gossett Jr.) and her sister is sent away. But the coming of Shug Avery (Taraji P. Henson) might be the chance Celie (Fantasia Barrino) needs to find herself.       

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Sixty Minutes (60 Minuten) – Movie Review

TL;DR – While the narrative needed some strength, we got a quality action film with some stand-out brawls.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Octavio runs while time counts down.

Sixty Minutes Review

It is Action Friday because after finishing off the final episode of Reacher’s second season, it is time to take a trip to Berlin to check out a German action film. While we have seen a lot of action films, I realised that I have never seen one out of Germany before. Well, today is the day I will fix that.

So to set the scene, Octavio Bergmann (Emilio Sakraya) is an MMA fighter who is stuck in a dilemma. He is facing the biggest and most prosperous fight in his life. But it is also his daughter Leonie’s (Morîk Maya Heydo) birthday, and the fighter Benko (Aristo Luis) is late, very late. He is stuck between a rock and a hard. But when his ex and mother of Leonie, Mina (Livia Matthes), gives him an ultimatum: see his daughter by 6 pm (one hour away) or be cut out of her life, well, that decision becomes clear for Octavio. Just maybe not for all the shady people who put bets on the fight. Oh, and it is rush hour in Berlin.

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Lift – Movie Review

TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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